The amazing story is well known, but bears repeating: Miss Li debuted in November 2006 and within one year released three blockbuster albums and a Best of -compilation including 8 unique tracks. In the same period, she recorded an immortal duet with Lars Winnerbäck. Then followed intense and successful touring in 14 countries, including an appearance on "Allsång på Skansen", until it was time for album number four - "Dancing The whole way home" which was released 1:st of April 2009 and was an additional boost. Containing four Major Track Hits, and songs placed in TV-series such as Weeds, Grey's Anatomy, Desperate Housewives and priority releases in Germany, Japan, France, Benelux, South Korea. On March 16:th, it is time for the sequel, album numer five entitled "Beats & Bruises", a tremendous album written and produced by Miss Li together with the squire Sonny Boy Gustafsson and who will undoubtedly cement Miss Li's place among the largest and most interesting Swedish artists. The first single "I can't get you off my mind" is already a big hit, just as it should. An extensive tour in Sweden will start in Miss Li's hometown Borlänge, on March 31:st, and after that festivals and releases in the rest of the world will follow.

瑞典二人组Koop有着甚优越的爵士乐底蕴，令其Jazz Downtempo音乐听来是那么妙不可言。Koop Island是他们五年来的全新专辑，柔扬的爵士乐韵、热情的加纳比节奏，仍是那么的美好雅致，更何况又有Earl Zinger(即前Galliano主将Rob Gallagher)献声呢。近日弄晚饭时的配乐。
以一支有12年资历的乐队来计算，这支瑞典乐队－Koop，算是产量少的一群。成于1995年，Magnus Zingmark及Oscar Simonsson为重心成员，这是支同时带Acid Jazz，Downtemple及Trip－Hop基因的乐队。他们上一张专辑（亦是首张专辑）－《Waltz for Koop》中，加纳比节奏，甜美的男声演唱，迷幻绚丽的Acid Jazz，就好比一场令人亢奋的仲夏派对，叫人印象深刻。
与《Waltz for Koop》比较起来，新专辑《Koop Island》来得爵士化，除了Magnus Zingmark及Oscar Simonsson创作之外，他们亦找来了许多不同的音乐人合作，《Come To Me》、《I See A Different You》及《Whenever There Is You》就有Yukimi Nagano这位由上张专辑已参与过演唱部分的女主音献声。另外，Koop更找来了前Galliano成员Rob Gallagher（Earl Zinger），参与创作及演唱，令专辑的阵容更加壮盛

The Knife was a Swedish electronic music duo from Gothenburg formed in 1999. The group consisted of siblings Karin and Olof Dreijer, who together also run their own record company, Rabid Records. The group gained a large international following in response to their 2003 album Deep Cuts.

颇具英伦气质的瑞典乐队Kent的第十张录音室专辑《Jag är inte rädd för mörkret》就在4月25日正式发行，专辑名意为“我不惧怕黑暗”，与封面设计遥相呼应。

Lykke Li (born Li Lykke Timotej Svensson Zachrisson on 18 March 1986 in Ystad, Sweden) is a Swedish singer-songwriter. Her music often blends elements of pop, indie rock and electronic; various instruments can also be found in her songs, including violins, synthesizers, tambourines, trumpets, saxophones and cellos. Li possesses the vocal range of a soprano.

Hit Thing Records in cooperation with Lobotom Records proudly presents the first full-length release from the Swedish duo Bondage Fairies. Bondage Fairies are art school dropout Elvis Creep, computer scientist Deus Deceptor and super mainframe computer Bee-Bee Prime who craft head-shredding noise spawned from raw electricity and synthetic drums in an outburst of punk and electro-madness. Bondage Fairies released a 7" EP He-man on Lobotom in 2005 which was an amalgamation of noise-pop, electro and liberal sampling, but What You Didn't Know When You Hired Me is the band at its most robotic and most explosive. Pure death punk for acid pixies.Hit Thing. 2006.

Artist：Sally Shapiro
Album ：My Guilty Pleasure
Date ：2009.08
Label ：Paper Bag Records
Style ：Electronic、Synth-pop、Disco House
Myspace：
Website：
瑞典姑娘Sally Shapiro在电子乐领域当中却是有着相当令人可敬的勇气，《My Guilty Pleasure》是Sally Shapiro的第二张正式作品，与上一张《Disco Romance》有着较大的差距，《My Guilty Pleasure》相比《Disco Romance》更注重迷离迷幻的氛围感，减少了合成器的使用，以其个人的飘渺嗓音做主打，可以说彻底褪去《Disco Romance》里的舞曲风格，打造起更纯正的House曲风，没再有诸如向早期迪斯科舞曲致敬这类名号，Sally Shapiro完成这张《My Guilty Pleasure》的时候多了更多的随性感觉，但这种随性也导致这张专辑在整体上不够统一，九首歌曲良莠不齐，甚至在节奏的掌控上都多少显示出了Sally Shapiro作为一个女孩子的柔弱，那种既想要出门舞起来又想要乖乖端坐于家中的矛盾充斥于这张专辑当中，总之与《Disco Romance》曾经给人带来的兴奋与刺激不同，《My Guilty Pleasure》所注重表达的情绪正是那种内敛和自责

