2020 film directed by Graham Kolbeins

本片致力于“混淆视听“。导演将“现实与“梦境”对应的素材混剪成在一起，通过一系列富有观赏性的视听手段，搭建了一段穿梭于不同时空之间的流畅旅程，旨在打破两者之间人们习以为常的牢不可破的壁垒。放下这个界定后，人们天然的、自发有的、却在忙碌的成人生活中丧失了的——对生命的细微触感和连接的敏感度才能被重新唤醒。 导演并没有通过常规的讲故事手法进行表达，而是通过采用直接作用于感觉的多感官视听语言来更直接地传达主题。在短暂的不到两分钟的却高密度的多方位刺激下，希望能够留给观众的是激起他们对“毋庸置疑”的“真实时空”与“幻境”的质疑和思索。

2018 Guatemalan film

A passionate coming-of-age tale set amidst the conservative confines of modern Tbilisi, the film follows Merab, a competitive dancer who is thrown off balance by the arrival of Irakli, a fellow male dancer with a rebellious streak.

寻找男友的菁菁来到他家乡，却意外掺和了两个老头寻找身世的奇幻旅程，揭开了一段60年来无从言说的情感。老头水木和妻子阿芳留守在村庄生活，水木有一个不为人知的好友仲生。仲生是深山上小水库的管理员。阿芳看似不知道仲生的存在，但因缘际会，命运交错，三个人有着不能明言的关系。仲生感知大限将至，却不知身后将栖身何处。水木决定顺仲生的意愿送他“回家”。水木恳求菁菁开车送他们一程。一路上，他们遇见了自己的童年和青年，故去的母亲还有年幼的阿芳，像是重走人生路。

When Ocho, an Argentine poet on vacation in Barcelona, spots Javi from his balcony, the attraction is subtle but persistent. After a missed connection on the beach, a third chance encounter escalates to a seemingly random hookup. But are they part of each other’s histories, or maybe even destinies?

這是一個在特拉維夫臥房裡發生的同志愛情故事，兩名男人相遇、發生性關係、愛上彼此。但在黎明破曉時，他們之間是否還能繼續下去？

In the suburbs of Buenos Aires, Gabriel has just moved in with his colleague, Juan. Shy and reserved, Gabo is reluctant to follow Juan's wandering hands and meaningful looks. With a revolving door of beauties streaming out of Juan's bedroom, his machismo seems firmly in place. However, the attraction between the two men is undeniable.

On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.

The survival and the struggle of a young mother during the Khmer Rouge revolution, to find her 4-year-old son, torn from his family by the regime.

After encountering a group of bandits with plans to rape and steal from her, a young widow ventures into the wilderness in search of justice.

1965 French film by Agnès Varda

Director Henri-Georges Clouzot's maiden feature-length effort was the intricate mystery thriller The Murderer Lives at Number 21 (L'Assassin habite au 21). Businesslike homicide detective Wens (Pierre Fresnay) goes on the prowl for a methodical mass murderer, who seemingly manages to be everywhere at once. Following a confusing trail of clues to a seedy boarding house, Wens disguises himself as a clergyman in order to gain the confidence of the boarders, hoping that one of them will make "that fatal slip." All of the boarders are eventually taken into custody, only to be released when the murders continue unabated. Wens cracks the case when he figures out that the seemingly contradictory clues are the by-product of a bizarre conspiracy. Filmed in 1942 under wartime conditions, The Murderer Lives at Number 21 was finally released in the U.S. five years later. ~ Hal Erickson, Rovi

This film is a letter to my friend Vincent who died ten years ago. Vincent was Deaf. He introduced me to his language, his culture, his world. Through Vincent ‘s life, the film will examine the roots of the distress that plagues the Deaf, and also explore a rich and fascinating world, a people that struggles to preserve its Sign Language and Culture.

Benoit, the new kid at school, is bullied by a gang of arrogant boys. Determined not to be pushed around, Benoit organizes a big party, but only three students turn up. What if this bunch of losers was to be the best gang ever? Korean Movie 23zzw.com

2018 film directed by Christophe Honoré

20世纪20年代，非洲国家阿尔及利亚。在某个犹太人小镇上，生活着受人尊重的长老史法及其美丽善良且刚刚进入青春期的女儿扎拉比娅。长老一方面遗憾曾经可爱的女儿天真不再，一方面担心扎拉比娅受到各种不符教义事物的诱惑走上歧途。这一日，长老的家中发生怪事，他家的猫儿在吃了鹦鹉后竟然开口说话。灵猫日常里耳濡目染，出口成章。为避免对女儿造成影响，长老禁止灵猫与心爱的小主人见面，为此它甚至愿意接受割礼入教。某日，一名神秘的俄国青年突然出现在小镇上。他的到来给这个本就因灵猫的存在而气氛活跃的小镇带来更多未知的体验与冲击…… 本片根据由法国著名漫画作家尤安·斯法尔的根据自己的同名原作改编拍摄，并荣获2012年法国凯撒奖最佳动画片奖。

Coming back to her broken family, pregnant writer Huang Xiaoyu and her French husband, Benjamin, finds herself trapped between her cult brainwashed mother, Li Jiumei, and her secretly homosexual father, Huang Tao.

In 1920, Major Dellaplane, a man of honor and ethics, searches for missing French soldiers. He meets Madame Irène de Courtil, a politically connected Parisian, and their paths cross.

2005 South Korean film directed by Kim Ki-duk