Roger Waters、David Gilmour、Nick Mason、Richard Wright等人讲述了1975年9月发行的专辑《Wish You Were Here》的创作过程。

Scott Hicks documents an eventful year in the career and personal life of distinguished Western classical composer Philip Glass as he interacts with a number of friends and collaborators, who include Chuck Close, Ravi Shankar, and Martin Scorsese.

Included on the DVD of The Bakery Girl of Monceau, part of the Six Moral Tales box set released by Criterion in 2006

导演侯季然以《书店里的影像诗》记录全台湾共40家独立书店样貌，今年8月将出版成书《书店本事》。 《书店里的影像诗》为4月18日上档的偶像剧《巷弄里的那家书店》延伸作品，4月7日起在奇摩影音首播，以各3分钟呈现40家书店，全长120分钟。 侯季然表示每家老板个性、风格也不同，他的拍摄手法也跟着变动，像拍了40部不同的短片。有的聚焦老板个人魅力，如『水平书局』老板曾大福边按计算机算折扣、边絮絮滔滔跟客人聊天推销书；『新手书店』老板郑宇庭只陈列100本书，每周汰换，书目都是他想推荐给「新手读者」的作品。有的则诉说动人故事，如台东的『晃晃书店』，店名来自一只因失聪而走路摇晃的猫，后来晃晃车祸丧生，伤心的老板罗素萍广邀客人寄回拍过的晃晃照片等。 侯季然笑称：“拍完才知开书店是辛苦、一点也不浪漫的行业，也庆幸这些书店为连锁店满街的台湾保留了文化多样性。”

TPB AFK is a documentary about three computer addicts who redefined the world of media distribution with their hobby homepage The Pirate Bay. How did Tiamo, a beer crazy hardware fanatic, Brokep a tree hugging eco activist and Anakata – a paranoid hacker libertarian – get the White House to threaten the Swedish government with trade sanctions? TPB AFK explores what Hollywood’s most hated pirates go through on a personal level.

Independent filmmakers followed the Mozilla team from March 1998 to April 1999, as they worked to open Netscape Communicator's source code to the world, in a last-ditch effort to save the company. The result is an amazing snapshot of computer history, capturing the people that worked on it, the first internal beta test, the moment Jamie Zawinski uploaded the first builds publicly, the launch party, the all-hands meeting announcing the AOL acquisition, and so much more. It aired on PBS nationally in March 2000, the same month as the beginning of the dot-com collapse.

REVOLUTION OS tells the inside story of the hackers who rebelled against the proprietary software model and Microsoft to create GNU/Linux and the Open Source movement.

This movie is a selection from many hours of footage produced before and during the music festival that was to accompany "The Rumble in the Jungle" - the heavyweight championship fight between Ali and Foreman in '74. The festival was meant to bring the American soul/r&b/funk/blues musicians "back home" to Africa and give them the opportunity to perform alongside African stars, such as Miriam Makeba. The movie is centered on James Brown, the main star of the three-day festival. It is more about the event as such, its "technical" background, than about schoolbook history. Even then, it leaves a lot of ambiguities open for the viewers to see. We hear Ali comment on the peaceful life Zairians lead while American blacks are ever threatened by accidents or (white) hatred. But this peaceful life is controlled by the government that urges the people to love their dictator. Although this movie doesn't deal with the political tensions involved in this Zairian sojourn, the implications are there. One thing that some viewers might not like is that "Soul Power" leaves little room for the African artists, focusing instead on the American greats like Brown or B.B. King. Another is that it's so short - King has only one feature, Brown has no more than three. At the Berlin IFF (Berlinale), the director (or editor, as the movie is simply made up of footage produced over 30 years ago) explained that he couldn't afford more than he did; also, some of the performances at the festival were of lower quality. As it is, the songs that we hear in "Soul Power" are beautifully shot - and finely recorded. At any rate, this movie is worth watching. It's interesting and it's funny. Go see for yourself! (by jammasta-1 @imdb)

Starring Yellow Magic Orchestra and David Brooks Palmer, YMO Propaganda is 1984 Musical film directed by Shin Saito. Originally premiered theatrically throughout Japan in 1984 and is considered by some to be the best visual work from 'Y.M.O.'

An in-depth look at the life and music of Manchester-based rock band, Oasis.

The Dialogues with Solzhenitsyn is a two-part Russian television documentary by Russian filmmaker Alexander Sokurov on Aleksandr Solzhenitsyn. The documentary shot in Solzhenitsyn’s home shows his everyday life and covers his reflections on Russian history and literature.

