1990 film by Lawrence Ah Mon

Jungle of desire is the core video work of my first solo exhibition in Hong Kong Sept 2015. An impotent husband, an unsatisfied wife and a megalomaniac policeman. A perfect ecosystem in the concrete jungle. The jungle where you can truly face your lust with no moral laws. Inspired by true stories: prostitutes thrilled by the undercover police to provide free sexual service is happening everyday.

2018 short film

六位膠人正式回歸，勢必有咁膠玩咁膠！每集挑戰唔同主題，有時玩吓小遊戲，有時又考驗大智慧。仲會不定期咁請嚟嘉賓一齊派膠，務求令到香港人喺每個禮拜日都笑足一粒鐘！正所謂「有膠人，就算聽日係 Blue Monday 又有咩可怕喎？ 」

A pioneer of Taiwanese video art who has been producing media works since 1984, Yuan Goang-ming imbues his pieces with metaphors and symbols showing the minds and perceptions of contemporary humans. Dwelling shows an ordinary living room that has been built in the water. A sudden, massive explosion completely disassembles it, only for it to immediately return to its original form. The process that unfolds between the everyday living room with its ordinary furnishings and the incident that suddenly turns all of that on its head makes us link both the way the pandemic has destroyed our daily lives, as well as the calm that will eventually return.

《全民造星III》大收旺場，參賽者血淚交織的熱血畫面感動全港市民，為延續參賽者人氣，Viu TV火速製作一個全新年輕人綜藝節目《囝囝囡囡730》，以造星參賽者為演出骨幹，同時脫離《全民造星III》包袱，配合連場歌舞大比拼、八卦趣聞吹水，再加歌手嘉賓參與，炮製出充滿年輕動感的7：30綜藝節目新時段！

少年意外地在夜墟找到他的「真愛」。

This experimental documentary uses the life stories of a Chinese woman artist to explore alternatives to dominant versions of history. Growing up in China during the Cultural Revolution, she first came to the U.S. to study, and then, after the government crackdown, to live. FLOW's narratives of the Cultural Revolution are constructed from her extremely personal and often satirical points of view. The fragments of her memory are used to undermine the master narrative of history. Yau Ching writes, "An exiled native speaks a language not fully comprehensible to her 'fellow-natives' any more. A part of her is not able to go back any more. Given its politically subversive content, the very fact that this tape can only be made here, when the native is not at home, highlights the limitations of 'home.' Her memory haunts her and blocks her from being assimilated by the dominant American society. She lives in this 'between-world dilemma,' deprived of the privileges of being fully identified either as a native or as a westerner." In Mandarin, Cantonese and English with English subtitles. Producer/Director/Editor: Yau Ching. Camera: Yau Ching, Ellen Pau. 'Butterfly in California' Camera: Robert Harris. On-line Editors: Karen Heyson, Eric Kinke, John Grod. Sound Mix: Karen Heyson. Creative Consultants: Yvonne Rainer, Mary Kelly, Deirdre Boyle. On-line Facilities: Center for New Television, Chicago, Film & Video arts, NY, Electric Film NY. Off-line Facility: Girls make Videos, inc. Ordering & Fees

一場火燒毀了一整個寮屋區，災民被安置在七層高的徙置大廈，房間小且沒有完善設備。數十年過去，居住環境有改善，但面對的卻是高昂的住屋開支。

This slideshow by Angela Su is featured in her solo exhibition entitled 'IN BERTY WE TRUST!' at Gallery EXIT in 2013.

葉晨曦(白歆惠)在丈夫趙永傑的幫助下，開了一間廚藝教室，教導學生料理。但是，受到器重的指揮家永傑，三不五時就得到國外出差，常常留下寂寞孤單的晨曦，一個人在台灣。 李峰(鐘承翰)也是寂寞的都市人之一，放棄了人人稱羨家族事業，待在家裡當家庭主夫，期待能多一點時間，陪伴常加班到深夜的妻子蘇莉雯。李峰透過網路找到晨曦開的廚藝教室，想去學幾道菜，為加班回家的老婆端上熱湯熱菜，慰勞她的辛苦。 沒想到，因為處境一樣寂寞，兩人越走越近，對彼此甚至有了不單純的情愫，本來平靜的婚姻有了波瀾，兩對夫妻都面臨了婚姻破碎的考驗。李峰及晨曦開始 檢討自己對婚姻的付出，究竟值不值得？永傑及莉雯為了挽回婚姻，開始重新調整工作型態，將重心擺回家庭，只是這一切來得及嗎？兩對夫妻能有圓滿的結局嗎？ 在婚姻裡，究竟誰才是沈睡的那個人，哪個人又是只知道付出的傻瓜？

夜已深，两辆同型号的汽车在北京的公路上，缓慢地以每小时六十公里的最低限速并驾齐驱。空荡的城市，扑朔迷离的踪影，它们的出现像是在无声地挑战着日常生活中种种看似不合理的可能性。

伦敦圆拱形建筑千禧巨蛋的出现是新自由主义的权力象征。由1987年拆卸发电厂以兴建千禧巨蛋开始，到1999年的日蚀，及落成后的灯光和烟火表演，影片以缩时拍摄的方式，重点式地记录着它的诞生，暗喻英国当时急欲兴建一座国际性地标的意图。

镜头掠过迈阿密的洗车场、酒店、超级市场、海滩和工厂，影片以独特的视觉重新呈现城市的建筑和景观。冷静又沉稳的影像风格混合着节拍丰富的电子音乐， 以主观的多面向剖析着迈阿密这个城市的心理状态。

1999年1月8号，后感性的第一次展览“后感性：异形与妄想”在北京芍药居的一座民居的地下室里举办，明确提出了背离观念艺术的立场，是本次展览的主要意义所在。作为艺术现场的后感性的目光集中在三个地带：延异的身体经验；构成性的记忆与想象；情境的整体性震颤效果。强调体验的亲身性、现场性、综合性和不可还原性。此次展览首次出现用尸体为材料的艺术品。展览的激进引起了各界的广泛关注，批判声音尤为强烈。

21世紀即將來臨，中國的主流意識形態卻依然排斥著當代藝術，後者在全球化背景下初露出商業化的端倪。一群剛剛走出校園的藝術家決定要做些「不同」的藝術：以游擊戰的方式舉辦各種展覽，分別在北京和上海舉辦的《後感性：異性與妄想》和《超市展》展覽就是其中的重要代表。作為其中的參與者及紀錄者，闞萱以特殊的角度呈現了圍繞著這些展覽的人和事。 闞萱 （中國，生於1972年）是現居北京的影像藝術家。她的作品往往是以獨特的視角探討語言結構、文化含義及人與物件之間的關係。

曹誠淵在中國舞蹈界聲名顯赫，既是編舞、舞蹈週及中國三大舞團的藝術領導，為中國的現代舞發展不斷付出，而德國導演邁克爾．莫里 斯森在過去的三個月跟著他四處奔走，在北京、廣州到香港的千里路途上與這位「舞蹈教父」訪談，了解他對發展舞蹈及培育藝術家發展 方面的真知灼見。