Ariana Grande Announces New Album Petal Ariana Grande has a new studio album on the way. Petal, the follow-up to Eternal Sunshine, is executive produced and co-written by Grande and Ilya, reuniting her with the “Problem” hitmaker. The album is due July 31 via Republic. Check out the cover art below.

Heavy Serenade NMIXX抵达了如同空旷空地一般的MIXXTOPIA。MIXXTOPIA虽是与现实别无二致的空间，亦是空旷之境。 少女们聆听着星球的心跳之声。这颗星球流淌着六位少女心跳交织相融的声响。少女们恍然领悟，这颗星球正因她们的到来而悸动不已，如同孩童好奇又期待着自己未来的成长模样。 身处空旷之境，在万事皆有可能的世界里，少女们期许让饱含爱意的一切生根生长，既绽放在彼此心底，也繁盛于这片大地。 《Heavy Serenade》是承载着少女深沉且坚定心意的爱之颂歌。少女们的歌声，化作让爱意肆意生长的Heavy Booster。 [TRACK LIST] 01. Crescendo 《Crescendo》是一首另类流行歌曲，温柔旋律与凌厉切入的合成器、鼓点、Song Form形成鲜明反差，营造出极具戏剧感的氛围。前奏澄澈的八音盒旋律在尾奏再度重现，节拍器般的音轨之上，成员和声相融的副歌极具感染力。歌词借用音乐术语，诠释了即便身处艰难境遇，对彼此日渐浓烈、满溢而出的深情。 02. Heavy Serenade (*Title) 主打曲《Heavy Serenade》将Trance、Acid、Drum & Bass等raw音乐元素，巧妙MIXX于精致流行曲风之中。电影感十足的鼓点与Modal Interchange Chord Progression营造出神秘氛围，后副歌部分融入爆发力十足的摇滚曲风，华丽收尾即将喷涌而出的爱意。传递笃定深沉爱意的歌词由艺人HANRORO参与创作，诗意细腻地寄托真挚心境。 03. IDESERVEIT 《IDESERVEIT》是以 Boom-Bap 与Afro为基底，融合极简质感音效的MIXX POP曲目，可同时感受酷感说唱与 R&B 唱腔魅力。预副歌Afro风格的节奏律动、副歌的 Boom-Bap 鼓点与电子质感人声，以及Pad Sound铺满的华丽桥段，借由Drum Fill完成镜头切换般的段落递进。歌词讲述正因有过往奋力前行的自己，才能安然享受当下的人生心境，副歌逐字拆解歌名的歌词编排令人印象深刻。 04. Different Girl 《Different Girl》融合Trap Drum、R&B和弦走向与梦幻合成器音色，是以 NMIXX 独有的风格全新打造的Future Bass曲目。慵懒舒缓的旋律与人声，搭配别致乐器及特效音效，营造出可爱的氛围。歌词借用天体意象，描绘出邂逅闯入自己世界的那个人后，心生独特悸动、深陷其中的模样。 05. Superior 《Superior》颇具进行曲氛围感，以极具冲击力的鼓点和富有张力的人声为主轴，节奏紧凑利落，尽显 NMIXX独有的压倒性Soundscape。歌词以电影化且生动的描写，刻画出 “跨越黑夜”“立于太阳之上”，奔赴心中所求的坚定姿态。 06. LOUD 《LOUD》融合Drum & Bass与Jersey Club Beat，梦幻合成器键盘搭配真假声自如切换的人声，打造出亮点十足的流行曲风。尤其副歌层层叠加的人声和声，饱含深沉感染力。本曲由成员LILY参与作词，吟唱着那份坦荡炽热、不愿掩藏的浓烈爱意。 [CREDIT] 1. Crescendo Lyrics by 릴리, 김민정 (lalala studio), 현지원, 백소현 (INHOUSE), 김세진 (ARTiffect), Mehere (ARTiffect) Composed by 2Summery, Kristine Bogan, Ido Nadjar Arranged by 2Summery Original Publisher JYP Entertainment, lalala studio, INHOUSE Publishing, ARTiffect Music, Concord Music GmbH, Copyright Control Sub-publisher JYP Entertainment, Sony Music Publishing, Fujipacific Music Korea, INHOUSE Publishing, ARTiffect Music (affl. Sony/ATV), Music Cube, Inc., Copyright Control Sessions Computer Programming by 2Summery All Instrumental by 2Summery Synth by 2Summery Keyboard by 2Summery Background vocals by LILY, HAEWON Vocals directed by 2Summery, C’SA Vocals edited by C’SA Recorded by 구혜진 at JYPE Studios Mixed by Ken Lewis for KenLewis.com Mix Assistant by Jonathan Garcia Mastered by 권남우 @ 821 Sound Mastering Mixed in Dolby Atmos by 구종필(assist. P.O.D) @ KLANG STUDIO 2. Heavy Serenade (*Title) Lyrics by 한로로 Composed by ESUM, Ayushy (THE HUB), Awrii (THE HUB), Maribelle Anes, Josefin Glenmark, SEORA, SSo Arranged by ESUM Original Publisher authentic, JYP Entertainment, Kreation Music Rights CO., Ltd, Concord Music Publishing ANZ, The Kennel AB/Universal Music Publishing Sub-publisher JYP Entertainment, Kreation Music Rights CO., Ltd, Music Cube, Inc., Universal Music Publishing Sessions Computer Programming by ESUM Synth by ESUM Keyboard by ESUM Electric Guitar by 정경수 Background vocals by LILY, KYUJIN Vocals directed by ESUM, C’SA Vocals edited by C’SA Recorded by 서은일, 구혜진 at JYPE Studios Mixed by 이태섭 at JYPE Studios Mastered by 권남우 @ 821 Sound Mastering Mixed in Dolby Atmos by 구종필(assist. P.O.D) @ KLANG STUDIO 3. IDESERVEIT Lyrics by 박지우(ONCLASSA), 