看不到一点绿色的荒漠中央，一辆越野车载着数名全副武装的人类疾驰而过。他们来到了那座早已成为废墟的大都市，寻找各种可以回首的有用材料，同时执行这一项极其危险的秘密任务。他们的举动很快就被对手发现，那是一辆战争时期遗留下来的智能战车，它可准确感知对手的存在，并第一时间发动毁灭性的攻击。战士们按照原定计划展开合围，可是根本抵挡不住机器战车的猛烈炮火。 死一般沉寂的都市，人和机器的战争逐渐升级。可叹的是，人类制造出如此精良的武器，却用它来毁灭了文明，毁灭了自己……

In this loose adaptation of "Hamlet," illegitimate son Kôichi Nishi climbs to a high position within a Japanese corporation and marries the crippled daughter of company vice president Iwabuchi. At the reception, the wedding cake is a replica of their corporate headquarters, but an aspect of the design reminds the party of the hushed-up death of Nishi's father. It is then that Nishi unleashes his plan to avenge his father's death.

中国古代国家の国制の根幹をなした礼楽制度のうち、楽制の歴史的展開に焦点をあて、漢代から唐代初期までの帝国的特質を解明。また隋・唐初期の楽制が日本雅楽の形成にどのような影響を与えたのか、その具体的様相を紹介する。

泡沫经济时期（1992年），背负着悲惨过去的庆应大学毕业生半泽直树如愿进入产业中央银行就职。银行内部有着“旧东京”与“旧产业”派系斗争。这一年，半泽直树就任东京中央银行大阪西分行融资课课长已有两年。坚信人性本善的他在履行银行家职责的同时坚守着普世的道义。半泽能否凭一己之力改变这冷漠腐化的现状？他能否对抗银行内外的敌人、贯彻自己的信念？

television documentary

中国深圳郊外的龙华新区，有一处大型职业介绍所“三和人才市场”。 周围小巷内，残破建筑物林立，廉价网吧、旅馆、杂货店等百余家店铺鳞次栉比。众多年轻人或在网吧内瞌睡，或露宿街头。 本片在绚丽奢华的中国硅谷-深圳，倾听从社会底层支撑着制造业大国的人们的心声，关注在希望和绝望之间挣扎的年轻打工者们的现实。(kamonka)

Oei, later known as Katsushika Oi, was born the third daughter of Edo’s talented painter Katsushika Hokusai and his second wife Koto. Although Oei became the wife of a town painter for a time, her love of the paintbrush more than her husband spelt disaster and she comes back home to Hokusai from the family she had married into. This is how Oei starts to help her father out in his painting of the “insurmountable high wall”. Meanwhile, Oei can only talk to the painter Ikeda Zenjiro, who is her father’s student, about her pain and worries. Zenjiro has taken Edo by storm as Keisai Eisen, the master of ukiyo-e portraying beautiful women. He visits regularly because he admires Hokusai and secretly likes Oei although their relationship is like childhood friends. Oei respects her father whose paintings fascinated her and continues to work as a painter who supports him behind the scenes. When Hokusai’s masterpiece Thirty-six Views of Mount Fuji was completed, she was also by his side.

Cyborg detective Batou is assigned to investigate a series of murders committed by gynoids—doll-like cyborgs, which all malfunctioned, killed, then self-destructed afterwards. The brains of the gynoids initialize in order to protect their manufacturer's software, but in one gynoid, which Batou himself neutralized, one file remains: a voice speaking the phrase "Help me."

“艺术让我从生活的各种不自在中获得了解脱，所以我相信我也能通过我的作品，让别人感受到艺术的这份力量。我想，艺术不仅拥有反抗的力量，也具备情感释放的能力。” 作者小野哲平是日本日本当代首屈一指的陶艺家，也是知名作者、美学大师。《小野哲平的器物：由土而生》是小野哲平本人授权、中国大陆唯一指定作品，收录了作者近35年创作生涯中的80件精品，并从生活、美学及艺术的角度加以解说。同时，此书独家收录了作品解说和创作访谈。每个作品都是作者的心路历程，从这些朴实却充满生命变幻的作品里，找到艺术与生活的融合。

In the year 2029, the barriers of our world have been broken down by the net and by cybernetics, but this brings new vulnerability to humans in the form of brain-hacking. When a highly-wanted hacker known as 'The Puppetmaster' begins involving them in politics, Section 9, a group of cybernetically enhanced cops, are called in to investigate and stop the Puppetmaster.

December 1944, 24-year-old Wei Shaolan and her 1-year-old daughter were seized and sent to a Japanese camp, where Wei was forced to work as a 'comfort woman' -- a woman forced into prostitution for Japanese servicemen during World War II. Despite being physically and mentally abused, Wei unbelievably escaped the heavily guarded 'Comfort Station' pregnant, shamed, and unsure of what fate awaited her return home. This documentary presents the true legendary story of Wei Shaolan and follows her traumatic and courageous journey from forced prostitution to life today with her Japanese son. 'Real Heroes' are people who can face life bravely even after a tormented life, and Wei's story offers inspiration to those faced with seemingly hopeless adversity.

