暌违三年，孙燕姿携第13张个人专辑《跳舞的梵谷》回归，新专辑同名单曲《跳舞的梵谷》今日发布！ 孙燕姿提到，在第一次听到这首歌时，就已经产生非常多戏剧性的画面，因此她更亲自与制作人讨论增加许多音效、背景音，让这首歌充满剧场感。甚至歌曲中的歌剧女声，也是由她本人配唱，大胆而狂放的声线，实在让人很难相信这是孙燕姿的声音。而她也为她的第13号作品《跳舞的梵谷》亲笔写下主旨：「世界上一定有很多跟我一样的人，一样被赋予一些些疯狂的人。」

The brand new album from Max Richter DGs best-selling artist/composer with music crafted from 2015s outstanding ballet production Woolf Works, a critically-acclaimed ballet triptych by choreographer Wayne McGregor, inspired by the life and works of English novelist Virginia Woolf. Featuring powerful, compelling, emotional music, encompassing electronic textures and soundscapes, as well as orchestral episodes. Following the success of SLEEP, this album showcases different sides of Max Richters vast palette of sounds, including upbeat, Arpeggiator pieces Three Worlds: Music from Woolf Works shows Maxs passion for both lavish string and piano melodies, but also his virtuoso electronic side. The first track on the album features spoken words by Virginia Woolf herself, reading the essay Craftsmanship from a BBC recording of 1937. The original ballet was met with outstanding critical acclaim on its premiere in 2015, winning the Critics Circle Award for Best Classical Choreography and the Olivier Award for Best New Dance Production. The Observer described it as a compellingly moving experience; for The Independent it glows with ambition... a brave, thoughtful work; The Guardian called it a haunting meditation on memory, madness and time and lavishly atmospheric score. Each of the three acts springs from one of Woolfs landmark novels: Mrs Dalloway, Orlando and The Waves enmeshed with elements from her letters, essays and diaries. What a brilliant creative human being Virginia Woolf was. Its been extraordinary to have the chance to be submerged in the matters that troubled her, the questions she wrestled with and the visionary quality of the answers she discovered Max Richter

「鯨魚的骨骼沈入深海化為鯨落，生命曼妙的循環往復，交織在現實與夢境之間的浪漫邊界」～李星宇 │Dreaming 做夢的，Dream的形容詞│ 他的音樂語言，源於聲音的探索‧他的音樂冒險，源於自我的真實 唯有他，能將各種聲音擬做形容詞，層層交疊，緩緩編織 聽他的夢，讀他的奇幻文字，感受他的音樂歷程 交錯於真實與奇幻之間，他，是奇幻織樂師 實體專輯限定超值加贈1首隱藏版Bonus音檔

In the two years since To Pimp a Butterfly, we’ve hung on Kendrick Lamar's every word—whether he’s destroying rivals on a cameo, performing the #blacklivesmatter anthem on top of a police car at the BET Awards, or hanging out with Obama. So when DAMN. opens with a seemingly innocuous line—"So I was taking a walk the other day…”—we're all ears. The gunshot that abruptly ends the track is a signal: DAMN. is a grab-you-by-the-throat declaration that’s as blunt, complex, and unflinching as the name suggests. If Butterfly was jazz-inflected, soul-funk vibrance, DAMN. is visceral, spare, and straight to the point, whether he’s boasting about "royalty inside my DNA” on the trunk-rattling "DNA." or lamenting an anonymous, violent death on the soul-infused “FEAR.” No topic is too big to tackle, and the songs are as bold as their all-caps names: “PRIDE.” “LOYALTY.” “LOVE.” "LUST.” “GOD.” When he repeats the opening line to close the album, that simple walk has become a profound journey—further proof that no one commands the conversation like Kendrick Lamar.

美国流行摇滚乐队Maroon 5第六张录音室专辑确定在2017年11月发布。 专辑的第三首单曲"What Lovers Do"邀请了美国节奏布鲁斯女歌手SZA合作，于8月30日发行。