2014年4月14日，尼日利亚东北部小城——奇伯克发生了一起震惊世界的女童拐卖案件。当地极端组织于深夜潜入一所女子公立中学，掳走了276名睡梦中的女学生。受害者中仅53人得以逃脱，时至今日其他少女仍难觅踪迹。 本片将带领我们走入这座经历创伤的城市，走近事件的相关者们。也 借由此案，讨论了事件余波下备受世界关注的儿童拐卖、性别平权以及教育公平等话题，其中的社会思考发人深省。 On April 14th 2014, the sleepy agrarian community of Chibok, in Borno State, North East Nigeria, was thrust into the global spotlight when the terrorist group Boko Haram, stormed the town at night and abducted 276 teenage schoolgirls from their dormitories. Daughters of Chibok deals with the aftermath of the kidnappings, and explores global issues of gender rights and the right to education.

This is a story of the artist’s grandfather, the story of the ‘land’ and the story of an encounter with Nigeria—retold at a single point in time, in a single place. The artist is trying to tell a truth in as many ways as possible. So the names have changed tell us the same story in four different ways: a folktale of two brothers rendered in the broad, unmodulated strokes of colonial British moving images; a Nollywood TV series, on VHS, based on the first published Igbo novel; a story of the family patriarch, passed down through generations; and the diary entries from the artist’s first solo visit to her family’s hometown.

出生於奈及利亞水上社區，諾亞自小走跳於水上竹筏間，跟著父母學習造船、捕魚和織網，小時候的他深信，這就是他的未來與宿命。然而一切就在他進城求學後徹底顛覆，他開始相信，教育能改變現況。諾亞帶著一群志工乘筏返鄉，籌辦學校，教導社區的孩子讀書寫字。水上人生依舊，這次他要用教育翻轉自己的宿命與家鄉的未來。 被稱為「非洲威尼斯」的馬可可，實際上是奈及利亞最大的水上貧民窟，居民不但要面對海平面上升、家園滅頂的危機，還要處理貧窮的根本問題。導演以全景無死角的拍攝，記錄水上社區的真實與粗糙，跟著諾亞的竹筏深入這潮濕的世界角落，尋找黯淡中的隱微希望。