没有任何音乐背景的Zelmani,甚至没有任何公共演出经历,却以她的处女碟荣登流行音乐最畅销唱片的榜首.尽管行内传她十分的害羞，但是不久她便作为一个新人原创歌手获得了欧亚市场
Zelmani十四岁的时候拥有了她的第一把吉他，她的父亲教她和弦。差不多十年以后，开始陆续将自己录制的小样寄给各家唱片公司。索尼公司第一个给了她答复，并且把她介绍给曾和Ulf
Lundell
与Bo Kaspers
Orkester合作过的创作人兼吉他手Lars
Halapi。在与Zelmani的合作中，Halapi负责编曲，他把Van
Morrison风格融入到她的新专辑中，这也许是他最出色的地方。不过词作者都是Zelmani，她的柔和清澈的嗓音给人一种甜而不腻的感觉。1995年冬天，专辑打入流行榜单第四名，不久便在瑞典和日本大卖
从1995年开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie
Zelmani苏菲珊曼妮，便以生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆甚至亚洲的广大歌迷。Sophie的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程。最新作品「Sing
And
Dance舞唱人生」，彷佛用音乐来回忆着过去那些在情感正要愈合，然而一旦触碰到还是会带来疼痛的伤口，那沁凉萧瑟绝美的意境，就是这麽让人愈听愈沉醉其中而难以自拔
Zelmani开始了在欧洲的宣传演唱会，随后又去了美国。Precious
Burden于1998年发行，赢得了非常好的口碑。前两张专辑由Halapi录音并且负责制作和演奏大部分乐器。但是后来，她组了一个乐队,仍旧由Halapi负责制作，她还参与创作了其中的一首歌。直到1999年Time
to
Kill发行
从1995年以一曲“Always
You”开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie
Zelmani，便以其生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆乃至亚洲的广大歌迷。Sophie
Zelmani的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程
从收录“Always
You”、“A
Thousand
Times”等单曲，甜美羞涩的首张同名专辑，到走红之后面对漫长的巡回演出与数不尽的访谈而感到痛苦，继而使其创作呈现出苦涩与深沉黑暗气氛的第二张专辑《Precious
Burden》，再到即将迎向曙光、向伤感告别的第三张专辑《Time
To Kill》，以及如今的最新作品“Sing
And
Dance”－彷佛用音乐来回忆着过去那个在情感或生理上正要愈合，然而一旦触碰到还是会带来疼痛的伤口－Sophie
Zelmani就像个挚友般分享着她的情感与心情变化，唯一不变的是她的音乐表现方式，依然是清脆的吉他合弦衬托着她温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上，脚底还不时传出嘎吱细碎声响，那沁凉萧瑟绝美的意境，让人愈听愈沉醉其中难以自

