Pierre and Paul, journalist and writer respectively, team up to write a screenplay based on the real story of a young woman accused by her uncle of trying to kill him. They decide to meet her.

A commanding officer defends three scapegoats on trial for a failed offensive that occurred within the French Army in 1916.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

Young provincial Charles arrives in Paris to stay with his cousin Paul while studying law. Paul is a decadent, bohemian pleasure-seeker who shows the meek, diligent Charles the thrills of city life. When Charles falls for Florence, one of Paul's acquaintances, relationships begin to shift.

在巴黎世界博览会期间，一个穿着塞维利亚连衣裙的女孩在“Féria Sevillanos”随着音乐与几个男人跳舞，尽管她看起来并不是真正的塞维利亚舞者。

Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Outdoors, with a nondescript building in the background, four men stand, each holding the corner of a blanket stretched parallel to the ground. They wear the clothes of laborers. By the back corner on our left stands a uniformed man who seems in charge. A sixth man stands back from the blanket about six paces; he runs forward and takes a leap but stops at the edge of the blanket and is upbraided by the uniformed gent. The same thing happens a second time, but the next three times, he completes a flip, landing on his back in the middle of the blanket, and the four then boost him out toward the camera. The final time seems like it will be his last for awhile.

Pedestrian and horse-drawn vehicles traffic, across the Place des Cordeliers, in Lyon.

Auguste Lumière directs four workers in the demolition of an old wall at the Lumière factory. One worker is pressing the wall inwards with a jackscrew, while another is pushing it with a pick. When the wall hits the ground, a cloud of white dust whirls up. Three workers continue the demolition of the wall with picks.

During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.

1895 film by Louis Lumière

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

1944 historical epic film about Ivan IV of Russia directed by Sergei Eisenstein

Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.

1966 film by Andrei Tarkovsky

A 28-year-old single woman is pressured to marry.

An ingratiating bride develops warm ties to her father-in-law while her cold husband blithely slights her for another woman.

The story of a poor young woman, separated by prejudice from her husband and baby, is interwoven with tales of intolerance from throughout history.

1949 film by Yasujiro Ozu