崔益钧和李三顺是一对生活在韩国京北山区中的老夫妇，年届耄耋的他们仍无法放下手中的活计，终日往返小家和田地之间。相比能说会道且经常抱怨的老婆，崔益钧显得沉默寡言。他童年时一条腿遭受枪伤，导致行动不便，农活更成为一大难题。幸亏一头老黄牛常伴左右，四十多年来，老黄牛不仅帮夫妇俩分担大部分劳动，还使他们得以供子女上学，崔益钧老人对黄牛疼爱有加，甚至胜过妻子。春去秋来，烈日寒霜，时间在重复中缓缓流淌。转眼经年，夫妇俩年事已高，步履蹒跚，而操劳多年的老黄牛也即将走到生命的尽头…… 本片荣获第13届釜山国际电影节最佳纪录片奖。

Tim Jenison, a Texas based inventor, attempts to solve one of the greatest mysteries in all art: How did Dutch Master Johannes Vermeer manage to paint so photo-realistically 150 years before the invention of photography? Spanning a decade, Jenison's adventure takes him to Holland, on a pilgrimage to the North coast of Yorkshire to meet artista David Hockney, and eventually even to Buckingham Palace. The epic research project Jenison embarques on is as extraordinary as what he discovers.

Tao and Dong promised each other they’d return to the village where the latter grew up, in Inner Mongolia, before following his family, who left to find better fortune in a large city in Southern China. This voyage is a mere pretext meant to reconnect the two childhood friends, who were separated for ten years. With a rare sensitivity, Tao Gu films this companion, who was lost not only “from view”, approaching him stealthily to capture all of his tragic intensity, his disillusioned generosity. Dong has remained a dreamer besotted with rock, an incensed body struggling to find money (he comes up with a jade business which does not work out), love, sex and, above all, to live following his own conceptions of liberty, under the ambiguous gaze of his parents and his “successful” brother.