“语言地理类型学”是日本已故学者桥本万太郎立足于东亚大陆语言事实的研究而创建的新理论。本书把语言在地理上表现出来的类型推移，看作是语言历史演变各层次的投影，从而把“横”的区域考察跟“纵”的历史比较有机地结合起来。全书理论精邃，内容翔实，论证严密，涉及面广泛，由语言学家余志鸿精心翻译，著名语言学家朱德熙为之作序，是研究东亚诸语言的重要参考书，对普通语言学研究也具有指导意义。原译作于1985年出版，曾影响了我国一代学者，该理论日益为国内学界所接受，该书已成为各大学语言学本科生和研究生的必读专著。 全书主要由五部分组成：开章“语言的发展”为基本理论框架，后分别从句法结构、基本词汇、音韵结构三方面谈论语言的推移，最后一章为结论。

本书是“建筑史诗”系列的最新作品。“建筑史诗”由建筑学者王南撰写，拟出版四卷二十四本（本书为第九本），内容涉及汉、唐、宋、元、明、清、东西罗马、中世纪、文艺复兴等古今中外的建筑，旨在用几万字的篇幅写透一座建筑或一组典型建筑，以及它的血脉传承，进而向读者勾勒一幅恢弘的建筑史画卷。 《木骨禅心》对日本古建筑向中国古建筑学习的三堂课，以及日本从全面模仿中国，到逐渐根据本民族的特点进行独立创造的历史进程，做了惊鸿一瞥式的概览。试图通过对飞鸟时代、奈良时代、平安时代、镰仓时代典型建筑实例的剖析，与同时期、同类型的中国古建筑相对照，呈现日本各历史时期的古建筑受到中国古建筑何种程度的影响，且如何通过学习、理解和消化从中国南北朝、唐、宋输入的建筑知识与技艺，进而创造出具有自身独特性的日本建筑。 本书适合与“建筑史诗”系列的《梦回唐朝》（介绍唐朝建筑）、《营造天书》（介绍宋、辽、金建筑）、《塔窟东来》（涉及北朝云冈石窟）相互参照来读，可对中日古建筑的“师承关系”有相对完整的认识。

Real zombies arrive and terrorize the crew of a zombie film being shot in an abandoned warehouse, said to be the site of military experiments on humans.

Japan, 1943, during World War II. Young Suzu leaves her village near Hiroshima to marry and live with her in-laws in Kure, a military harbor. Her creativity to overcome deprivation quickly makes her indispensable at home. Inhabited by an ancestral wisdom, Suzu impregnates the simple gestures of everyday life with poetry and beauty. The many hardships, the loss of loved ones, the frequent air raids of the enemy, nothing alters her enthusiasm…

Ford Brody, a Navy bomb expert, has just reunited with his family in San Francisco when he is forced to go to Japan to help his estranged father, Joe. Soon, both men are swept up in an escalating crisis when an ancient alpha predator arises from the sea to combat malevolent adversaries that threaten the survival of humanity. The creatures leave colossal destruction in their wake, as they make their way toward their final battleground: San Francisco.

本书为已故日本著名历史地理学家前田正名先生在中国历史地理方面研究和北魏史研究方面的重要著作之一。全书正篇共分七章，分别从北魏桑干河流域的自然地理、居民结构、都市景观的发展情况，以及平城周围的交通路线、商业贸易等方面入手研究；另附三篇论文作为附篇，以表格的形式梳理了北魏建国以前的拓跋部历史及建国后至迁都洛阳为止的北魏历史，并揭示了沿太行山脉东麓的交通路是东亚极为重要的一条南北交通线。 此书是中国历史地理学研究者及日本东洋史研究学者的必读之书，许多观点可为相关研究提供重要启示。

2017届法国gobelins学院毕业动画《PARFUM FRAISE》 主创团队：Samuel KLUGHERTZAlix ARRAULTJules RIGOLLEMartin HURMANE 父亲的黑帮身份和儿子喜欢英雄的设定很巧妙，里面饱含父亲对儿子的爱，而且镜头和故事的设计特别棒，大家可以注意儿子说机器人那段台词和父亲手握操作感的镜头，此片是一部很好展示视听语言和故事性的教材

【内容简介】 本书从描述文官与武官政治权力自唐末至北宋中期的消长过程入手，分析导致双方在文化认同上由模糊转变为严重对立的因素。权力争夺是导致文、武官之间关系紧张的主因。为了争取君主的重视，文士将武人描述为贪婪无知，而强调自身具有学养、道德的重要性。随着文官权力自后周、北宋逐步扩张，文士对武官的歧视日益加深，并透过制度的规范，阻止文、武官身份的转换。文、武官对立因而成为宋代政治上无解的难题。 【编辑推荐】 作者用法国年鉴学派的方法论，对安史之乱后唐代文、武势力的消长，以及文士对军队、战争的态度等问题进行了讨论，并从权力结构与文化认同的角度对唐宋之际的文武关系做了深入分析。

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

这本书是西方首部系统研究和介绍小津安二郎电影艺术的专著，也是著名日本电影专家唐纳德·里奇的代表作。里奇通过对小津电影的主题、编剧、拍摄、剪接之深入分析，窥探其电影文法与美学风格，并以此展现了蕴藏在小津作品中的日本历史、社会及文化意涵。

这本书是西方首部系统研究和介绍小津安二郎电影艺术的专著，也是著名日本电影专家唐纳德·里奇的代表作。里奇通过对小津电影的主题、编剧、拍摄、剪接之深入分析，窥探其电影文法与美学风格，并以此展现了蕴藏在小津作品中的日本历史、社会及文化意涵。

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

A 28-year-old single woman is pressured to marry.

三澄美琴（石原里美 饰）是在民间法医组织“UDI”工作的女法医，该组织专门接收由于非正常原因导致死亡的遗体，对其进行解剖以求找到案件的真相。和美琴一起工作的，还有法医中堂系（井浦新 饰）、记录员九部六郎（洼田正孝 饰）和检查技师东海林夕子（市川实日子 饰）等人。 中堂系虽然拥有着丰富的临床经验，个性却乖僻古怪，对正义和法律理解不同的美琴和中堂之间，常常产生无法调和的矛盾。其实，中堂有一个无人知晓的秘密，他的女友在一场“意外”中不幸丧生，可种种蛛丝马迹向中堂揭示了，是一名连环杀人犯取走了女友的性命。中堂不畏人言坚定的留在UDI，正是为了找到杀死女友的凶手。

A nameless ronin, or samurai with no master, enters a small village in feudal Japan where two rival businessmen are struggling for control of the local gambling trade. Taking the name Sanjuro Kuwabatake, the ronin convinces both silk merchant Tazaemon and sake merchant Tokuemon to hire him as a personal bodyguard, then artfully sets in motion a full-scale gang war between the two ambitious and unscrupulous men.

The mother of a feudal lord's only heir is kidnapped away from her husband by the lord. The husband and his samurai father must decide whether to accept the unjust decision, or risk death to get her back.

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.