As children, the introverted Smile was being bullied by a gang of kids until the brash Peco comes by and chases all of them them away. Peco then takes Smile under his wings and teaches him how to play the game of ping pong. From there a life long best friend relationship comes into existence between these two polar opposite kids.

Kitaro is a half human, half creature who keeps an eye on the human society to save them from the evil attacks from another world. He finds that a magical ball that controls all powers had been brought into the human world, and stops it from falling into the wrong hands.

1996 film by Masayuki Suo

耳袋，即是把听到的怪异诡秘的故事，好好地放进袋子里收藏起来。电影改编自日本畅销灵异小说《怪谈新耳袋》，由99则独立的灵异故事组成。故事内容都是民间种种怪异骇人的传言，例如公寓洗手间的女鬼、照片上莫名多出来的人、发出幽幽呜咽的音乐盒、扔不掉的儿童自行车……承袭了日本恐怖电影的一贯风格，每桩灵异事件，都在引发毛骨悚然的恐怖情绪。

Based on the "2.26 Incident", an attempted coup d'état in Japan 1936, launched by radical ultra-nationalist parts of the military. Several leading politicians were killed and the center of Tokyo was briefly held by the insurgents before the coup was suppressed.

Yohei, a punk rocker, becomes a Buddhist monk in order to inherit a mountain temple. Though initially rebelling against the tough monastic discipline, he learns to adjust. Then his girlfriend shows up, enticing him to return to his rock 'n' roll roots.

1994 film by Naoto Takenaka

Shotaro and Minako are arguing. Minako has confessed her infidelity to her husband and informs him of her intention to leave him. She has ceased to enjoy living with a submissive husband. Minako, who works for a construction company, loves her job and is progressing in her successful career, while her husband eagerly takes care of the house and the kids. He buys groceries, he cooks, he does the laundry – constantly. The couple’s arguing intensifies until Minaka files for divorce. Their older daughter Mari isn’t that upset by her parent’s problems as she’s more interested in the piano piece she’s got to play with her mother at a concert organised by her music school; admittedly, she’s also rather interested in her music teacher. But her younger brother Toru feels betrayed by his mother and can’t manage to reconcile himself to his father’s role as a housewife. A partial reconciliation occurs at Minako and Mari’s concert, where their entrance on stage is met with loud applause.

Nostalgia is Takashi Miike’s favorite film of his considerable body of work. Including biographical elements, Nostalgia centers around the home and school of a young boy, whose family mix the violent and dysfunctional with the comic and the loveable. Though containing elements of the sudden and shocking brutality that many associate with this director, Young Thugs – Nostalgia is more concerned with a child’s moment of leaving the internalized world of fantasy, and passing on eagerly to the next stage of life. A wonderful, touching, startling vision that is uniquely Miike’s.