金棕榈奖获得者阿彼察邦的《蒸汽》以黑白默片的形式表现人们在面对异常状况时的反应，充满实验效果。

《async - 第一束光》是阿彼察邦与日本音乐家坂本龙一合作的作品，音乐来自于坂本龙一的最新专辑《async》。作品里，睡梦中人们的影像都来自于阿彼察邦的朋友们。他把相机寄给朋友们，让他们自己拍摄而成。阿彼察邦时常携带 Digital Harinezumi 数码相机，不少作品是使用此相机拍摄完成。 此作品2017年4月首次展出于日本东京和多利美术馆（WATARI-UM）。

2021 film directed by Apichatpong Weerasethakul

A macro view of the microorganisms that flock to lamps in the darkness.

A newly-created commission in conjunction with the Third Realm exhibition, October Rumbles is a poignant response to this time of global crisis, and is accompanied by Apitchatpong’s writing.

A woman lies awake at night. Nearby, a set of theatre backdrops unspools itself, unveiling two alternate landscapes. Upon the woman’s blue sheet, a flicker of light reflects and illuminates her realm of insomnia.

2021 film directed by Banjong Pisanthanakun

After killing a young girl in a hit-and-run accident, a couple is haunted by more than just the memory of their deadly choice.

Ashes contemplates love, pleasure, and the destruction of memory. The surroundings of everyday life are shared with extreme intimacy. For Apichatpong, Thailand, while full of beauty, is slowly collapsing into darkness. “King Kong rarely barked. She had been with us since she was three months old. Every night she slept and looked around in her dreams. We thought that our spirits were enriched by the fertile soil and the greenest leaves and the rarest insects and the abundance of humility. But came a day in March we woke up from our dream. The sky wept ashes. The rotten ground trembled as baby worms rose to taste the gray snow. Across the mountains the light of devotion shone and blinded our souls. The darkness was so bright we wept and shouted in silence. And we woke up again, and again. We united like multiple King Kongs with no sound. Every heartbeat a baby was born with her mouth shut tight like a touch of two stones. With pleasure we lived in hope, and hoped to never wake up. A land of Nothing. We slept. We smiled. We ran."

'Empire' was the trailer for the Viennale 2010 and screened in over one hundred cinemas in Austria and during the festival in Vienna.

在《俳句》中，阿彼察邦记录了在纳布亚进行的庞大项目 " 原始 "，特别是一些被催眠的青年睡在一个时间机器中的场景。此件作品曾于 2016 年在英国伦敦泰特现代美术馆“阿彼察邦·韦拉斯哈古之夜“，日本东京都写真美术馆以及开始于同年的全球巡回个展“狂中之静”中展出。

A documentation of Nabua altered into a field of lightning. The film, in the manner of an old sci-fi or horror movie, shows a set of mini-explosions creating a synchronised series of bolts of lightning like a downpour of bullets from the sky. The flashes of light reveal the surroundings, then the ground with smoke, dust, and silence.

A few years ago I visited a temple near my home and a monk there gave me a little book called “A Man Who Can Recall His Past Lives.” In it, the monk wrote about Boonmee, who could recall his multiple lives in the cities of the northeast. In 2008, I wrote a screenplay inspired by the reincarnation of Boonmee, and started to travel in the region in search of his surviving offspring and relatives. I met his two sons who provided accounts of their father. In Nabua in December 2008, I located several houses that I thought would be suitable as Uncle Boonmee’s house in the proposed feature film. This short film is a personal letter describing my Nabua to Uncle Boonmee. The film is comprised of shots of the houses’ interiors in the evening. They are all deserted except one house with a group of young soldiers, played by some teens of Nabua. Two of them impersonate me by narrating the film. - Apichatpong Weerasethakul

在泰国，电影上映之前，都要播放一段短片，以祭神或赞美泰皇以保佑放映平安。 “赞美诗”因此得名 阿彼察邦的《赞美诗》中，便利用了电影的两种属性：静止和运动。它们不合时宜地出现，组成了一个影像装置，并以此向“电影之神”为他即将到来的作品祈福

影片记录了一个被称为Panyi的南部岛屿的风景，充满隐喻色彩。

《10 Years Thailand》是一部合拍片，共邀请四位泰国导演来设想祖国十年后的样子。四位导演分别是Aditya Assarat、Apichatpong Weerasethakul、Chulayarnnon Siriphol和Wisit Sasanatieng。虽然每个人只负责拍摄一个篇章，但最终的成片却让人对泰国当前的政治局势展开深思。自2014年起，泰国进入军事独裁时期，不同政见、公众表达和思想的多样性都受到了限制。国内兴起了一种狭隘的全新民族主义，推崇所谓的思想正确与行动正确理念。如果这种状态持续下去，十年后，泰国将变成什么样子？

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

This experimental work begins with director's rehearsing his new film Ecstasy Garden. The film crosses back and forth the border between reality and fantasy while lovers, mother and daughter come andgo to the river. Mekong Hotel shot during the flood, intertwines the destruction, politics and drifting dream of future.

2010 film directed by Apichatpong Weerasethakul

A story about director Apichatpong Weerasethakul’s parents who were both doctors, and his memories of growing up in a hospital environment.