김다빈 (INHOUSE), 이은화(153/Joombas), danke, 윤예지(PNP) Composed by Agwi, Mulay, Bleem, Suh-ee Arranged by Agwi, Bleem, Suh-ee Original Publisher 온클래스에이, INHOUSE Publishing, 153/Joombas Publishing, PNP, Sony Music Publishing Korea, Never Waste A Talent Publishing GmbH administered by Sony Music Publishing Sub-publisher Music Cube, Inc., INHOUSE Publishing, 153/Joombas Publishing, PNP, Sony Music Publishing, Sony Music Publishing Korea Sessions All Sessions by Agwi, Bleem, Suh-ee Background vocals by LILY, SULLYOON, JIWOO, KYUJIN Vocals directed by Agwi, Suyo Vocals edited by 서은일 at JYPE Studios Recorded by 서은일 at JYPE Studios Mixed by 김갑수 at JYPE Studios Mastered by 권남우 @ 821 Sound Mastering Mixed in Dolby Atmos by 구종필(assist. P.O.D) @ KLANG STUDIO 4. Different Girl Lyrics by SINCE, 배이, 이앵두(153/Joombas), 전예진(Jamfactory), Jiggy(153/Joombas) Composed by Kyle Buckley, Anthony Watts, Bava Arranged by Pink Slip Original Publisher Amoeba Culture, JYP Entertainment, 153/Joombas Publishing, Jamfactory, Pink Slip Worldwide Publishing / Artist 101 Publishing Group (BMI), APAVELPUBLISHING/Prescription Songs (ASCAP), 100MGMT SONGS administered by Kobalt Songs Music Publishing Sub-publisher Universal Music Publishing, JYP Entertainment, 153/Joombas Publishing, Sony Music Publishing, CTGA, Kobalt Music Publishing (BMI) Sessions Computer Programming by Pink Slip All Instrumental by Pink Slip Synth by Pink Slip Keyboard by Pink Slip Background vocals by LILY, HAEWON, BAE, JIWOO, KYUJIN Vocals directed by 윤다혜 Vocals edited by 임찬미 at JYPE Studios Recorded by 임찬미, 서은일 at JYPE Studios Mixed by 김갑수 at JYPE Studios Mastered by 권남우 @ 821 Sound Mastering Mixed in Dolby Atmos by 구종필(assist. P.O.D) @ KLANG STUDIO 5. Superior Lyrics by danke, 찬란 (INHOUSE), 장은지 (ARTiffect), WUTAN (UP), 백새임(PNP), 구삼영(153/Joombas), 백 들(PNP), 최보람(PNP) Composed by ESUM Arranged by ESUM Original Publisher JYP Entertainment, INHOUSE Publishing, ARTiffect Music, UP MUSIC, PNP, 153/Joombas Publishing Sub-publisher JYP Entertainment, Sony ATV, INHOUSE Publishing, ARTiffect Music (affl. Sony/ATV), Kobalt, AMP, PNP, 153/Joombas Publishing Sessions Computer Programming by ESUM All Instrumental by ESUM Synth by ESUM Keyboard by ESUM Background vocals by LILY, HAEWON, KYUJIN Vocals directed by ESUM, C’SA Vocals edited by C’SA Recorded by 구혜진 at JYPE Studios Mixed by Alawn @ Alawn Music Studios Mastered by 권남우 @ 821 Sound Mastering Mixed in Dolby Atmos by 구종필(assist. P.O.D) @ KLANG STUDIO 6. LOUD Lyrics by 릴리 Composed by UPSAHL, CARLA, Alex Goldblatt, Robin ‘Rob Knox’ Tadross, Khris Riddick-Tynes, RYAN JHUN Arranged by Alex Goldblatt, Khris Riddick-Tynes, Rob Knox, RYAN JHUN Original Publisher JYP Entertainment, Universal Music Publishing, W422 Publishing Administered by Songs of Kobalt Music Publishing, Concord Copyrights (BMI) c/o Concord Music Publishing, Reservoir 416 (BMI) / Sam Edmonds Songs (BMI) All rights administered by Reservoir Media Management, Inc, RJ EDITION Sub-publisher JYP Entertainment, CTGA, Music Cube, Inc., Fujipacific Sessions Background vocals by LILY, BAE Vocals directed by Sophia Pae Vocals edited by 서은일 at JYPE Studios Recorded by 서은일 at JYPE Studios Mixed by 김갑수 at JYPE Studios Mastered by 권남우 @ 821 Sound Mastering Mixed in Dolby Atmos by 구종필(assist. P.O.D) @ KLANG STUDIO

