Phoebe Bridgers wrote her first song at age 11, spent her adolescence at open mic nights, and busked through her teenage years at farmers markets in her native Los Angeles. By age 20, she'd caught the ear of Ryan Adams, who listened to her perform her song "Killer" in his L.A. studio, inviting her to come back and record it there the next day. The session blossomed into the three-song ‘Killer’ EP, released to much acclaim on Adams’s Pax-Am label in 2015. In the two short years since, Bridgers has toured or played with Conor Oberst, Julien Baker, City and Colour, Violent Femmes, Mitski, Television and Blake Babies among others.
On September 22nd, Phoebe Bridgers will release her debut full-length, Stranger In The Alps. From the weeping strings and Twin Peaks twangs of opening track Smoke Signals, to the simple heartbreak of Funeral and melancholic crescendo of Scott Street, Stranger in the Alps is a swooningly beautiful record with a gothic heart.

The durations are from player. Note that there are often several seconds of noises in the studio recorded before and after the actual songs.
Self-Released album

croonah blu
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Puma Blue, aka. Jacob Allen, // SE London.
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Bedouine, a gallicized riff on bedouin, the nomad, the wanderer. Anyone can assume such a name, but Azniv Korkejian has an experience of what it means, the type of ground it covers. Her development was shaped by political landscapes and family opportunities, her adult life patterned by paths of her own. Born in Aleppo, Syria to Armenian parents, Korkejian spent her childhood in Saudi Arabia, moving to America when her family won a Green Card lottery. They settled in Boston, then Houston, but she split for L.A. as soon as she could. A casual offer to stay on a horse farm took her to the rolling hills of Lexington, Kentucky, followed by a year in Austin, and a trip east to Savannah for a degree in sound design. Returning to L.A., she discovered a close-knit community of musicians in Echo Park that started to feel like home.

★ 10座格莱美奖得主 史上最年轻格莱美最佳专辑殊荣肯定
★ 坐拥5项吉尼斯世界纪录，21项公告牌音乐奖，19座全美音乐奖，11座乡村音乐协会奖，1座艾美奖，1座全英音乐奖等共计275项奖项肯定，入围提名高达590项
★ 缔造全球1.3亿单曲下载，专辑销量破4000万张的惊人成绩，成为迄今止最畅销音乐作品的保持者之一
阔别三年， Taylor Swift第六张录音专辑《Reputation》11月10日全球发行。
专辑除Taylor一手监制外，再邀三座格莱美得主的御用搭档Jack Antonoff，金曲制单机Max Martin及Shellback等实力音乐人联袂操刀。
8月24日，Taylor Swift首支回归单曲“Look What You Made Me Do”一经释出即轰动全球并宣布Taylor Swift第六张专辑《Reputation》回归消息。首单“LWYMMD”横扫全球99国iTunes榜单冠军，刷新了美国iTunes女歌手登顶速度新纪录。发行当日凭借惊人流媒体量刷新了全球Spotify单日收听历史新绩。稳居Billboard单曲榜榜首之位的“LWYMMD”，成为了继“Shake It Off”，“Blank Space”，“Bad Blood”，“We Are Never Ever Getting Back Together”之后，Taylor的第五支公告牌单曲榜冠军作品。首单创造的惊人成绩仍刷新不断，正式版MV也以首日4300万次观看写下单日点击最高记录。
随后的第二支单曲一改之前“暗黑”格调，一曲兼备electro pop及industrial pop风格的“…Ready For It?”作为宣传单曲于9月3日发行，后定档为第二支主打单曲。首周空降Billboard公告牌No.4并写下Taylor音乐史册中的第22支入围Billboard Hot 100 Top 10记录。
回归后的Taylor并不仅以“霸气”诠释新作，随后两支新单让全球乐迷重识亲和力十足的Pop Queen。两首甜蜜新单“Gorgeous”，“Call It What You Want”分别于10月20日及11月2日先后问世，风格更具Radio friendly特性，抹去最初锐气，为整张专辑增加柔情一面。
作为全球最为瞩目的音乐人之一，Taylor Swift凭借5支公告牌单曲榜冠军作品，22支Top 10全球热单，4张连冠Billboard专辑，成为史上最为成功的音乐人之一。首张个人专辑《Speak Now》(2010)空降Billboard专辑榜首位，其热单“Mean”令Taylor成功拿下两座格莱奖杯。第四张录音室专辑《Red》（2012）再度盛产燃爆全球热单“We Are Never Ever Getting Back Together”及 “I Knew You Were Trouble”。上一张流行主调的《1989》（2014）凭借"Shake It Off", "Blank Space", "Bad Blood"三首霸榜美国，加拿大，澳大利亚的榜首单曲，令Taylor揽入三座格莱美奖杯，并使其成为最年轻且首位拥有两次“年度专辑”嘉奖的女性艺人。
三年之久，历经全身心投入及精心雕琢，Taylor Swift将已《Reputation》为名，开启主流音乐新纪元。

