以采访梦境的形式串联在韩打工的外乡人的群像，通过他们身在异乡为异客，异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外

Mr Hublot is a withdrawn, idiosyncratic character with OCD, scared of change and the outside world. Robot Pet's arrival turns his life upside down: he has to share his home with this very invasive companion.

Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

An urban office worker finds that paper airplanes are instrumental in meeting a girl in ways he never expected.

2013 film by Kim Byeong-u

The small town of Pinchcliffe is experiencing a great lack of snow, which is why the inventor Reodor Felgen is asked to create a snow machine. However, things do not go as planned.

A woman's child is kidnapped and killed after paying the ransom. 15 years later, a mysterious figure is seen visiting the site of killing and another kidnapping occurs using the same methods. The woman teams up with a detective to catch the killer once and for all.

During the late 1990s, a busy working-class Singaporean couple hires a Filipino woman as a maid and nanny to their young son.

当清晨第一缕阳光照向这个城市，居住在这里的人们迎来了的新的一天。许许多多上班族独自居住，不过如果放在一个拟人化的社会，冷冰冰的世界似乎就多了几分温情。闹钟聒噪地响起，其实是有个人站在身边剧烈地晃动着铃铛。主人起床后，他洗漱收拾，有人用压力井送来水，有人用喷火装置加热面包。有人站在灯杆上操纵信号灯，有的人负责写下短信，甚至还有人驮着电车飞奔。当然忙乱之际，身边的小人难免出错，比如搞丢了主人的短信，写错了约会时间什么的。 不过这都不算什么，无乱何时，要相信你都不是一个人……

2013 South Korean by Kim Sung-su

Anna, a young novitiate in 1960s Poland, is on the verge of taking her vows when she discovers a family secret dating back to the years of the German occupation.

2013 film directed by Ari Folman

《看见》是知名记者和主持人柴静讲述央视十年历程的自传性作品，既是柴静个人的成长告白书，某种程度上亦可视作中国社会十年变迁的备忘录。十年前她被选择成为国家电视台新闻主播，却因毫无经验而遭遇挫败，非典时期成为现场记者后，现实生活犬牙交错的切肤之感，让她一点一滴脱离外在与自我的束缚，对生活与人性有了更为宽广与深厚的理解。十年之间，非典、汶川地震、两会报道、北京奥运……在每个重大事件现场，几乎都能发现柴静的身影，而如华南虎照、征地等刚性的调查报道她也多有制作。在书中，她记录下淹没在宏大叙事中的动人细节，为时代留下私人的注脚。一如既往，柴静看见并记录下新闻中给她留下强烈生命印象的个人，每个人都深嵌在世界之中，没有人可以只是一个旁观者，他人经受的，我必经受。书中记录下的人与事，是他们的生活，也是你和我的生活。 《看见》中，我没有刻意选择标志性事件，也没有描绘历史的雄心，在大量的新闻报道里，我只选择了留给我强烈生命印象的人，因为工作原因，我恰好与这些人相遇。他们是流淌的，从我心腹深处的石坝上漫溢出来，坚硬的成见和模式被一遍遍冲刷，摇摇欲坠，土崩瓦解。这种摇晃是危险的，但思想的本质就是不安。 我试着尽可能诚实地写下这不断犯错、不断推翻、不断疑问、不断重建的事实和因果，一个国家由人构成，一个人也由无数他人构成，你想如何报道一个国家，就要如何报道自已。——柴静 海报：