A murderous lust for the British throne sees Richard III descend into madness. Though the setting is transposed to the 1930s, England is torn by civil war, split between the rivaling houses of York and Lancaster. Richard aspires to a fascist dictatorship, but must first remove the obstacles to his ascension—among them his brother, his nephews and his brother's wife. When the Duke of Buckingham deserts him, Richard's plans are compromised.

Henry II and his estranged queen battle over the choice of an heir.

A German Marquise has to deal with a pregnancy she cannot explain and an infatuated Russian Count.

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他非一代骚人，实属万古千秋。
1. 最真实的文本：横亘于前的这套新译本，是依据当今莎学界最负声望的皇家版《莎士比亚全集》进行翻译。这
一版本由当今世界最著名的两位莎学专家Jonathan Bate和Eric Rasmussen编写，是第一对开本300多年来的首次全
面修订，也是众多导演和演员最为钟爱的莎士比亚文本。
2. 最权威的辑注：皇家版《莎士比亚全集》对莎士比亚著作许多词义的注释释义精审，详略得当，实用性强，且
兼采百家之长，通过注释能够更好地理解莎翁原文。
3. 最诗体的译本：
（1）译文逼肖原作整体风格，以诗体译诗体，以散体译散体，从节奏、韵律、措辞三方面体现莎翁剧文的格律
性。
（2）翻译风格多样化，主要包括：有韵体诗词曲风味译法、有韵体现代文白融合译法、无韵体白话诗译法。
（3）译本可读性强，文采斐然，文白用语，自然得体。
《亨利四世（上）》为“莎士比亚全集·英汉双语本”系列中的一本，由英国皇家莎士比亚剧团和外语教学与研究出版社合作推出，根据皇家版《莎士比亚全集》翻译而成，英汉对照，讲述了亨利四世在位时期，青年王子亨利（即位后称亨利五世）的活动。

《理查二世》为“莎士比亚全集·英汉双语本”系列中的一本，由英国皇家莎士比亚剧团和外语教学与研究出版社合作推出，根据皇家版《莎士比亚全集》翻译而成，英汉对照，讲述了理查二世被波林勃洛克（夺位后成为亨利四世）政治上击败、军事上围困、俘虏后被囚被杀的整个过程。

莎士比亚全集·英汉双语本”系列书由英国皇家莎士比亚剧团和外语教学与研究出版社合作推出，根据皇家版《莎士比亚全集》翻译而成，英汉对照。《罗密欧与朱丽叶》讲述罗密欧与朱丽叶这对青年男女一见钟情，却因家族世仇酿成悲剧的故事。

故事发生在仲夏夜晚，两对恋人为了对抗一道荒谬无比的律法而出逃；当他们逃往林子后，精灵的介入使彼此爱的对象混淆；一阵混乱之后，众人终于恢复理智和谐。

In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.

Play in three acts by John Osborne, performed in 1956 and published in 1957. A published description of Osborne as an "angry young man" was extended to apply to an entire generation of disaffected young British writers who identified with the lower classes and viewed the upper classes and the established political institutions with disdain. Although the form of the play was not revolutionary, its content was unexpected. On stage for the first time were the 20- to 30-year-olds of Great Britain who had not participated in World War II and who found its aftermath lacking in promise. The hero, Jimmy Porter, has reached an uncomfortably marginal position on the border of the middle class, from which he can see the traditional possessors of privilege holding the better jobs and threatening his upward climb.