Or shoulders a lot: she's 17 or 18, a student, works evenings at a restaurant, recycles cans and bottles for cash, and tries to keep her mother Ruthie from returning to streetwalking in Tel Aviv. Ruthie calls Or "my treasure," but Ruthie is a burden. She's just out of hospital, weak, and Or has found her a job as a house cleaner. The call of the quick money on the street is tough for Ruthie to ignore. Or's emotions roil further when the mother of the youth she's in love with comes to the flat to warn her off. With love fading and Ruthie perhaps beyond help, Or's choices narrow.

2015 film by Tomer Heymann

2017 film directed by Samuel Maoz

A VR short following a confusing encounter on the Israeli-Egyptian border. Based on true events.

A family from an Israeli kibbutz takes their ailing patriarch for a ride on a lazy Sunday in this warm and moving snapshot of their encounter with the ephemerality of the natural world.

A one-time peek into this routine of IDF soldiers who go on dozens of arrest missions in Palestinian villages in the West Bank.

Once Upon a Sea is a poetic, interactive XR documentary telling the tragic tale of the legendary Dead Sea. Through a physical exploration of the sea’s forbidden, moonlike landscapes, to intimate encounters with local characters, the user gets a rare glimpse into one of the world’s most dangerous,soon to be extinct, wonders. Centuries of human intervention and political neglect have turned the Dead Sea into a precarious place. Its water levels have dropped dramatically, leaving behind sinkholes and collapsing beaches. The experience offers a deep insight into the complexity and very human impact of this ecological and geopolitical crisis. Once Upon a Sea is our call to action. DIRECTOR’S STATEMENT The shores of the Dead Sea are my childhood landscape, my mother’s and my private refuge. The scorching heat, the salty water and the wild desert brought us closer in silence. Even when my mother’s body grew tired and faint, she continued going and the sea continued offering her all that it could. Though there was little left to give, for it was dying too.

An innovative immersive and engaging sensory story told in VR, of one of the world's spiritual epicenters.

2009 年，以色列划船冠軍雅絲敏芬顧德（Jasmin Feingold），在一次例行訓練時出了嚴重的翻覆意外。事發現場位於特拉維夫的雅孔河畔，有許多民眾目睹了意外的發生。重返事件當下，走近這些人，你將聽見他們腦海裡閃過的念頭：跳，或不跳 ?救，或不救 ? 來自以色列的動畫紀錄 VR 作品，以真實事件為本，結合了容積捕捉技術（Volumetric Capture）的 3D 動態場景、演員的口述演繹、虛構的動畫片段，以及真實的錄影檔案等素材，帶領觀眾重回事件現場。在緊迫的時間內，你只有一次機會潛入他們的意識，感知濃縮版的歲月。一如當時他們在河畔佇立，目睹了幾尺之外的不尋常事件，站在本能與抉擇的關口，猶豫著前進或後退。

Follows Dan Layani, who tragically lost his sight in combat. After 25 years, an opportunity presents itself for him to undergo an experimental surgery to bring back his sight.