两个不识彼此的青少年，少男终日沉迷电玩，少女则是身怀六甲，孤独是两人唯一的共通点；为了金钱，他们钻律法漏洞，假扮夫妻，好让婴孩未来过继给少男不孕的叔叔。疏离的两人，尽管共处一室还是少有交集；随着婴儿意外早产，他们被迫拉近距离，多了怀抱里的婴孩，生活突然有了温度。在满室寂 寞之中，爱的声音已悄然在耳边喧哗。

A psychologically thrilling portrait of the severe dysfunction behind a family clinging to decorum and pride.

England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.

The First and Second Comings of capitalism are conceptual shorthands used to capture the radical changes in global geopolitics from the Opium War to the end of the Cold War and beyond. Centring the role of capitalism in the Chinese everyday, the framework can be employed to comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular. This book investigates major Chinese-language films from mainland China, Taiwan, and Hong Kong in order to unpack a hyper-compressed capitalist modernity with distinctive Chinese characteristics. As a dialogue between the film genre as a mediation of microscopic social life, and the narrative of economic development as a macroscopic political abstraction, it engages the two otherwise remotely related worlds, illustrating how the State and the Subject are reconstituted cinematically in late capitalism. A deeply cultural, determinedly historical, and deliberately interdisciplinary study, it approaches "culture" anthropologically, as a way of life emanating from the everyday, and aesthetically, as imaginative forms and creative expressions. Economy, Emotion, and Ethics in Chinese Cinema will appeal to students and scholars of Chinese cinema, cultural studies, Asian studies, and interdisciplinary studies of politics and culture.

● 热爱电影的人都知道他——安德列·塔可夫斯基，太多人因为他而爱上了电影。 ● 他的作品每一部都是经典，都让他名留影史。 ● 他的诗性叙事开创了崭新的艺术典范，奠定了他在世界电影史上无可争议的大师地位。 ● 塔氏博大且宁静深邃的精神气质，透过拍立得，让无数人惊鸿一瞥。 ● 正如他的电影那样，照片缓缓流出感伤与爱意，传达着他的孤独、哲学和关怀。 ● 在这里，塔式的时光穿越镜头，烙印于画面之中，不知不觉，让人沉迷其间。 ● 他的影像的无穷魅力，引领读者进入一种凝视与冥想的状态，并渐渐安静下来，无声地观看这个世界。在沉静之中抵达超越性的想象、思考与诗性体验。 本书是塔可夫斯基的摄影随笔，也是他最独特的一本摄影集。收集了塔可夫斯基在1979年至1984年之间，在俄国和意大利所拍的69张照片，即塔可夫斯基完成《潜行者》（Stalker，1979）之后，在《乡愁》（Nostalgia，1983）摄制期间所拍的。这一系列精粹出色的生活小品让我们看到，这位导演不单是流动影像的大师，在捕捉画面上也同样杰出。

许多影评人曾试着诠释其浓烈的个人化视野，却始终难以企及。终于，在这本《雕刻时光》里，他记录了自己的思想、回忆，首度披露其重要作品的创作灵感、发展脉络、工作方法以及浓烈的自传内涵，并深入探究影像创作的种种问题。这些文章系长期陆续写成，惟《牺牲》一章口述于其生命最后几周。在这本艺术证言里，我们看到这位大师在“一团时间”里雕塑生命，仿佛时间奔驰穿越镜头，烙印于画面之中。