Introduced to the world as a bubbly TikTok influencer, the singer/dancer/actor spent 2024 pulling off what looked like a total reinvention—screaming over the remix of mentor Charli xcx’s “Von dutch” remix, then releasing the steamy “Diet Pepsi,” a single charming enough to seduce even the doubters. In fact, Addison Rae was just reintroducing herself. “I always knew that I wanted to make music, I knew I wanted to perform,” Rae tells Apple Music’s Zane Lowe. “That was something that was really obvious to me since I was a little girl.” And TikTok was the best way for a teenager from Lafayette, Louisiana, to catapult herself into the seemingly inaccessible world of showbiz. Pursuing her pop-star dreams in LA studio sessions to write the songs that would become her first EP (2023’s polarizing <i>AR</i>), Rae found herself deferring to the professionals. “When I moved here and started doing sessions, I was like, ‘I need as much guidance as possible,’” she says. “Then, over time, I really started to lean on myself. I really started to lean on my abilities.” In February 2024, Rae met songwriter/producers Elvira Anderfjärd and Luka Kloser (both part of the publishing camp of Swedish pop powerhouse Max Martin) and wrote the effervescent hook of “Diet Pepsi” that same day. “[‘Diet Pepsi’] was such a natural beginning to all of this,” says Rae. “I think it was a perfect introduction in so many ways.” Cue a string of curveball singles, each one presenting an unexpected new facet, from the moody, minor-key “High Fashion” to the Björk-inspired “Headphones On.” It feels apt, then, that her debut album drops the “Rae” and simply goes by <i>Addison</i>—a collection of dreamy, intense pop songs that sound like self-discovery, tied together less by genre than by mood. Tracks like “Fame Is a Gun” and “Money Is Everything” expertly straddle camp and sincerity: “You’ve got a front-row seat, and I/I got a taste of the glamorous life!” she winks on the former, a dizzy synth-pop number on the perils of hitting the big time. The songs on <i>Addison</i> are not exactly club bangers, though they’re informed by Rae’s childhood as a dancer; nor are any of them obvious hits. But Rae relished the opportunity to let her creative instincts run wild. “Once you start playing it safe, feeling like, ‘Okay, I’m going to respond with what people want,’ you lose all your freedom,” she says. “You lose all desire for the whole purpose of starting it, and feeling like it’s a form of expression and a reflection. It’s more scary to let that go and give people exactly what they think they want.” As for what Rae learned in the process of writing the album? “Let yourself play. Let yourself have fun, let yourself mess up,” she says. “I’m not saying, ‘All right, this is the real me now.’ No—it’s always been the real me, and those experiences have completely guided and shaped me to where I am now. It is about arrival—arrival to who I feel like I’ve become, and who has experienced all these ups and downs, to now land here, in this person that I am now.”