影片讲述了著名的加拿大钢琴家格伦·古尔德的故事。

This film showcases Noam Chomsky, one of America's leading linguists and political dissidents. It also illustrates his message of how government and big media businesses cooperate to produce an effective propaganda machine in order to manipulate the opinions of the United States populous. The key example for this analysis is the simultaneous events of the massive coverage of the communist atrocities of Khmer Rouge regime of Cambodia and the suppression of news of the US supported Indonesian invasion and subjugation of East Timor.

This feature-length documentary about the making of "The Social Network" goes back and forth from the elements of storytelling and long rehearsals with the cast and crew, to the shooting itself capturing the extreme attention to detail, filming locations such as Boston and LA, and David Fincher's filmmaking process.

Andrea Bocelli的音乐。

The 2-part feature-length documentary "25 ze šedesátých aneb Československá nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema. The documentary is a follow-up on the biographical TV series "Zlatá šedesátá" (Czech Television, 2009), based on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system. The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze šedesátých aneb Československá nová vlna" wants to commemorate. Part 1 comments on: ■"Slnko v sieti" ("The Sun in a Net," 1962) by Štefan Uher ■"Konkurs" ("Audition," 1963) by Miloš Forman ■"Křik" ("The Cry," 1963) by Jaromil Jireš ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Juráček & Jan Schmidt ■"Každý den odvahu" ("Courage for Every Day," 1964) by Evald Schorm ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer ■"Ať žije republika" ("Long Live the Republic," 1965) by Karel Kachyňa ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos ■"Romance pro křídlovku" ("Romance for Bugle," 1966) by Otakar Vávra ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová ■"Ostře sledované vlaky" ("Closely Watched Trains," 1966) by Jiří Menzel Part 2 comments on: ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko ■"Stud" ("Shame," 1967) by Ladislav Helge ■"Svatba jako řemen" ("A Hard and Fast Marriage," 1967) by Jiří Krejčík ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Grečner ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by František Vláčil ■"Spřízněni volbou" ("Elective Affinities," 1968) by Karel Vachek ■"Spalovač mrtvol" ("The Cremator," 1968) by Juraj Herz ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová ■"Pasťák" ("The Decoy," 1968) by Hynek Bočan ■"Případ pro začínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Juráček ■"322" ("322," 1969) by Dušan Hanák ■"Slávnosť v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta ■"Všichni dobří rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasný

叛逆、性感、敏感、神秘、纯粹、冷酷、疯狂……这些都是媒体对青年影视明星绫野刚的形容词，他即使穿着自己的便服出现，也给人“谜与影”的感觉，这个出身日本岐阜县的男孩，高中毕业后就来到东京追逐演员之梦，《热血高校2》和《康乃馨》等影视剧中的表现让他声名鹊起，现如今阿刚已经成为举国上下最受关注和最具发展潜力的青年役者。2013年初，情热大陆摄制组接近阿刚，跟随他转战《最精彩的离婚》和《飞翔情报室》等不同剧组，看他在迥异的角色中灵活转换身份与心境。 出道十年，终于迎来事业辉煌的阿刚也难以掩饰紧张日程之余的恐惧感和疲惫，此时此刻，他是何种心境……

松坂桃李，1988年生于日本神奈川县。父亲年轻时争强好胜，品味世间沧桑之后，希望自己的孩子即使低调沉默也能得到他人由衷的嘉赏，因此从《史记》中的名句“桃李不言，下自成蹊”中撷取“桃李”二字作为儿子的名字。这个有些怪怪的名字使松坂学生时代饱受欺负，也让他原本调皮喜欢恶作剧的性格转变得沉着冷静、低调内敛，似乎对所有的事物都缺乏热情。大学二年级一次谈笑，改变了松坂的人生。他以模特身份踏入娱乐圈，继而在表演方面挖掘了自己极大的潜力，并调动有生以来最大的热情。虽然自称是随处可见的普通男孩，但全国电影动员观影人数艺人排名第一位，晨间剧《小梅医生》的热播，使其成为迅速窜红的新生代男星。 情热大陆剧组在4个月时间内，贴身记录松坂桃李在片场和私人生活中的真实状态和心声……

杰尼斯家族重要成员山下智久，被热爱他的粉丝亲切称为山P。自11岁踏入演艺圈，他跟随在前辈身后歌唱跳舞，暗自朝着目标而努力。经过11年的打拼，如今已成为娱乐圈炙手可热的明星。繁忙紧张的日程，奔波周转于各杂志的拍摄现场，英俊的外表下，却罕见他露出微笑。而面对情热大陆摄制组的镜头，山P既不主动迎合，也不刻意回避，严肃的外表下纯真直率，毫不介意是否会引起误会。 22岁的山下智久，一面在大学里努力读书，一面在电影、写真、歌唱、电台、广告等领域努力拼搏。人生的一半在娱乐圈度过，注定忙碌的22岁，只愿毫不荒废地充实度过……