这张《Human After All》是他们的第3张录音室专辑。这张专辑的实验性质很浓，Daft Punk运用简约主义的理念和摇滚元素来展现他们眼中的House乐。这也使得某些人听不了几首就开始耐烦，讽刺这张专辑说简直就像是一首歌，固执的交替，变更再变更，交替，乏善可陈。要我说，光凭一首Make Love就够本了。恍恍惚惚的节奏中，一个男声似有似无的反复吟唱Make Love，很灵很销魂。

Japanese limited edition issue of the album classic in a deluxe, miniaturized LP sleeve replica of the original vinyl album artwork.

After Service is the second live album by Yellow Magic Orchestra, directly following their (at the time) final studio album, Service. The album features David Palmer on additional drums. A film version was released alongside the album. After Service features "Kageki na shukujo" (過激な淑女, "Radical Lady"?), which was released in a studio version as a single, but does not feature on any of their albums (compilations excepted.) After Service was later expanded and remixed by Brian Eno under the title Complete Service. From:

Genre:Electronic Style:Vaporwave, House

"One More Time" is a song by French electronic music duo Daft Punk, first released as a single on 30 November 2000 and later included in the 2001 album Discovery. It is a French house song featuring a vocal performance by Romanthony that is heavily Auto-Tuned and compressed. The music video of the song forms part of the 2003 animated film, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. "One More Time" was a moderate commercial success, charting at number one on the Syndicat National de l'Édition Phonographique, number 2 on the UK Singles Chart, and is one of the duo's few charting songs in the United States, reaching number 61 on the Billboard Hot 100. In addition to commercial success, "One More Time" was also a critical hit. The song has also received multiple accolades. The song is listed at number 5 on Pitchfork's top 500 songs of the 2000s. Rolling Stone listed it at number 33 of their top 100 songs of the decade (2000–2009) as well as number 307 on its amended "The 500 Greatest Songs of All Time" list in May 2010. It was voted by Mixmag readers as the greatest dance record of all time. Also, "One More Time" was ranked at number 11 on the prestigious The Village Voice's Pazz & Jop annual year-end critics' poll.

Do not be surprised what is happening is a post-rock band from Dzerzhinsk, Russia. It was formed in 2009. Its lineup consists of Yuri Paholkov [ guitar, keys ] Georgy Popov [ drums, sound effects, vocal ] Dmitry Charentsev [ bass ] Vasily Motylev [ guitar ].

重塑雕像的权利全新单曲发布 全国巡演启动在即！ 新春伊始，举国欢腾的气氛犹弥漫空中，沉寂近八年的重塑雕像的权利则以一首冷硬中律动十足、颇为电气化的单曲《AT MOSP HERE》，重新唤醒大家节后“油腻”的双耳。 距上一张录音室专辑《WATCH OUT! CLIMATE HAS CHANGED, FAT MUM RISES…》已时隔八年，此曲劲猛的《AT MOSP HERE》作为新专辑《BEFORE THE APPLAUSE》的首支先行单曲，在乐迷们殷切的期盼中，带给众人不一样的惊喜。作为推动国内后朋克浪潮的旗手乐队，重塑雕像的权利一直与“后朋克”三个字密不可分，而暌违八年后，“重塑”带回给我们的新作，却以显著的电气化音色和不断循环的采样昭示着：如今的“重塑”早已不甘于头顶着“中国最好的后朋克乐队之一”的光环，正如同乐队的名字一般，他们始终在音乐的世界中探索遨游，以颇具实验的精神不断“重塑”着自己。 《AT MOSP HERE》——atmosphere，别误会，这首歌诞生于五年前，彼时的空气问题还未如此引人注目，相反，在跳跃激猛的乐曲中，包裹着一个基于现实的黑暗寓言。失语”是其关键词，至于其他，正如歌词所言：“I won’t tell you anything”。因为正如同抽象的单曲封面一般，“重塑”的歌曲中包含着许多引人深思的抽象意象，但同时他们又不希望歌迷们过于专注地去解读歌词，相比于乐队此前专辑中强烈的情感指向，这一次，“重塑”以强硬、直接的线条和色彩抽象隐晦地释放着他们的情绪，留给不断循环着这首单曲抖动着双腿的我们更加开放而无尽的遐想。 不断的loop、合成器贝斯、电气化的音色，这些令老乐迷瞠目结舌的转变，并非预示着“重塑”要彻底潜入时下兴盛的电子乐大潮中。恰恰相反，包裹着电气外衣的《AT MOSP HERE》依旧扎根于摇滚乐，贯穿始终的扎实鼓点因鼓手黄锦拳拳到肉的敲击带来了电鼓所不具的温度，而吉他和铃鼓的加入在丰富了声音层次的同时，也将“重塑”一贯的冷硬灰暗融入其中，随着跳动的节拍灌入听者脑髓，在黑暗中撞击出怪诞的火花。

Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc.

Toronto’s Nathan Micay first rose to prominence under the alias Bwana, where he released everything from of-the-moment post-dubstep like 2011’s “Baby, Let Me Finish” to anthemic progressive house tracks like 2014’s “Flute Dreams”, gradually leading to more ambitious, concept-driven releases like the Akira-inspired 2016 mini-album Capsule’s Pride. But it was with last year’s “First Casualty” that Micay’s work took on a new dimension. Tellingly released under his own name, “First Casualty” was a euphoric, melodic club record that became an underground anthem, sitting somewhere between progressive house, trance, and techno, but ultimately just sounded like – well, like Nathan Micay.

Zaba (stylised as ZABA) is the debut studio album by English rock group Glass Animals, released on 9 June 2014 by Wolf Tone/Caroline International and on 17 June 2014 by Harvest Records in the US.

Planet Mu are very excited to announce Jlin's long awaited second album “Black Origami”. A percussion-led tour de force, it's a creation that seals her reputation as a unique producer with an exceptional ability to make riveting rhythmic music. “Black Origami” is driven by a deep creative thirst which she describes as “this driving feeling that I wanted to do something different, something that challenged me to my core. Black Origami for me, comes from letting go creatively, creating with no boundaries. The simple definition of origami is the art of folding and constructing paper into a beautiful, yet complex design. Composing music for me is like origami, only I'm replacing paper with sound. I chose to title the album "Black Origami" because like "Dark Energy" I still create from the beauty of darkness and blackness. The willingness to go into the hardest places within myself to create for me means that I can touch the Infinity.” Spirituality and movement are both at the core of “Black Origami”, inspired largely by her ongoing collaborations with Indian dancer/movement artist Avril Stormy Unger whom she met and collaborated with at her debut performance for the Unsound festival – ”There is a fine line between me entertaining a person... more credits released May 19, 2017 I would like to thank William Basinski (Holy Child), Holly Herndon (1%), Fawkes (Calcination) and Dope Saint Jude (Never Created, Never Destroyed) for collaborating with me on this album. I would also like to give a special thanks to Native Instruments & Planet Mu for their continued support and trust. William has been a support system that came out of nowhere, and I'm so appreciative of having him in my life. Holly my constant homie, thank you always, you've been down with me from the beginning. Thank you to my parents especially Mum for always having my back and not being biased when I'm creating, I love you. Special thanks to the children of Nyakinyua. I am because we are. I owe every ancestor who came before me everything, I have no excuses. All tracks composed by Jerrilynn Patton. Published by Copyright control. Holy Child published by Copyright control/Musex International (BMI). 1% published by Copyright control/Holly Herndon Music (SESAC). Vocals on Calcination performed by Fawkes. Vocals on Never Created, Never Destroyed performed by Dope Saint Jude. Mastered by Beau Thomas at Teneightseven mastering. Artwork 'Siam' by Robert J. Lang and Kevin Box. Photo by Bill Stengel. Sleeve by Joe Shakespeare and Fabian Harb. ℗2017 Planet Mu Records Ltd. ©2017 Planet Mu Records Ltd.