2019 film by Ken Loach

1975 film by Chantal Akerman

Adventure awaits 12 year old Brendan who must fight Vikings and a serpent god to find a crystal and complete the legendary Book of Kells. In order to finish Brother Aiden's book, Brendan must overcome his deepest fears on a secret quest that will take him beyond the abbey walls and into the enchanted forest where dangerous mythical creatures hide. Will Brendan succeed in his quest?

2016 French-Belgian drama film

Cowboy and Indian's only wish was to come up with a brilliant idea for Mr Horse's birthday, but when their plan ends up in utter disaster, they'll need to travel the world and back to make things right again.

2009 French film directed by Laurent Tirard

2000 film by Michaël Dudok de Wit

独行天下，法眼观世。独处异乡，自得其乐。——译者 《大都市》是一部内容丰富、饱含哲理的散文集，收录了作者游览维也纳、德累斯顿、的里雅斯特、威尼斯和悉尼等地的游记。该书的书名简单明了，无法体现作者充满激情地力图揭示他游览的每座城市的面貌背后的内涵，以及这些故事的核心中所包含的智慧力量。在赫尔特曼斯的旅行中，他始终围绕着世界文学之旅。在维也纳他踏着卡夫卡的足迹散步，在的里雅斯特他遇到了斯维沃、乔伊斯和温克尔曼，在重建的德累斯顿市中心他遇到了哈里·穆里施小说中的主人公。作者继承了文艺复兴时期长途旅行的传统，他创作了大量的作品。在作者的旅行快要结束时，他到访的城市的印象在他脑子里融合在一起并互相映衬，最终在理智的理解与个人的印象之间达到美好平衡。他的超人之处在于他的观察能力以及实现旅行意外的惊喜，创造一个“无意寻景而景自现”的意境。

2017 film by Benjamin Renner

上世纪20~30年代的批判理论，如法兰克福学派，兴起了对于现代性和现代主义的复杂而精深的批判研究。现代主义建筑的理论和实践与这一丰富的传统同时发展，但却基本上独立于此传统之外。本书作者希尔德·海嫩通过探讨现代性、栖居和建筑学之间的关联性，试图填补在现代运动的话语与现代性文化理论之间存在的鸿沟。一方面，她从批判理论的视角展开对建筑学的讨论，另一方面，她通过与建筑学的连接，修正了批判理论的地位。她将建筑作为一种文化场域进行考量，这一场域建构了日常生活，也包含了现代性固有的主要矛盾，但她争辩道，建筑学仍有某种能力采取一种批判立场来面对现代性。除了展开关于建筑、现代性和栖居间关系的理论探讨，此书也是建筑学学生了解批判理论话语的导读，为此，有关瓦尔特·本雅明、恩斯特·布洛赫、特奥多尔·阿多诺以及威尼斯学派（塔夫里、马西莫、卡奇亚里）的章节就不能被孤立地阅读了。

2015 film by Jaco Van Dormael

The intersecting lives of teens on a surfing trip, a woman with a weak heart and two teams of doctors and medical experts.

A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.

User comment from Imdb; The theme of escape is very prevalent throughout all facets of this movie. The off-voice narration creates a sort of detachment that reflects the detachment of the character with reality and even with the feelings inside him. Seldom the characters speak while facing the camera and the music is a wonderful accompaniment to the narrative: fairy-like and enchanting or confusing and detached. As the inner feelings and reflections of the characters are the main subject of this movie, it is strongly narrative driven rather than driven by actions and therefor it might not suit every 21st century viewer. But I strongly urge people to allow themselves to follow the reflections and balance on the stream of consciousness of the characters and see where it takes them. Near the end different elements fall into place although it may be a place that not everyone likes or even understands. Strong visuals, strong music, strong acting, but not suitable for a day when you're on the couch struck by the flu.

2011 film directed by Luc Dardenne and Jean-Pierre Dardenne