父亲过世后，纳伊姆（乔·伯德 饰）与母亲（米娅·华希科沃斯卡 饰）搬到一座保守的宗教小镇，试图展开全新生活。在这里，他结识了俊美少年莱恩（史泰西·克劳森 饰），一段无法见容于世的恋情悄然萌芽。然而，当纳伊姆意外撞见莱恩与牧师之子亨特（杰瑞米·布莱维特 饰）难以启齿的秘密后，他因为心生嫉妒而揭发真相。亨特的父母随即请来驱魔师，企图透过驱逐同性欲望的仪式来“矫正”两人。没想到，这场仪式非但没有带来救赎，反而诱发出诡异的超自然力量。这股力量，会化身成受害者内心最渴望的人，利用最亲密的记忆，以及最深层的欲望逐步近逼，将爱化作最致命的恐惧。随着离奇事件接连发生，亨特惨遭杀害，莱恩也逐渐被这股神秘力量侵蚀。为了拯救挚爱，纳伊姆试图向警方求助，却没人相信他的说词，两人的禁忌恋情更因此曝光。当眼前的人可能是最深爱的人，也可能是最可怕的魔魇，纳伊姆必须在爱与恐惧之间，做出最后的抉择。

A traveling psychic who helps lost souls cross over encounters a powerful entity at a remote house. While investigating its origins, she uncovers dark secrets and faces a deadly threat from an unexpected source.

Years after being caught in a game-fixing scandal, former professional baseball player Lin Shengyi returns to his hometown one night, only to discover that his father's impending death has become part of a "death betting scheme", operated under The Elders Mutual-Aid Association. With the help of his former lover and his younger brother, Shengyi makes a desperate decision — to save his father and flee through the night, determined to escape the town before sunrise.

The story revolves around a young kleptomaniac named Rok, who makes the grave mistake of stealing a bicycle from a girl who thinks she is a superhero. The filmmaker, who also wrote the script, describes it as an absurdly comedic story about freaks, who are not presented as part of some humorous décor, but who are actually the heroes and the superheroes of their own story of boredom, loneliness and a search for friendship in unusual circumstances.

The Battle of Peleliu was fought on the lovely Pacific island of that name by Japanese and American forces toward the end of the Pacific War. A work of fiction based on historical fact, this movie views the battle through the eyes of Tamaru, a 22-year-old soldier and aspiring cartoonist seeing his first combat. A chronicle of the “truth” as seen by a young man struggling to come to terms with war in an era when war was the norm.

An eccentric poodle breeder lures a broke college student to her remote ranch with a promise of research funding. But, as he soon learns, there’s a catch.

In 1870 Friendship, Wisconsin, a small town of Scandinavian settlers still suffering the repercussions of the recent Civil War. When faced with a new and even deadlier threat, one man is forced to make a harrowing choice: save his young family or defend the community that gave him a second chance at life and meaning.

Simon, a disillusioned developer, carries a secret that could dismantle modern society: a code capable of remote neural hijacking. Hunted by his former architects, he seeks sanctuary within the echoing halls of the Musée d’Orsay—one of Paris’s final "safe zones" in a world of total digital surveillance. There, among the relics of the past, he must join a clandestine resistance to protect the future of human autonomy.

It’s the summer of 1998 in New York City; Sayo, a soulful nightlife photographer and small-time drug dealer, is invited to a party upstate by his longtime friend and unrequited love, a movie star on the rise: Vince Marlowe. Together with their rowdy friend Ross, they drive to a remote, bucolic manor in hopes of some summer debauchery. But when they arrive, they discover that the promise of a party is actually three mysterious women — Billie, Wren, and Cata — whose disturbing agenda draws the boys into a dark web of seduction and terror.

Present-day survivors of a sunken naval vessel capture a Russian sub, only to find themselves stranded on an island filled with deadly, prehistoric creatures

A sweltering beach house party in 1986 turns savage when a spiked cupcake, a jealous cousin, and a gang of violent men crash the scene. Penny Lane is Dead is a punk-fuelled, blood-soaked survival thriller laced with dark comedy and gendered rage.

A high-security prison under the yoke of a tyrannical warden is rocked by a spate of gruesome murders, with victims’ bodies put on morbidly spectacular display. Who is the perpetrator, and who will be the next prey? Between spontaneous dance-offs and sudden prayers, kinetic fistfights and Kierkegaard invocations, hapless inmates scramble for cover. Overcoming internal gang rivalry, they unite to decipher the motive behind the killings and pacify their invisible, otherworldly enemy. In Ghost in the Cell, Indonesian genre wizard Joko Anwar crafts a gleefully grotesque horror-comedy that is disarming in more ways than one. Featuring a teeming ensemble of goofy characters on the verge of breakdown, the film shuttles nimbly between levity and graphic brutality, producing laughter that often gets stuck in the throat. Making emphatic use of primary colours, Anwar lends his twelfth feature a painterly force, but with cheeky references to ecological plundering and worker exploitation, he also augments it with an irreverent, political edge. Yet this is no “elevated horror”, just pure genre fireworks.

Two sisters deal with the sudden death of their mother at a wig factory. One believes it was suicide while the other is certain it was a result of possession and takes a job at the factory to uncover the truth. Meanwhile, their brother - born with an eerie gift to regenerate his own body - catches the attention of a ghostly figure roaming the factory, searching for a vessel to inhabit.

After a couple's baby is taken, the desperate mother learns of a way to "get their baby back." However, the husband begins to suspect that what she brought back isn't their son.

Sauvage 一家只想被愛：母親為搏下屬歡心而拚命討好，父親懶散卻渴望受人敬重，「I人」兒子 Blaise 只懂一味點頭，深信從眾比做自己安全得多。中產家庭的社交焦慮加上職場同儕目光，令他們一再陷入社死現場。直到 Blaise 基於禮貌捲入一場即興「社會運動」，被誤認成社運英雄，想否認又嫌麻煩，結果愈踩愈深。法國影后莉亞杜嘉聲演母親，配以「蒙太奇拼圖」手法同法式諷刺，將家庭失能同現代認同焦慮寫成一部黑色家庭編年史。

A lovelorn young man working the late shift at a dead-end fast-food joint alongside his crush listens to his uncle’s old Walkman, when a mysterious voice crackles through the headphones whispering exactly what he must do to keep her alive.