Out in the Storm, Katie Crutchfield’s fourth album as Waxahatchee and the follow-up to her Merge debut Ivy Tripp, is the blazing result of a woman reawakened. Her most autobiographical and honest album to date, Out in the Storm is a self-reflective anchor in the story of both her songwriting and her life.
The album was tracked at Miner Street Recordings in Philadelphia with John Agnello, a producer, recording engineer, and mixer known for working with some of the most iconic musicians of the last 25 years, including Dinosaur Jr. and Sonic Youth. Agnello and Crutchfield worked together for most of December 2016, along with the band: sister Allison Crutchfield on keyboards and percussion, Katherine Simonetti on bass, and Ashley Arnwine on drums; Katie Harkin, touring guitarist with Sleater-Kinney, also contributed lead guitar. At Agnello’s suggestion, the group recorded most of the music live to enhance their unity in a way that gives the album a fuller sound compared to past releases, resulting in one of Waxahatchee’s most guitar-driven releases to date.

在首张专辑发行五年后，不优雅先生终于发布了历时一年多制作的第二张正式专辑——《阴天王国》。

《阴天王国》一共收录11首单曲，不优雅标志性的悦耳旋律在这张新专辑中继续体现得淋漓尽致，清丽的编曲，朗朗上口的副歌，“好听”是不优雅先生们从未丢掉的特质。

这张专辑由No Beijing运动标志乐队Snapline成员李青担纲制作人，作为音乐领域的先锋艺术家，李青与乐队的合作恰到好处地兼具了前卫与悦耳，使专辑呈现出颇具特质的独立青年之声。

在这张专辑中，不优雅选择全中文创作所有歌词。经历更多沉淀之后，乐队认为中文作为母语更能完美阐释创作者微妙丰富的情绪和意境，这些精心写就的歌词完整地展示了乐队的精神世界。将中文的韵律和节奏与乐队的风格进行融合并不是一个水到渠成的过程，最终历经一年多的精心打磨，他们通过这张专辑准确表达了内心。

双主唱与默契的和声早就在演出中成为不优雅的标配，新专辑中他们继续放大了这种特质，通过和声呈现出更加丰富的层次感。不仅于此，相比五年前，这张专辑在配器上也呈现出了更多的可能性：李增辉在《黑色维纳斯》中富含爵士风格的萨克斯演奏，《变化》、《明日世界》中加入了小号、圆号与弦乐等元素，这些在创作之初就迸发出的编曲灵感最终在录制当中完美呈现了乐队的构想，带来更具回味和深邃的听觉感受。

乐队曾在《红星20号》纪念专辑中翻唱了经典老歌《干杯朋友》，此次专辑录制，他们重新制作并收录了这首歌。坠入深井般的混响演唱，悠扬的口风琴，团簇密集的失真和滑棒吉他演奏，这首老歌经过不优雅别具一格地演绎，成为一首充满迷幻风味的Shoegaze作品。

对乐队而言，不优雅不曾用风格限定自己，在创作态度上始终坚持独立。从少年步入青年，世界终结并非轰然巨响，而是一声叹息，曾经的英雄与伙伴逐渐销声匿迹。不优雅三人也在普通的过活，经历挫折和喜悦。然而隐藏着并不意味着背叛，还有一支你喜欢的乐队没有解散，他们活着并继续忠于内心，疲于奔命但也未停止创作，这张五年磨一剑的专辑，有他们对世界的全部热情。