Thirty-four days before she's sent to prison, notorious Theranos founder Elizabeth Holmes invites a skeptical film crew to document her every move. What begins as an intimate portrait becomes a mind-bending three-year journey.

In the twelfth century, the Catholic Church attempted a thoroughgoing reform of marriage and sexual behavior aimed at eradicating sexual desire from Christian lives. Seeking a refuge from the very serious condemnations of the Church and relying on a courtly culture that was already preoccupied with honor and secrecy, European poets, romance writers, and lovers devised a vision of love as something quite different from desire. Romantic love was thus born as a movement of covert resistance. In "The Making of Romantic Love", William M. Reddy illuminates the birth of a cultural movement that managed to regulate selfish desire and render it innocent - or innocent enough. Reddy strikes out from this historical moment on an international exploration of love, contrasting the medieval development of romantic love in Europe with contemporaneous eastern traditions in Bengal and Orissa, and in Heian Japan from 900 to 1200 CE, where one finds no trace of an opposition between love and desire. In this comparative framework, Reddy tells an appealing tale about the rise and fall of various practices of longing, underscoring the uniqueness of the European concept of sexual desire.

The recipient of numerous literary prizes, including the National Book Award, the Kafka Award, five Hugo Awards and five Nebula Awards, the renowned writer Ursula K. Le Guin has, in each story and novel, created a provocative, ever-evolving universe filled with diverse worlds and rich characters reminiscent of our earthly selves. Now, in The Birthday of the World, this gifted artist returns to these worlds in eight brilliant short works, including a never-before-published novella, each of which probes the essence of humanity. </p>

明清易代，社会动荡，鬼魂文学迎来创作高峰。蔡九迪的《倩女》一书，以女性鬼魂与性别叙事的交织关系为切入点，综合运用小说、戏曲、诗词、医案、视觉材料等，系统考察17世纪女性鬼魂形象在各类艺术中的生成机制。通过对《聊斋志异》《牡丹亭》《长生殿》等经典的细读，作者揭示出女性鬼魂如何突破儒家伦理对性别角色的规训——她们既是人鬼恋中欲望的化身，亦成为书写明清易代的历史创伤的隐秘载体。那些游荡于文本间的芳魂，绝不只是边缘化的奇谭，而是承载着时代核心的文化关切。

“This culinary cosmic outing is as creative as it is informative.” — STARRED review, Publishers Weekly From Impossible Burgers to lab-made sushi, two witty, plugged-in food scientists explore leading-edge AgTech for the answer to feeding a settlement on Mars — and nine billion Earthlings too Feeding a Martian is one of the greatest challenges in the history of agriculture. Will a Red Planet menu involve cheese and ice cream made from vats of fermented yeast? Will medicine cabinets overflow with pharmaceuticals created from engineered barley grown using geothermal energy? Will the protein of choice feature a chicken breast grown in a lab? Weird, wonderful, and sometimes disgusting, figuring out “what’s for dinner on Mars” is far from trivial. If we can figure out how to sustain ourselves on Mars, we will know how to do it on Earth too. In Dinner on Mars, authors Fraser and Newman show how setting the table off-planet will supercharge efforts to produce food sustainably here at home. For futurists, sci-fi geeks, tech nuts, business leaders, and anyone interested in the future of food, Dinner on Mars puts sustainability and adaptability on the menu in the face of our climate crisis.

Images and text capture the astonishing beauty of the chemical processes that create snowflakes, bubbles, flames, and other wonders of nature. Chemistry is not just about microscopic atoms doing inscrutable things; it is the process that makes flowers and galaxies. We rely on it for bread-baking, vegetable-growing, and producing the materials of daily life. In stunning images and illuminating text, this book captures chemistry as it unfolds. Using such techniques as microphotography, time-lapse photography, and infrared thermal imaging, The Beauty of Chemistry shows us how chemistry underpins the formation of snowflakes, the science of champagne, the colors of flowers, and other wonders of nature and technology. We see the marvelous configurations of chemical gardens; the amazing transformations of evaporation, distillation, and precipitation; heat made visible; and more.

In contemporary culture, there is no stronger imperative than to be authentic. But what does authenticity actually mean? Everywhere we turn, we are urged to "live our truth" an element of Western culture that is almost never questioned. Authenticity in all its contexts is becoming more significant than ever as digital culture breeds fakery and capitalism offers the illusion of infinite choice. In this climate, finding and being yourself is a more complex idea than it sounds - one that should not necessarily be taken as doctrine. In this set of six sharp, lively essays, the writer and journalist Emily Bootle explores how authenticity has pervaded every facet of our culture, from modern celebrity and identity politics to Instagram captions and wellness. Blending pop culture and philosophy, this book dismantles the ideology surrounding being ourselves at all costs, and questions what fuels our authenticity obsession.

