tspdt1000
The Red Circle (1970) WikiData IMDb TMDB Douban
Le cercle rouge
8.3 (148 ratings) director: 让-皮埃尔·梅尔维尔 actor: 阿兰·德龙 / 布尔维尔
other title: 红圈 / Le cercle rouge
1970 film by Jean-Pierre Melville
Feb. 27, 2022 watched
叙事空间极其开阔 画框暗示人物前史——独居探长曾拥有美满家庭 酗酒神射仍怀念峥嵘岁月 阿兰德龙曾为美色所诱 而这(海报上的)三人现今都被声色犬马的社会所遗弃 此番归来目的很纯粹(保险箱完成了背信弃义的爱人与钱的置换)仅仅是为了重回舞台开展一番生死争斗以实现自我确证 这点在蒙当身上格外明显 他的动机始于对镜中落魄自己与墙上代表“超我”的枪(画中的枪对准德龙与蒙当的头也是对其命运的暗示)之强烈落差的意识 最终在抢劫戏对匙孔(被克服之物)的凝望中完成了这一自我确证 有趣的是镜子也在德龙的家中出现却并无照镜子的桥段 原因大概在于逃犯与德龙实则为同一人(!) 这一点可以在两人出场的转场镜头以及抢劫部分逃犯忍不住摸雕塑乳房(和德龙的画作相似)见出端倪 如此 结尾处二者在镜边的相互注视也便构成了这个角色的自我确证
1970 tspdt1000 G法国 D法国电影中心 Y梅尔维尔
The Gleaners and I (2000)
Les glaneurs et la glaneuse
9.1 (184 ratings) director: 阿涅斯·瓦尔达 actor: Bodan Litnanski / 阿涅斯·瓦尔达
other title: La vita è un raccolto / Les Glaneurs et la Glaneuse
Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.
The Piano Teacher (2001)
La pianiste
7.8 (415 ratings) director: Michael Haneke actor: Isabelle Huppert / 安妮·吉拉尔多
other title: 钢琴教师 / La pianiste
2001 film directed by Michael Haneke
Nov. 28, 2021 watched
很大程度上可以视作对第二性II的注脚——追寻超越性受挫的女性退回自身成为纳西索斯 她通过贬抑身体甚至受虐来实现自我精神性的超越 以达成古典型艺术的理想——节制 理念与形象均衡——然而理念的茁壮势必压倒形象(阿多诺论舒伯特) 影片随之进入浪漫型叙事 自我袒露变得不可抑制 这便超出了男孩构想的正常之爱的限度 她渴望在发号施令中建立超越性幻象 却被男孩诊断为“有病” 并在最终的闯入中实现了对她意志和身体的双重强暴 以绝对暴力敉平了想象的差异(在他看来 一切女人都与她联结 她是他成长必要克服的环节)而她对他的渴望源自一切年轻(男人)的美德——主动 积极 自然勃发(alter ego) 这些“美德”拒绝了指令反而构成最终扯碎幻象的暴力 她的禁欲主义姿态成为了性别权力意义上一次注定的失败;影片改编太奇观
Y哈内克 D影协 tspdt1000 2000s 2001
The Trial (1962) WikiData IMDb TMDB Douban
Le procès
8.4 (107 ratings) director: 奥逊·威尔斯 actor: 安东尼·博金斯 / 让娜·莫罗
other title: 审判 / Le procès
1962 film by Orson Welles
Nov. 21, 2021 watched
开篇声明的文改标示奥胖的野心不止于呈现故事 而是牵涉电影本体的探讨 用空间呈现代替小说的心理描写本不算新鲜 但仍被玩出了新意——在一组正反打关系中 一面是固定机位 相对沉稳严肃令人生畏 另一面机位则非常多样 似诗人之血般纷杂细碎充满压迫 如此一来 在一组正反打剪接中便创造出了对同一空间不同的情绪体验 作为对梦境体验的模拟 而对于梦境的书写也构成了奥胖的主题表达 在卡夫卡的小说中 审判是旷日持久的 荒诞是弥散在日常之中的 而影片对于桥段的重组使得节奏变得紧凑 印象除了一次淡出 剩下情节全由出门进门衔接 人物几无喘息之机 整部影片便是场漫长的噩梦 由此卡夫卡飘渺的存在危机和现代治理迷思被改写为对历史噩梦旗帜鲜明的控诉;不过本片空间设计仍在德国表现主义、法国先锋主义框架之中 配不上卡夫卡的心理描写 且塞得太满只觉得干
Y奥逊威尔斯 1960s D影协 tspdt1000 1962
And Life Goes on... (1992)
زندگی و دیگر هیچ
8.8 (212 ratings) director: 阿巴斯·基亚罗斯塔米 actor: 法德哈·基德曼 / 布巴·巴尤尔·
other title: 生生长流 / زندگی و دیگر هیچ
After the earthquake of Guilan, a film director and his son travel to the devastated area to search for the actors from the movie the director made there a few years previously. In their search, they see how people who have lost everything in the earthquake still have hope and try to live life to the fullest.