The cover art for <i>Virgin</i>—an X-ray of a pelvis with a visible IUD—was a far cry from that of Lorde’s bright, beachy third album, 2021’s <i>Solar Power</i>, whose sun-soaked, jasmine-scented songs drew from Laurel Canyon folk and Y2K soft rock. Looking back, that album’s free-spirited imagery was a bit idealistic—a projection of how the New Zealand native turned New Yorker wished she could be. Her fourth album, as she told Apple Music’s Zane Lowe, is a portrait of the 28-year-old singer as she is, without edits or apologies: “Kind of like a photo of yourself that you don’t love, but captures something true about you.” The resulting songs, written between 2023 and 2025, are forthcoming and visceral, trading <i>Solar Power</i>’s New Age-chill for beats you can feel in your gut. (It’s her first album since her 2013 debut not co-written and -produced by Jack Antonoff; instead, she shared production duties with the LA-based electronic musician Jim-E Stack.) Surrealist introspection gives way to throbbing bass on opening track “Hammer,” where a walk down Canal Street ripples with psychedelic visions. “I had just come off my birth control, and I could not believe how I was feeling,” Lorde told Lowe about the song’s inception. “Everything was pure possibility. That first sound feels like it’s coming from a very guttural place in the body. My sister said, ‘It sounds like it’s coming from your womb.’” Cue the aura readings, 3 am cigarettes, broken mirrors, pregnancy tests, ego death. On “Man of the Year” and “Favourite Daughter,” questions beget more questions on the subject of what it means to be a woman, and moreover, a woman who’s now been famous for nearly half her life. The latter is at once a love letter to her mother and a meditation on being a teenager thrust into global pop stardom. “There’s been this dynamic for the last 10 to 12 years—and then further back—of wanting so badly to be loved, and to get this approval, and to be the favorite,” she told Lowe. “And it was really moving to me how, even as I was singing this song about my foremost idol and the person who I think is the most amazing in the world, I was also singing about what a crazy thing it is to have happened to you, what happened to me at 16.” Now the superstar finds freedom in the freefall: “I’ve been up on the pedestal/But tonight I just want to fall,” she sings on the shuffling “Shapeshifter.” “I still don’t know what happens when you put out a record that is like this,” she admitted about the unfiltered portrait <i>Virgin</i> presents. But in its full transparency, she arrives at something like peace.

Lorely Rodriguez’s fourth album is a dazzling showcase for her unexpected vocal and production approach as she experiences the peaks and valleys of heated romance.

1. I LUV IT (feat. Playboi Carti) 2. Chanel No.5 3. pink xoxo 4. HE KNOWS (feat. Lil Nas X) 5. Twentysomethings 6. Dade County Dreaming (feat. JT & Yung Miami) 7. koshi xoxo (feat. BLP Kosher) 8. HOT UPTOWN (feat. Drake) 9. Uuugly 10. DREAM-GIRLS 11. 305tilidie 12. B.O.A.T. 13. pretty when i cry 14. June Gloom

Imagine Dragons’ sixth studio album LOOM represents the pinnacle of their artistic journey of self-discovery and marks the best body of work they’ve ever made. LOOM, produced entirely by Imagine Dragons and their longtime collaborators Mattman and Robin, finds the perfect balance between the classic sounds that have made them superstars and the freshness that brought them joy in the studio. featuring 9 brand new tracks including hit single “Eyes Closed”, LOOM signifies new beginnings on the horizon – the excitement for a new day, moments yet to come.

Billie Eilish的第三张录音室专辑《HIT ME HARD AND SOFT》，由Darkroom/Interscope Records发行，是她迄今为止最大胆的作品，汇集了风格多元却又和谐统一的曲目合集——最好从头到尾完整听遍——正如专辑标题所暗示；新专在歌词与声音上会既有力量又不失温柔地触动你，同时跨越不同音乐流派，不拘泥于流行趋势。在她的哥哥、也是唯一的合作伙伴FINNEAS的帮助下，两人在家乡洛杉矶中一同完成了这张专辑的创作、录制和制作。新专继《WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?》和《Happier Than Ever》两张广受欢迎的专辑之后，进一步拓展了Billie Eilish的音乐世界。 新专将于5月17号发行 共收录10首曲目

The Tortured Poets Department Standard Digital Album 16 Tracks Limit 1 per customer. U.S. Customers Only. A digital copy of Taylor Swift’s The Tortured Poets Department standard album will be sent to the email address supplied at checkout on or about 4/19/24. Please note, digital downloads are not available to customers outside the U.S. Digital downloads are delivered as MP3 44.1kHz/16-bit audio files.