Biomimetics - imitating life's natural processes - is one of the hottest areas of design research and inspiration. The natural world contains infinite examples of how to achieve complex behaviours and applications by using simple materials in a clever way, as all organisms make use of limited raw materials to survive. In the popular imagination, the best-known example is the microscopic 'hook' on burrs that led to the development of Velcro, but there are many more applications, from kingfisher beaks inspiring the shape of bullet trains to shark skin being used as a model for advanced swimsuits. This book presents many examples, showing each natural phenomenon alongside its application, with an accessible explanation of the biology and the story of the design. While most are concrete examples that have already been developed, others point the way to what might be possible for an enterprising designer, providing a starting point for creativity. This timely overview is the perfect introduction for designers of all disciplines, and a reminder that inspiration may be just down the garden path. With 439 illustrations

We thought of culture as a disinterested activity but sociologists showed long ago that it is a form of capital, used to gain power, status or money. This book does to sex what other sociologists did to culture: it shows that sex, no longer defined by religion, now plays a role in the economy and can yield tangible benefits in terms of money, status and occupation. How do people accumulate sexual capital, and what are the returns for investing money, time, knowledge and affective energy in establishing and enhancing our sexual selves?Dana Kaplan and Eva Illouz disentangle the current cultural politics of heterosexual life, arguing that sex – that messy amalgam of sexual affects and experiences – has increasingly assumed an economic character. Some may opt for plastic surgery to beautify their face or body, while others may consume popular sex advice or join ‘seduction communities’ in order to train their sexual subjectivity to become more confident. These different investments generate a better position in order to compete for sexual access to the bodies of others. But beyond these purely sexual competitions, oriented towards pleasure maximization or the mere feeling of being desired by others, the authors trace an emerging, novel, neoliberal kind of sexual capital. This ‘late modern sexual capital’ is the ability to glean self-appreciation from sexual encounters and to use this self-value to foster employability. It is responsible for phenomena as diverse as Silicon Valley sex parties as expressions of high-tech ideals, genital plastic surgery among upper middle-class patients and even some sex workers’ belief that through their services they are able to garner self-esteem and develop emotional resilience and other employable skills.This highly original book will appeal to students and scholars in sociology, anthropology, gender studies and cultural studies, and to anyone interested in the nature of sex and how it is changing today.

Beware the women who are called witches, or those who claim the name for themselves... Banshees - a howling night-witch and harbinger of death; She-devils - Lilith and her daughters; or Bitches - Hecate, whose chariot is drawn by dogs. Alluring women, enchantresses, seekers of revenge, wise old women and badly-behaved girls. As Shahrukh Husain says, witches are 'womanhood in all its complexity'. Over fifty stories of crones and nixies, shape shifters and beauties are here, including the loving fox witch of Japan; Italy's Witch-Bea-Witch; Scotland's Goodwife of Laggan; Biddy Earl and the terrifying Kali and Baba Yaga who comes in many forms to haunt, entice, possess, transform and challenge. From every corner of the globe, with tom-foolery, fun, strife and victory, these folklore and legends celebrate women who step out of line.

In the early twentieth century, China was stigmatized as the Land of Famine. Meanwhile in Europe and the United States, scientists and industrialists seized upon the soybean as a miracle plant that could help build modern economies and healthy nations. Soybeans, protein-packed and domestically grown, were a common food in China, and soybean milk (doujiang) was poised for reinvention for the modern age. Scientific soybean milk became a symbol of national growth and development on Chinese terms, and its competition with cow s milk reflected China s relationship to global modernity and imperialism. The Other Milk explores the curious paths that led to the notion of the deficient Chinese diet and to soybean milk as the way to guarantee food security for the masses. Jia-Chen Fu s in-depth examination of the intertwined relationships between diet, health, and nation illuminates the multiple forces that have been essential in the formation of nutrition science in China.

'I like this London life . . . the street-sauntering and square-haunting.' Virginia Woolf, diary, 1925 Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently. Francesca Wade's spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own.

