A story of an aged sheepherder, his gruff grown son (who’s having trouble conceiving a child with his wife) and the old man’s Tibetan mastiff hound – a highly prized breed, much sought after by urban Chinese – whose existence is imperiled from all sides.

讲述青海尖扎地区的拉隆村和达莫村世代友好，两村向来有着传统射箭比赛的习俗。射箭世家的大儿子扎东已经连续两年输给了达莫村的神射手尼玛，无缘象征神射手的“五彩神箭”。怀恨在心的他阻扰尼玛与自己妹妹的恋情。两个村的孩子暗地里也在比试箭艺，长一辈则对传统渐渐的流失而担忧。尖扎县政府将要举办的一场大型国际射箭比赛，扎东和尼玛将代表各自的村庄争夺唯一的参赛资格……

2018 Chinese Tibetan-language film by Pema Tseden

A filmmaker searches the Himalayas for an actor and actress to play the lead roles in his Tibetan opera.

通过记录在经济利益的驱动下，那些原本是高山兀鹫食物的冻饿而死的牛马牲口成为商品，生活在青藏高原上的高山兀鹫因为维持生命的食物短缺，正面临死亡的边缘。从藏传佛教的角度诠释了生命平等的观念。

气温在零下40℃的高原上，牛粪是牧民家的温暖，牛粪是没有污染的燃料，是供神煨桑的原料，是驱暗的灯盏；牛粪可以用来建筑家园和围墙，是草原上的天然肥料、是治病的药物、是除垢的洗涤物，小孩子可以用牛粪做玩具，艺术家可以用牛粪制作佛像；从牛粪可以看出草原的好坏，从牛粪可以判断牦牛的病情。总之，牛粪是我们高原人所不可缺少的。但是我们离没有牛粪的生活越来越近，没有牛粪的日子也是我们自我遗失的日子，是给我们生活带来灾难的日子，也是我们与大自然为敌的日子。到那时，我们的慈悲心与因果观，善良的品性都将离我们远去。

我们静静地凝视这座位于高原上的寺庙，记录下四季轮换里觉姆隐秘的日常。纪录片试图探寻她们深邃的内心世界，并思考我们人类与这个世界的关系

It’s the rainy season in the Tibetan highlands. It’s good for the crops, but bad for Wangdrak. He’s the only boy in his village who doesn’t own a pair of rain boots – and the other children tease him about it. His father has no money to buy any boots, plus he has other worries: there’s a dispute among the farmers. Secretly, his mother swaps a goat skin for a new pair of light blue boots. But when Wangdrak proudly wears them to school the next day, the children laugh at him again because it has stopped raining and the sun is shining. At least Wangdrak can count on his best friend Lhamo. Set in the vast mountains of Tibet this film affectionately portrays the story of a young boy’s dreams which are bound by the traditional structures of rural life.

A touching story about Tibetan people’s pilgrimage to Lhasa.

The rich complexity of human relationships is central to this story of a young girl, her father, and his father, who each long to strengthen their bonds, but find themselves fighting the weight of personal and national histories. Tibetan writer-Director Sonthar Gyal (The Sun-Beaten Path) makes breathtaking use of the Tibetan plains and mountains as an epic backdrop to this intimate family drama.