Where Is the Friend's Home? (1987) WikiData IMDb TMDB Douban
خانه دوست کجاست؟‎
9.0 (358 ratings) director: 阿巴斯·基亚罗斯塔米 actor: 巴比·艾哈迈德·波 / 艾哈迈德·艾哈迈德·波
other title: 何处是我朋友的家 / خانه دوست کجاست؟‎
1987 film by Abbas Kiarostami
Nov. 13, 2021 watched
直想流泪 阿巴斯的魔力时刻;孩子来来回回的奔跑 大风吹脏母亲洗好的衣被 木匠被卸下的门窗 一切劳作似乎都是徒劳 却因对纯粹的坚守隐约显露着某种生命的本质 结尾的“最后一分钟营救”营救的是观众对纯真的信念 小花与老师的评语一并 是世间最真诚的赞美
D电影资料馆 tspdt1000 1980s 1987 G伊朗
They Live by Night (1948)
They Live by Night
7.4 (14 ratings) director: 尼古拉斯·雷 actor: 凯茜·奥唐内 / 法利·格兰杰
other title: 夜逃鸳鸯 / 以夜维生
In the '30s, three prisoners flee from a state prison farm in Mississippi. Among them is 23-years-young Bowie, who spent the last seven years in prison and now hopes to be able to prove his innocence or retire to a home in the mountains and live in peace together with his new love, Kitty. But his criminal companions persuade him to participate in several heists, and soon the police believe him to be their leader and go after "Bowie the Kid" harder than ever.
Written by Tom Zoerner {Tom.Zoerner@informatik.uni-erlangen.de}
Bigger Than Life (1956) WikiData IMDb TMDB Douban
Bigger Than Life
7.7 (22 ratings) director: 尼古拉斯·雷 actor: 詹姆斯·梅森 / 芭芭拉·拉什
other title: 高于生活 / 狂夫淑妇(港)
A friendly, successful suburban teacher and father grows dangerously addicted to cortisone, resulting in his transformation into a household despot.
Sept. 15, 2021 watched
怪有意思 尼古拉斯雷确实有罕见的洞察力 梅森这个人物形象的变化某种意义上象征着社会伦理范式的转换 当一个温和友善打两份工勤俭养家的清教徒在社会交往中体验到一种不适应性 进而怀疑自己生活形态背后的价值(“你我都很无聊”)信仰秩序便产生裂隙 这一失序以绝症的形式呈现;为了延续生命 吃药便是必要之恶 一切不适应性化作药物反应倾泻而出 父亲想要扭转整个社会发展方向去填补当下的价值中空 却无异于刻舟求剑 失去价值锚点的父权传统走向专制;最后的解决方案也有些玩味 终身服药的父权被“囚禁”在“病床”上 好莱坞式结局也只是暂时的和解;镜子那个镜头吓他妈死
1956 D电影资料馆 F北影节 Y尼古拉斯雷 tspdt1000
Stalker (1979)
Сталкер
8.9 (458 ratings) director: 安德烈·塔可夫斯基 actor: 亚历山大·凯伊达诺夫斯基 / 阿丽萨·弗雷因德利赫
other title: 潜行者 / Сталкер
1979 film by Andrei Tarkovsky
Sept. 11, 2021 watched
对比费里尼-天主和老塔-东正的圣愚故事可能颇具启发 前者信仰危机体现为怀疑救赎(《骗子》中感到救赎仍执迷不悟)后者则体现为怀疑奇迹 如此看来区中三人对应三种危机 而非仅是潜行者对二人的引渡——科学家危机在于理性的边界 对逾越界限之物只能选择摧毁(类似瓦雷里笔下海边的苏格拉底);作家危机在于感性无法对神性做出肯定回应 只能选择享乐延缓存在焦虑;而潜行者危机在于怀疑奇迹 他在区中制定的规则并无所言中的强力 他在房间前的却步是对自身信仰危机的掩饰 拒绝妻子的同行也是如此 他并非真正的圣愚 他在区外同样是暗黄的 而真正的圣愚是女儿 她跛足不语(与《骗子》中圣愚相似)始终在神性世界(色彩)她的诞生才是真正的奇迹 因而尽管通篇是信仰拷问 老塔最终仍给出了较为明确的肯定答案;但着实没有足够触动的时刻
1979 Y塔可夫斯基 tspdt1000 CC D电影院
The Wages of Fear (1953)
Le salaire de la peur
8.7 (164 ratings) director: 亨利-乔治·克鲁佐 actor: 伊夫·蒙当 / 夏尔·瓦内尔
other title: 恐惧的代价 / Le salaire de la peur
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
Good Morning (1959)
お早よう
8.7 (154 ratings) director: 小津安二郎 actor: 杉村春子 / 笠智众
other title: Buon giorno / お早よう
A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.
The Story of the Last Chrysanthemum (1939) WikiData IMDb TMDB Douban
殘菊物語
8.1 (71 ratings) director: 沟口健二 actor: 花柳章太郎 / 森赫子
other title: 마지막 국화 이야기 / 残菊物語
In late 19th century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that he is only praised for his acting due to his status as his father's heir. Devastated by this, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully follows him.
May 16, 2021 watched
完成dharma 便遁入轮回;对标奥逊威尔斯《午夜钟声》;远观而不贴近 只呈现世间冰冷的法则——历史必然碾碎温存 并将其铭刻为成长——因而难有共情 只是怅惘
D电影资料馆 Y沟口健二 tspdt1000 1939 CC