Too often, we blame women. For walking home alone at night. For not demanding a seat at the table. For not overcoming the odds that are stacked against them. This distracts us from the real problem: the failings and biases of a society that was not built for women. In this explosive book, feminist writer and activist Laura Bates exposes the systemic prejudice at the heart of five of our key institutions. Education Politics Media Policing Criminal justice Combining stories with shocking evidence, Fix the System, Not the Women is a blazing examination of sexual injustice and a rallying cry for reform.

An enlightening linguistic journey through a thousand years of feminist language—and what we can learn from the vivid vocabulary that English once had for women’s bodies, experiences, and sexuality So many of the words that we use to chronicle women’s lives feel awkward or alien. Medical terms are scrupulously accurate but antiseptic. Slang and obscenities have shock value, yet they perpetuate taboos. Where are the plain, honest words for women’s daily lives? Mother Tongue is a historical investigation of feminist language and thought, from the dawn of Old English to the present day. Dr. Jenni Nuttall guides readers through the evolution of words that we have used to describe female bodies, menstruation, women’s sexuality, the consequences of male violence, childbirth, women’s paid and unpaid work, and gender. Along the way, she challenges our modern language’s ability to insightfully articulate women’s shared experiences by examining the long-forgotten words once used in English for female sexual and reproductive organs. Nuttall also tells the story of words like womb and breast, whose meanings have changed over time, as well as how anatomical words such as hysteria and hysterical came to have such loaded legacies. Inspired by today’s heated debates about words like womxn and menstruators—and by more personal conversations with her teenage daughter—Nuttall describes the profound transformations of the English language. In the process, she unearths some surprisingly progressive thinking that challenges our assumptions about the past—and, in some cases, puts our twenty-first-century society to shame. Mother Tongue is a rich, provocative book for anyone who loves language—and for feminists who want to look to the past in order to move forward.

How do we live ethical lives alongside others? A fascinating, mind-expanding exploration of our moral universe We have always lived with ethically significant others, whether they are the pets we keep, the gods we believe in or the machines we are endowing with life. How should we treat them as our world changes? In Animals, Robots, Gods, acclaimed anthropologist Webb Keane provides a new vision of ethics, defined less by our minds, religion or society, and more by our interactions with those around us. Drawing on ground-breaking research by fieldworkers around the world, he explores the underpinnings of our moral universe. Along the way we investigate the ethical dilemmas of South Asian animal rights activists, Balinese cockfighters, Japanese robot fanciers -- even macho cowboys. We meet a hunter in the Yukon who explains his prey generously gives itself up to him; a cancer sufferer in Thailand who sees his tumour as a reincarnated ox; a computer that gets you to confess your anxieties as if you were on the psychiatrist's couch. With charm, wit and insight, Keane offers us a better understanding of our doubts and certainties, showing how centuries of conversations between us and non-humans inform our conceptions of morality, and will continue to guide us in the age of AI and beyond.

Follows Morgan, a single mother of three with a brilliant mind, as she rearranges some evidence during her shift as a cleaner for the police department, aiding in the resolution of an unsolvable case.

The Great Big Glorious Book for Girls [Hardcover] Rosemary Davidson and Sarah Vine

Do you love both food and writing and want to know the secrets of bestselling cookbook authors, successful food bloggers and freelance writers?  Noted journalist and writing instructor Dianne Jacob combines over 20 years of experience to teach you how to take your passion from the plate to the page. With tips for crafting your best work, getting published, and turning your passion into cash, Jacob will transform you from starving artist into well-fed writer. Whether you’ve been writing for years or are just starting out, this updated edition of Will Write for Food offers what you need to know to succeed and thrive,

Out of the diverse traditions of medical humanism, classical philology, and natural philosophy, Renaissance naturalists created a new science devoted to discovering and describing plants and animals. Drawing on published natural histories, manuscript correspondence, garden plans, travelogues, watercolors, and drawings, The Science of Describing reconstructs the evolution of this discipline of description through four generations of naturalists. In the late fifteenth and early sixteenth centuries, naturalists focused on understanding ancient and medieval descriptions of the natural world, but by the mid-sixteenth century naturalists turned toward distinguishing and cataloguing new plant and animal species. To do so, they developed new techniques of observing and recording, created botanical gardens and herbaria, and exchanged correspondence and specimens within an international community. By the early seventeenth century, naturalists began the daunting task of sorting through the wealth of information they had accumulated, putting a new emphasis on taxonomy and classification. Illustrated with woodcuts, engravings, and photographs, The Science of Describing is the first broad interpretation of Renaissance natural history in more than a generation and will appeal widely to an interdisciplinary audience.