A mother bird tries to teach her little one how to find food by herself. In the process, she encounters a traumatic experience that she must overcome in order to survive.

Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.

Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.

One day at work, unsuccessful puppeteer Craig finds a portal into the head of actor John Malkovich. The portal soon becomes a passion for anybody who enters its mad and controlling world of overtaking another human body.

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father. Jack finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith.

《文学理论(修订版)》是中华人民共和国教育部高等教育司推荐全国中文专业大学生必读的100本著作之一，被全国许多高校指定为中文专业研究生入学考试必读参考书。这是一本有关文学的本质、功能、形式及内容的经典理论著作，作者以“文学的外部研究”和“文学的内部研究”构筑其理论体系，超越了多年以来文学理论架构的传统模式。《文学理论(修订版)》是在文学研究方面最富条理、范围最广、最有针对性的尝试之一。值得注意的是，《文学理论(修订版)》出版以来，即作为最经典的文学理论教材受到全球范围内专家、教授以及广大学生的欢迎。

19-year-old Billy Lynn is brought home for a victory tour after a harrowing Iraq battle. Through flashbacks the film shows what really happened to his squad – contrasting the realities of war with America's perceptions.

《关于他人的痛苦》是苏珊·桑塔格继《论摄影》之后又一本关于摄影的专著，也是她生前的最后一部作品。这本书聚焦于战争摄影，探讨影像反映出的人的痛苦与观者之间的关系。惨不忍睹的影像尽管能唤起观者的悲悯之心，但人们的无能为力感更让这些在生活中无孔不入，又格格不入的影像显得多余而荒诞。若不经思考而直接相信影像之内容，我们的道德判断力只会愈来愈弱。桑塔格以纯文字书写影像，为观者提供思考空间以正视“他人的痛苦”。

The Gallaghers have always scraped by, but season seven finds some of them finally getting a leg up, with more changes than the Chicago River. When Frank awakens from a coma to learn that his loved ones tossed him in the river, he declares war – Gallagher vs. Gallagher. But Fiona is too busy improving her own life to worry about Frank’s. Gallagher Golden Boy Lip finishes up his time in rehab, and emerges with a new outlook on alcoholism and his future, whereas the once-unstable Ian is now thriving as an EMT and in a comfortable relationship. Debbie is still figuring out how to be a good mom to young Franny, while Carl has some big decisions to face as he enters manhood.

Five high school students from different walks of life endure a Saturday detention under a power-hungry principal. The disparate group includes rebel John, princess Claire, outcast Allison, brainy Brian and Andrew, the jock. Each has a chance to tell his or her story, making the others see them a little differently -- and when the day ends, they question whether school will ever be the same.

Set in France during the mid-1970s, Vanessa, a former dancer, and her husband Roland, an American writer, travel the country together. They seem to be growing apart, but when they linger in one quiet, seaside town they begin to draw close to some of its more vibrant inhabitants, such as a local bar/café-keeper and a hotel owner.

本书是一部关于自由的意义的重要著作，它追溯了本世纪后半叶美国民主的再造过程，针对公共哲学的概念提出了一种哲学的论证和一种历史的论证。其哲学主张认为，程序自由主义一一一种声称政府应该对关于良善生活的各种竞争性见解保持中立的政治理论一一是不充分的：其历史的观点则认为，在过去的半个世纪里，程序自由主义在不断地为美国的政治话语创造词汇，它已经排挤了共和主义对公民身份和自由的理解，并开始作为一种支配性的公共哲学大行其道。在桑德尔看来，程序自由主义已经逐步取代了公民共和主义，并给美国的民主带来了灾难性后果。只有通过恢复共和主义传统，致力于共同体认同和自治所需要的公民美德，才能消除美国民主的不满。