Ride's first album in over twenty years, Weather Diaries, will be released June 16th via Wichita Recordings. The album was produced by legendary DJ, producer and remixer Erol Alkan, and is packed with all the classic elements that made Ride one of the defining bands of the early 90s. Trembling distortion, beautiful harmonies, pounding rhythms, shimmering soundscapes and great songwriting all combine to make an album thats ambitious in scope, timeless and thoroughly addictive. The album will be released through Wichita Recordings and sees the band reunited with label co-founders Mark Bowen and Dick Green, who worked with Ride during the bands early years on Creation Records. It also brings the band back together with mixer Alan Moulder (Arctic Monkeys, Smashing Pumpkins, The Killers) who mixed their seminal 1990 album Nowhere and produced its follow up Going Blank Again.

美式本格Indie Rock传人Kurt Vile薯叔，到底是用了甚么魔法让2015葛莱美最佳新进艺人提名的澳洲姐接Courtney Barnett还有Dirtry Three、Warpaint、Mick Harvey一同曼妙高歌？ 或许一切都是某种契合的缘分，近两三年，屡屡掳获各方媒体乐评一致赞扬，视年终榜如自家客厅来去自如的澳籍独立民谣摇滚歌手Courtney Barnett和来自美国费城Kurt Vile出乎外界意料地在2017年3月间传出两人已开始默默共同进行谱写制作一张合作专辑。 不过事情可能都要回溯到2015年当Kurt Vile撰写首支单曲〈Over Everything〉时便已经开始幻想Barnett会合他一起唱这首歌，果然十几个月过后，Vile的计划成真，两人携手在录音间前后花了八天的时间完成整张专辑录音，除了单曲请来曾为King Gizzard and the Lizard Wizard执导过的Danny Cohen负责拍摄外，两人不仅在影像中相互扮演对方的演唱角色外，两人还各翻唱对方或其友人的老歌，此外Barnett的一首〈Outta the Woodwork〉还请来澳洲后摇名团Dirty Three两名大老吉他手Mick Turner和鼓手Jim White、摇滚浪子Mick Harvey和Warpaint乐团的Stella Mozgawa等友人特别客串，等同当今澳洲独立音乐场景精锐尽出，使得这张专辑在预售前便已造成各方注目。 事实上，这对有着共同喜好、习性的歌手有着很多共同之处，Vile擅长以写实主义手法唱出美式乡村民谣的歌曲，Barnett则在他2016年的首张专辑《Sometimes I Sit and Think, And Sometimes I Just Sit》展现了她描绘日常生活的荒谬诙谐著称，同时两人均是当今独立摇滚界最好的说故事者，冷面笑匠及真挚的歌手。此番两人临时共组的可爱副计划，纵使整张专辑有一半的歌曲算是重新诠释的翻唱歌曲，但恰如一篇乐评说的好，在每首听似悠缓曲调背后所散发的，永远是他们两人笔下所勾勒出的荒谬与现实，再佐以一种诗意的的迷人魅力共冶于一炉。（Ricardo） KURT VILE: We ran into each other on the road in various continents and talked about the recordings. I guess it wasn’t till i had another tour booked for the following summer in Australia that we thought we should record as much as we can, no major goal to make it a full length but it came together that way because the vibe was so strong. I love working with Courtney, the collaboration was laid back with less pressure. COURTNEY BARNETT: Now we nished the album, we dreamt up an amazing band which we’ve called THE SEA LICE (inspired by a Stella Mozgawa beach-side-story) and me n Kurt will be standing there out front with our guitars singing songs together. Songs from this album we did, a handful of our own songs from previous albums, maybe some old folk songs n what not. Harmonies and guitarmonies galore. Very collaborative. Lotta Sea Lice is the result of 8 days in the studio spread over almost 15 months when Courtney and Kurt’s respective touring schedules allowed for them to be in the same place at the same time.

重塑雕像的权利耗时八年的新专辑。

在这张专辑里，盘尼西林以根植于传统吉他摇滚的演奏方式，诠释出流行摇滚乐的新鲜声音。专辑里的歌都来自于乐队2014-16年的积累与创作，每首都堪称用心之作。用优美的旋律表达着对世界的浪漫企图，少年狂放迷人的荷尔蒙和属于摇滚乐黄金时代的热烈无畏，都是它令人记忆深刻的标签。

《魔方大厦》不是那部迷幻动画片，而是成都夜生活地标建筑，位于领事馆路的BAOLI CLUB（保利中心），这里1到21层密集分布俱乐部和酒吧近20间，通常来说从夜里十一点开始热闹，在凌晨两点达到高潮。属于黑暗的夜行动物们在这个充满未知的空间里彻夜狂欢，借助音乐和酒精笔直向上，自我升腾，消失黑夜尽头，青春散落一地。 《永远年轻》无疑是成都音乐名片马赛克为CHENGDU CITY献上的一曲颂歌，是达摩流浪者里的“永远年轻，永远热泪盈眶”，更是小酒馆主办的系列演出主题：即从2003年开始的成都“永远年轻”摇滚音乐会。其形式类似一年一度的本地地下乐队汇报演出，这里充斥着为音乐出生入死的热血青年，从头天下午持续到第二天后半夜。各种感情都在歌词里，而马赛克将永远为年轻的心持续发声：DANCE FOR YOUTH！ 《妳》是一首直击灵魂的走心之作，关于爱，关于梦想，关于我们身边那个最重要的人。夏颖每次现场演绎之时，贝斯旋律响起之前，都会说这么一句话：“每个人这辈子都在寻找那个‘妳’，如果找到了，就请珍惜那个‘妳’。” 《TAKE TAKE TAKE》则前无古人后无来者，以最直白赤裸的辞藻表达空虚难耐而漫无目的夜晚希望逃离的强烈愿望，属于马赛克特有的直接而赤城，冲动而勇敢，别怀疑，这才是真成都，“夜猫”出动，Take me away！ 四首歌名包含时间地点人物三要素，最后邀请你玩一个遣词造句的文字游戏。 想要《永远年轻》，《妳》就去《魔方大厦》 在《魔方大厦》《TAKE TAKE TAKE》 祝《妳》《永远年轻》 …… 身处无解俱乐部，答案自然无解。 不思进取的Disco音乐陨落的时候 ，俱乐部音乐以新的，爆炸的，充满想象力的舞姿杀入，而无解俱乐部倡导一种无码呈现的快乐，我们需要的无非是爱、希望、彼此的笑脸、毫无防备的拥抱，这里百废俱兴万物滋长，人间天堂也不过如此。 这个三月，马赛克将带着全新录音室专辑《NO CLUB》来到你的面前，到现场是此次视听嘉年华的唯一解锁方式。接受邀请吧，不管你是谁。

Rocket is Alex G’s 8th full-length—an assured statement that follows a slate of humble masterpieces, stretching to his 2015 Domino debut, Beach Music. Amid recording, Alex made headlines for catching the attention of Frank Ocean; playing guitar on his two 2016 albums, Endless and Blonde. More than stylistic cues, what Alex took from the experience was a confidence in collaboration. Rocket wears this collaborative spirit proudly, and in its numerous contributors presents a restless sense of musical experimentation, effortlessly jumping from sound collage to dreamy folk to bouncing Americana.

Beatrice Laus (born 3 June 2000), known professionally as Beabadoobee is a Filipino-born British singer-songwriter.