IDFA DocLab Competition for Immersive Non-Fiction Juitamai is a dance full of contradictions. It gives the female performers a voice, but does not let them have their say. It emancipates Japanese women living in a strongly patriarchal society where they often go unheard, but does so by imposing strict rules. In addition, the dance is a form of accusation towards men, yet it takes an erotic form that confirms and stimulates the male gaze. In the VR project Close, the ambiguity of a more than 200-year-old dance form is heightened by contemporary means. As a viewer, you come very close to the dancers, and can even direct them with hand movements, but there is always distance. Depending on your preference, you hear two stories from Juitamai performers, who interpret the same dance very differently with their highly personal confessions. In the stunning finale, a central role is reserved for the woman’s mouth, which for once takes no notice of the fact that it is supposed to remain closed. 源自：

A busy attorney, worried that his anorexic daughter Olga, who is still grieving her recently deceased mother, might try to harm herself, sends her to see a psychiatrist who's dealing with her own loss in an unusual way.

Fleeing from despair after losing those dearest to him, the hero hides in a safe land of memories, where time stands still and all those dear to him are alive.

Experience the Warsaw Uprising from the perspective of the Polish soldiers.

Magda, a young woman,is lost in the wilderness, on the banks of a river. Fears and hopes blend here with reality. In this surreal environment, she fights to save her child and comes face-to-face with the most painful loss of her life. In addition to his 360° projects, MiloszHermanowiczis devoted to pursuing his personal vision of a natural approach to narrative.