1997 Japanese film by Takeshi Kitano

▼【编辑推荐】 ★日本文艺批评大师四方田犬彦之美学随笔代表作，从废墟出发，思考造物的宿命与时间的意义。 继谷崎润一郎《阴翳礼赞》后，最迷人的日本幽微美学探索。 · ★ 一部重新思考毁坏与消逝的哲思录，并从美学回归人间，直面岁月流逝，体味世间无常。 · ★沧桑是美，凋敝是 美，破灭也是美。 摩灭，就是将时间的残酷化为艺术。 · ★从记忆到触觉，从圣殿到废墟，从普鲁斯特到三岛由纪夫， 跨越文学、艺术与时空存在的迷人书写，献给岁月痕迹的温柔颂歌。 · ★特别收录四方田犬彦写给中国读者的序言，讲述摩灭在中国传统文化上的源头，回归东方传统美学。 · ★身在缓慢的衰亡途中，自是一种喜悦。摩灭途中的人，总站在时间的边缘。 . ▼【内容简介】 摩灭是—— 时间的艺术 万物的宿命 宇宙的永恒命题 · 岁月流淌漫溢的洪水 人伸出的摩挲之手 文字时断时续、最终慢慢溶化 · 从三岛由纪夫到普鲁斯特，从达芬奇到当代艺术，从吴哥窟的废墟，到逐渐脱落的古罗马壁画……作者以“摩灭”这一美学视角来重新观看世界、解读经典、追 溯历史、认识 生命，进而探索“摩灭”和日本美学传统的关联，还原出一种日本独有的审美观与生命观。 他的行走踪迹遍及东西方著名建筑与艺术场域，并以诗性之眼深入微观次元，以哲人之心直面事物的退化与衰亡，进而洞穿万物的宿命与岁月的本质，创造出一种兼跨随笔、游记、美学、文化研究和艺术批评的无界书写，也造就了这一部带有独特东方气质的时间诗学。他提到曾旅经中、韩、泰国的古寺庙，大多会重新上漆，唯独在日本京都、奈良，人们却任由它们褪色，“当宝贵的事象或物体产生阙乏或毁损，反而能发掘出其中的美”，这样带有时间推移、万物无常的美感，反而受到日本人所偏爱。 所以，观照摩灭，就是观照自己和事物之间横亘着的时间，就是包容衰败，接受消亡，理解无常。“天地自然，是人眼看不见的巨大石磨，我们的身体，是时间缝隙里的短暂存在。” · 本书以独特视角探索“摩灭”这一美学关键词与物的角度，重新观看世界，并上溯传统，找到其在东西方古典美学与文化传统中的源头，形成了日本人独有的美学价值观。本书从角度与重要性上都可以比拟日本文学随笔经典之作《阴翳礼赞》，都是从独特角度对美学与文化的重新解读。作者以其兼跨艺术史 、考古学、哲学、宗教、游记、散文、评论的无界书写，以诗性之眼透视时间与空间的痕迹。他的行走踪迹和目光所及囊括吴哥窟的浮雕、意大利的壁画、广岛核爆的遗迹、贝克特的戏剧、志哉直贺及宫泽贤治笔下的孩子、口中慢慢融化的糖……

◉内容简介 拉面在中日关系，甚至在日本与世界的关系中扮演了什么样的角色？它如何成为今天风靡全球的现代日本料理的象征？ 作者通过对中日饮食历史的梳理研究，以及对喜剧演员、餐饮业专家、娱乐经理、拉面店主、食客和食品史学者的采访，清晰再现了日本饮食文化的演变脉络。而享有日本饮食帝国霸主之位的拉面，其发展过程几乎见证了日本各个时期的重大社会变革——政治的，经济的，历史的……可以说，这本书不仅为我们呈现了漫长的拉面史，同时也呈现了吊诡有趣的日本烹饪史和社会史。 ◉媒体推荐 ◒ 顾若鹏讲述拉面历史的同时，也介绍日本社会与政治历史许多有趣的层面，以及日本与中国之间长远而复杂的关系。——《日本时报》 ◒ 拉面诞生于20世纪初，原本是工人、学生与夜店消费者的最爱……最后发展为成熟的正餐，不仅有热情的粉丝，能够激起日本人对故乡的骄傲与思念之情，同时又能走在流行文化的尖端。拉面带人进入饮食天堂的潜力，还有它在日本历史与饮食文化的地位，等着读者在顾若鹏的著作中去发掘。——埃克里•拉斯（美国堪萨斯大学历史教授） ◒ 日本人对Ramen（拉面）的爱好和崇拜，已达疯狂程度，他们的饮食文化影响东西方，Ramen将会超越米饭面包，将会成为未来的主要食品。——蔡澜

设计到底是什么？作为一名从业二十余年并且具有世界影响的设计师，原研哉对自己提出了这样一个问题。为了给出自己的答案，他走了那么长的路，做了那么多的探索。“RE-DESIGN——二十一世纪的日常用品再设计”展真是一个有趣的展览，但又不仅仅是有趣，它分明是为我们揭示了“日常生活”所具有的无限可能性。若我们能以满怀新鲜的眼神去观照日常，“设计”的意义定会超越技术的层面，为我们的生活观和人生观注入力量。

《窗边的小豆豆》讲述了作者上小学时的一段真实的故事。作者因淘气被原学校退学后，来到巴学园。在小林校长的爱护和引导下，让一般人眼里“怪怪”的小豆豆逐渐成了一个大家都能接受的孩子，并奠定了她一生的基础。这本书不仅带给世界几千万读者无数的笑声和感动，而且为现代教育的发展注入了新的活力。

Sophie, a young milliner, is turned into an elderly woman by a witch who enters her shop and curses her. She encounters a wizard named Howl and gets caught up in his resistance to fighting for the king.

Ashitaka, a prince of the disappearing Emishi people, is cursed by a demonized boar god and must journey to the west to find a cure. Along the way, he encounters San, a young human woman fighting to protect the forest, and Lady Eboshi, who is trying to destroy it. Ashitaka must find a way to bring balance to this conflict.

1995 anime film directed by Yoshifumi Kondō

14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items "borrowed" from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.