Llewelyn Moss stumbles upon dead bodies, $2 million and a hoard of heroin in a Texas desert, but methodical killer Anton Chigurh comes looking for it, with local sheriff Ed Tom Bell hot on his trail. The roles of prey and predator blur as the violent pursuit of money and justice collide.

With his wife's disappearance having become the focus of an intense media circus, a man sees the spotlight turned on him when it's suspected that he may not be innocent.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.

Two boys meet at an opera training school in Peking in 1924. Their resulting friendship will span nearly 70 years and endure some of the most troublesome times in China's history.

Life for former United Nations investigator Gerry Lane and his family seems content. Suddenly, the world is plagued by a mysterious infection turning whole human populations into rampaging mindless zombies. After barely escaping the chaos, Lane is persuaded to go on a mission to investigate this disease. What follows is a perilous trek around the world where Lane must brave horrific dangers and long odds to find answers before human civilization falls.

Loosely based on The Tale of Darkness, a traditional song of mourning, the film follows Wang Zhun, a director in search of inspiration for his new script, as he embarks on an unpredictable trek across China’s remote Shennongjia mountains in Hubei province with an urbane producer, Ding Hongmei; a young actor named Bai; and his loyal photographer, Du Chun. The journey delivers a relentless series of unexpected physical hardships and subtle emotional ebbs and flows on the protagonists.

2001 Hong Kong film directed by Ann Hui

29岁的薮下依子（杏 饰）是一名生活极度规律甚至到了偏执刻板的女性，她毕业于名门学府，以公务员的身份过着平稳生活，对凡事锱铢必较，喜欢拿数字说话，偶尔还和早已去世的母亲（和久井映见 饰）对话争吵。为了安抚老爸（松重丰 饰）的情绪，对现代人的爱情观全不认同的她不得已走上婚活的战线。与此同时的另一方，现年35岁的谷口巧（长谷川博己 饰），是一位自诩为“高等游民”的资深啃老族，他日常倦在家里看书、看电影，生活起居全靠老娘（风吹纯 饰）照顾，为了在母亲去世后找到一张长期饭票，他只得硬着头皮和三次元的女性约会。 两个奇葩男女初次会面，彼此均无特殊好感，却因各自脑洞大开的婚姻爱情观而一拍即合，他们的约会中可会有爱的产生？

Vignettes weaving together the stories of six individuals in the old West at the end of the Civil War. Following the tales of a sharp-shooting songster, a wannabe bank robber, two weary traveling performers, a lone gold prospector, a woman traveling the West to an uncertain future, and a motley crew of strangers undertaking a carriage ride.

A wealthy New York investment banking executive hides his alternate psychopathic ego from his co-workers and friends as he escalates deeper into his illogical, gratuitous fantasies.

Found inside a shining stalk of bamboo by an old bamboo cutter and his wife, a tiny girl grows rapidly into an exquisite young lady. The mysterious young princess enthrals all who encounter her. But, ultimately, she must confront her fate.

2010 film by Doze Niu

1994 film by Wong Kar-wai

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

1977 film by Woody Allen

1988 Chinese film

1999 film by Franco Zeffirelli

The "Hu-Du-Men" (loosely translated as "stage door") is an imaginary line separating the stage from reality, and a line that must be crossed each and every night by Sum (Josephine Siao), the aging star of a Cantonese Opera troupe. Nearing the twilight of a storied career, Sum must face a variety of challenging new obstacles, including the possible emigration of her family come 1997, the appearance of a promising young actress (Anita Yuen), the hiring of a Western-schooled stage director (David Wu), the surprising revelation of her daughter's sexuality, and finally the reappearance of a shocking secret from her past. Through it all, Sum must retain her professionalism and dignity, as the "Hu-Du-Men" between the stage and her life begins to blur. Emotional, intimate direction and Raymond To's intelligent, relevant screenplay make Hu-Du-Men worthwhile cinema, but it's Josephine Siao's brilliant, emotionally dynamic performance that sets this film above the rest.

Shinji and Masaru spend most of their school days harassing fellow classmates and playing pranks. They drop out and Shinji becomes a small-time boxer, while Masaru joins up with a local yakuza gang. However, the world is a tough place.

如果不错的话，这部影片和Dusan Makavejev的《WR:有机体的秘密》（1971）、Jovan Jovanovic的《像玫瑰一样年轻》（1971）一起是70年代前南电影黑浪潮中三部最反叛的作品。。。居然都来自1971年！~~~ The two Marxes, Karl and Groucho, are the main sources of inspiration for this film, where the private world of the family and the national revolution of 1945 collide. Cengic's dissection of Yugoslav socialism was censored by the authorities and he worked little over the following decade. In its given historical context, one of the most subversive stills in this book. Only in Yugoslavia -- and only for a limited period -- could it have been possible to show (and then to eat) a Stalin-cake with a candle growing out of his head. From a bizarre political film farce that expressed the ideological disillusionment of a new generation. ---- Amos Vogel “Film as asubversive art”