本片跟随记录了素有当代行为艺术祖母之美誉的塞尔维亚行为艺术家玛瑞娜·阿布拉莫维克（玛瑞娜·阿布拉莫维克 Marina Abramovic 饰）于2010年在纽约现代艺术博物馆MoMA举行的大型回顾展Marina Abramovic: The Artist Is Present的全过程。该次展览中，艺术家曾经最著名的几件行为艺术作品通过受邀的30位年轻当代艺术家重现，而玛瑞娜·阿布拉莫维克本人则在对艺术与人类无限的追逐反思中再次创作了一件惊世骇俗却又动人心扉的行为艺术作品。同时本片还回顾了玛瑞娜·阿布拉莫维克与曾经的灵魂伴侣Ulay之间的爱恨情仇。而Ulay与玛瑞娜在表演现场的和解也让所有人为之动容。 本片获得2012年圣丹斯电影节、2013年美国独立精神奖等多项提名，并夺得2012年柏林国际电影节大奖。

Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.

David Attenborough presents a documentary series exploring how animals meet the challenges of surviving in the most iconic habitats on earth.

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.

Ever since Roe v. Wade, the United States has been deeply divided on the issue of abortion. In that landmark case, an unmarried pregnant woman was refused an abortion in Texas and, with the ensuing judicial challenge, won American women the right to safe, legal abortions. Ever since, proponents and opponents have lined up on either side of the issue, launching verbal abuse - and worse - at each other. As the religious right has increased in size and power in the past decade, the issue has become even more divisive - and violent. Filmmaker Tony Kaye, best known for "American History X," has been working on "Lake of Fire" for the past fifteen years and has made a film that is unquestionably the definitive work on the subject of abortion. Shot in luminous black and white, which is in fact an endless palette of grays, the film has the perfect esthetic for a subject where there can be no absolutes, no 'right' or 'wrong.' He gives equal time to both sides, covering arguments from either extremes of the spectrum, as well as those at the center, who acknowledge that, in the end, everyone is 'right' - or 'wrong.' With graphic images of termination procedures and their aftermath, Kaye endeavors to show abortion's physical and psychological reality - to make clear what exactly is at stake. "Lake of Fire" - the film's title comes from one person's description of what awaits abortionists in hell - is a brave film, even a monumental one. And whatever you believe now, you are certain to think differently after seeing it.