While waiting at a seaside town with her mother for a relative, a young woman creates a list of things she wants to do during her time there.

犴达罕是大兴安岭森林里体态最大的动物，威武，敏感，拥有尊严。近年生态的破坏，偷猎者的增多，犴达罕也更稀少。 而这不是一部关于犴的片子。 具有犴一样孤独气质的鄂温克猎人维加在禁猎后失落悲伤，经常酒后用诗和画怀念逝去的狩猎时代。春天来了，维加和伙伴进入原始森林，寻找犴达罕的足迹。 城市里教书的夏老师爱慕维加的才华，维加的生活发生了变化……

“The Black Power Mixtape 1967-1975,” among other things an extraordinary feat of editing and archival research, takes up a familiar period in American history from a fresh and fascinating angle. In the late 1960s and early ’70s, Swedish television journalists traveled to the United States with the intention of “showing the country as it really is.” Some of the images and interviews they collected have been assembled by Goran Hugo Olsson into a roughly chronological collage that restores a complex human dimension to the racial history of the era.

Miron Alekseevich, director of a paper and pulp mill, goes to bury his wife Tanya in the place where they once spent their honeymoon. He goes not alone, but with a photographer named Stork, to whom he tells touching details of his life with Tanya. The narrative weaves together the memories of the characters, as well as the rituals and beliefs of the Meri people, a small Finnish tribe that once lived in the Northern Volga region and dissolved among the Russians.

坐落于京都中心的神圣空间·京都御所。传承着平安时代的华丽文化，从建筑物到每一件生活用品都汇聚着日本传统工艺的精华。同时，京都御所也在千年之中见证了平安贵族的王朝绘卷，战国时代的英雄争霸，江户时期的太平盛世，以及幕府末期的明治维新。本次NHK采用超清的4K摄像机带您领略京都的最后一块圣地·京都御所的全貌。（诸神字幕组）

Beginning in 1881 this short yet comprehensive documentary tracks the downfall of the Romanov dynasty and the evolution of Lenin's Ulyanov family, from the terroristic acts and subsequent hanging of his brother to his own hunger for a revolution.

In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body parts of loved ones, dumped unceremoniously by Pinochet's regime.

《家、ついて行ってイイですか?》是东京电视台著作出品的综艺纪录节目。节目专门访问赶不上末班电车的陌生人，以支付计程车费来换取跟随到他们家访问的机会，进而领略纪录人生百态。 节目于2014年1月6日开播，起初为深夜节目，后移至黄金档播出。节目糅以季播和特辑形式放送，首季共计4集，次季共计24集，第三季正在播出，其间穿有10期特辑。 其中2014年12月7日首播的特辑荣获平成27年日本民间放送连盟赏电视娱乐最佳作品奖。

The only movie theater on the Onomichi seafront is about to close its doors. Its last night of screenings will be an all-night marathon of Japanese war films. When lightning strikes the theater, three young men in the audience find themselves thrown back in time into the world inside the screen.

2019 Macedonian documentary film

在曼哈顿的一所高中发生了一场导致学生伤亡的严重实验事故后，事态开始回旋失控。谁该为事故负责、谁目击了整个事件，这些话题引爆了老师、家长和学校领导之间的激烈讨论，并最终影响到学生本身。

Jerusalem,Andalucía ,New Mexico,Copenhagen,Sicily,South Africa,Detroit,Tokyo

《紅色性解放》以愛德華和荷西拉巴薩兩位年事已高的主人翁為題，並聚焦在他們於1975年時，進行了一系列有關探討性和親密關係的紀錄。尤其，當時的葡萄牙正經歷了康乃馨革命，導演將藉著愛德華和荷西拉巴薩在該時期的紀錄，帶領觀眾重新思考性／性別的意義。

Dreams, fears, and hopes of today's 28-year-olds in Russia. Revisiting its protagonists every seven years, the film provides a unique glimpse into the turbulent life trajectories of the "last Soviet generation." Following the idea of Michael Apted, film director Sergey Miroshnichenko documented the lives of the “last Soviet generation” from across the former Soviet Union. Starting when they were seven – just before the collapse of the communist empire – the director returned to the protagonists every seven years to re-examine their lives, decisions, and opinions. Now 28 years old, most of them seem rather disillusioned with the modern Russia in which they find themselves. While some are pining for the old order of their childhood, others are determined to master their own destinies.

Rainer Werner Fassbinder was probably Germany’s most significant post-war director. His swift and dramatic demise at the early age of 37 in 1982 left behind a vacuum in European filmmaking that has yet to be filled, as well as a body of unique, multi-layered and multifarious work of astonishing consistency and rigour. From 1969 onwards, Danish director and film historian Christian Braad Thomsen maintained a close yet respectfully distanced friendship with Fassbinder. Fassbinder – Lieben ohne zu fordern is based on his personal memories as well as a series of conversations and interviews he held with Fassbinder and his mother Lilo in the 1970s. The film also contains current interviews with Irm Hermann and Harry Baer, both of whom were close to Fassbinder. Beginning with Fassbinder’s extraordinary childhood in traumatised post-war Germany, the film, which is divided into seven chapters, provides an illuminating, intimate and moving tribute that bears witness to the enduring relevance of both the man and his work. Today in particular his oeuvre continues to provoke us to engage with controversy and tension – be it aesthetical, creative or critical. berlianle 2015

The world's greatest blue sapphire, the "blue lapis fist", said to have sunk in a pirate ship in the late 19th century, on the coasts of Singapore. A local millionaire plots to retrieve it, and when it's exhibited in an exhibition at the Singaporean Marina Sands hotel, a murder takes place.

33-years old Tamás Merthner is heartbroken, after his girlfriend Anna, who is on a scholarship in Paris, breaks up with him. While wallowing in self-pity, Tamás takes a trip down memory lane to figure out if love only exists when it's practically gone. As he's trying to pick up the pieces, he begins to realize what makes this current society so confused, which gives us a highly subjective view of Hungary's present.

船板上健身、餐廳裡跳康加舞、與船長合影、不分齡選美大賽⋯⋯豪華遊艇 上什麼都有什麼都不奇怪。魏斯安德森般精確對稱到超現實的構圖，描寫豪 華遊艇上的種種奢糜奇觀，道出消費主義至上的荒謬社會。