1988年美国Verve MGM Polygram首发CD，翻自1968年的黑胶唱片，封面采用全黑设计，没有黑色骷髅图案。

Donovan Phillips Leitch is a Scottish singer, songwriter and guitarist. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock, and world music. He has lived in Scotland, Hertfordshire, London, California, and since at least 2008 in County Cork, Ireland, with his family.

1966年12月, 乐队推出“Purpls Haze”，由Jimi创作并打入排行榜第三名，随着新歌的不断创作和录制，唱片《Are You Experienced》于1967年5月推出，并位居英国唱片排行榜第二名，仅居于Beatles的《Sergeant Pepper》之后，仅赁这张唱片，The Jimi Hendrix Experience成为英国摇滚乐坛的传奇，但此时Jimi并不为其国人所识。
这张专辑在滚石杂志选出的500张历代最强专辑中排名第15位。

The Electric Prunes is the 1967 debut album by The Electric Prunes. The first track, "I Had Too Much to Dream (Last Night)", was a hit and became the band's signature tune. It became the lead track on the compilation Nuggets: Original Artyfacts from the First Psychedelic Era, 1965-1968. The album also contains another notable psychedelic rock composition, "Get Me to the World on Time"

Originally released in 1967, this RCA/BMG Heritage remastered reissue adds 6 bonus tracks 'In The Morning', 'J.P.P. Me Stop B. Blues', 'Go To Her', 'Come Back Baby', 'Somebody To Love' (mono single version) & 'White Rabbit' (mono single version). This groundbreaking piece of folk-rock-based psychedelia includes a 12-page booklet with extensive liner notes, detailed track listing & rare photos. Voted one of Rolling Stone's Essential 200 albums. 2003.

1966年，《A Quick One》在英国热销。但在美国他们没有受到同等的待遇，直到《A Quick One》以《Happy Jack》（快乐杰克）的名称发行后才有起色，标题曲在1967年打进了排行榜前40名。而那时The Who已经有了超越《A Quick One》的新作品《The Who Sell Out》，这是一张以电台演出为基础翻制的概念专辑，其中的单曲“I Can See For Miles”使乐队登上美国排行榜前10 名。同年，The Who参加了“蒙特利流行音乐节”。

Disraeli Gears is the second album by British supergroup Cream. It was released in November 1967[1] and went on to reach number 5 on the UK Albums Chart.[7] It was also their American breakthrough, becoming a massive seller there in 1968, reaching number 4 on the American charts.[8] The album was #1 for two weeks on the Australian album chart and was listed as the #1 album of 1968 by Cash Box in the year-end album chart in the U.S.[9] The album features the two singles "Strange Brew" and "Sunshine of Your Love".
The title of the album is based on a malapropism. Eric Clapton had been thinking of buying a racing bicycle and was discussing it with Ginger Baker, when a roadie named Mick Turner commented, "it's got them Disraeli Gears", meaning to say "derailleur gears," but instead alluding to 19th-century British Prime Minister, Benjamin Disraeli. The band thought this was hilarious, and decided that it should be the title of their next album.
The original 11-track album was remastered in 1998, and then subsequently released as a two-disc Deluxe Edition in 2004.
In 1999, the album was inducted into the Grammy Hall of Fame.
In 2003 the album was ranked number 114 on Rolling Stone magazine's list of the 500 Greatest Albums of All Time.[10] VH1 also named it their 87th greatest album of all time in 2001.

Forever Changes is the third album by American rock band Love, released by Elektra Records in November 1967. In 2003, Rolling Stone magazine ranked Forever Changes 40th in its list of the 500 greatest albums of all time.The album was inducted into the Grammy Hall of Fame in 2008. It was entered into the National Recording Registry in May 2012.

Their 1967 album got critical raves (Lillian Roxon called it "the album that astonished everyone and blew a million minds") for its artful blend of orchestration (from Van Dyke Parks) and the strength of Ron Elliott’s songwriting. A haunting, beautiful record.

Da Capo is the second album by American rock group Love, released in January 1967 by Elektra Records. The bulk of Da Capo was recorded between September 27 and October 2, 1966. "7 and 7 Is" was recorded on June 20, and had been released as a single in July of 1966 backed with "No. Fourteen", an outtake from their debut album.

Few debuts are as initially powerful and permanently impressive as this 1967 set from San Francisco's Moby Grape. The triple-threat quintet (every member played, sang and wrote songs) serves up an utterly unique first course that mixes psychedelia, hook-filled pop, blues and country elements. The album tosses off diamond-delicate ballads and full bore rockers with equal soul and inspiration -- and more energy than any other band then on the scene. Without a single duff cut, here's an album that plays as fresh and strong as the day it was first released.