小简介
Edson乐队由Pelle Carlberg在1998年夏天组建。Pelle根据伟大的足球运动员Edson Arantes do Nascimento（即贝利）的名字命名了乐队。在乐队的初期，钢琴占据了相当的地位，这使得乐队的作品充满着流行爵士的味道。在那个时候，乐队只有Pelle一个人。后来，更多的成员加入进来，Pelle只是担任歌曲创作和主唱的角色。
1999年十二月，乐队终于成型：Pelle主唱；Filip Carvell负责电吉他以及合声；Helena Söderman演奏笛子、口风琴、口琴、钟琴和伴奏演唱；Mårten Josjö担任电吉他手；Mats Deltin作为贝司手；Ulf Lundberg则是乐队的鼓手。
乐队在1999年做了三十多次演唱演出，包括在瑞典Hultsfred音乐节上的演出。那次演出之后，Edson遇上了John Cloud，后者有意将乐队归于他的厂牌Stormstreet之下并为他们发行作品。九月，一张包含厮守作品的EP得以发行，其中包括了以下作品：Sunday,loverly sunday，I Didn´t Mean to be Mean，22:22 {We Need a Quarrel, We Need a Fight}和Terry Whips。
也是在这一年，乐队在合辑The Sound of Young Sweden中发行了两首作品，并且分别在Sound Affects杂志的专辑Hultsfred special-CD和Hulsfred音乐节的专辑Demoscenen各自发表了一首作品。而Sunday, lovely sunday的EP同时也有美国的Matinée Recordings在更改了部分曲目后发行。
2000年秋天Edson与Summersound Recordings签约并在2001年2月14日发行了他们首张专辑Unwind with edson，受到了良好的反响。
第二张专辑For Strength在2001年十二月中的十天进行了录音和混音, 并且同样是由Andreas Ahlenius作为监制，而且同样是在瑞典的Gävle录制。结果十分令人满意，这一次，Edson的成员之间融合得更为出色。
第三张专辑Every Day Every Second在2007年3月12日由独立厂牌Labrador发行。
与其说Edson主音略显尖细嗓音使其像是稚气未脱的青涩少年，不如说更像个刚开始有点迷惘紧张的十来岁的假小子。这支年轻的瑞典乐队近两年来受到各大独立音乐媒体的一致赞许。
在Edson那里我们找不到任何做实验的前卫的音乐的企图，歌词里展示的也都是一些少年不识愁滋味的无所事事的伤春悲秋。但这种看似矫情的可爱姿态又是年少时代心绪的诚挚表白，谁的年轻时代没有故作的多愁善感呢。
像我们常听到的那些英国民谣和独立流行乐队一样，Edson也是用声音乾乾净净的吉他、贝司、长笛、口琴记录下自己梦幻时代心灵成长的一路印迹。

没有任何音乐背景的Zelmani，甚至没有任何公共演出经历,却以她的处女碟荣登流行音乐最畅销唱片的榜首。尽管行内传她十分的害羞，但是不久她便作为一个新人原创歌手获得了欧亚市场。
Zelmani十四岁的时候拥有了她的第一把吉他，她的父亲教她和弦。差不多十年以后，开始陆续将自己录制的小样寄给各家唱片公司。索尼公司第一个给了她答复，并且把她介绍给曾和Ulf Lundell 与Bo Kaspers Orkester合作过的创作人兼吉他手Lars Halapi。在与Zelmani的合作中，Halapi负责编曲，他把Van Morrison风格融入到她的新专辑中，这也许是他最出色的地方。不过词作者都是Zelmani，她的柔和清澈的嗓音给人一种甜而不腻的感觉。1995年冬天，专辑打入流行榜单第四名，不久便在瑞典和日本大卖。
Zelmani开始了在欧洲的宣传演唱会，随后又去了美国。Precious Burden于1998年发行，赢得了非常好的口碑。前两张专辑由Halapi录音并且负责制作和演奏大部分乐器。但是后来，她组了一个乐队,仍旧由Halapi负责制作，她还参与创作了其中的一首歌。直到1999年Time to Kill发行。
从1995年以一曲“Always You”开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie Zelmani，便以其生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆乃至亚洲的广大歌迷。Sophie Zelmani的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程。
从收录“Always You”、“A Thousand Times”等单曲，甜美羞涩的首张同名专辑，到走红之后面对漫长的巡回演出与数不尽的访谈而感到痛苦，继而使其创作呈现出苦涩与深沉黑暗气氛的第二张专辑《Precious Burden》，再到即将迎向曙光、向伤感告别的第三张专辑《Time To Kill》，以及如今的最新作品“Sing And Dance”－彷佛用音乐来回忆着过去那个在情感或生理上正要愈合，然而一旦触碰到还是会带来疼痛的伤口－Sophie Zelmani就像个挚友般分享着她的情感与心情变化，唯一不变的是她的音乐表现方式，依然是清脆的吉他合弦衬托着她温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上，脚底还不时传出嘎吱细碎声响，那沁凉萧瑟绝美的意境，让人愈听愈沉醉其中难以自拔......
有人是这么描述Sophie Zelmani的音乐的：清脆的吉他合弦衬托着温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上。[此介绍转自网络，感谢原作者]
专辑简介:
从1995年开始，来自瑞典这个北方国度的甜美清新邻家女孩Sophie Zelmani苏菲珊曼妮，便以生活化、发自内心真诚的诗意词句，简单乾净透澈却能直接触摸隐藏在心灵深处纤纤情感的音乐，而征服了瑞典、欧陆甚至亚洲的广大歌迷。Sophie的音乐之所以能像她的人一样，情感纤细、纯净亲切而动人，那是因为她的歌直接纪录了她的成长心路历程。 她的作品彷佛用音乐来回忆着过去那些在情感正要愈合，然而一旦触碰到还是会带来疼痛的伤口，那沁凉萧瑟绝美的意境，就是这麽让人愈听愈沉醉其中而难以自拔。 有人是这么描述Sophie Zelmani的音乐的：清脆的吉他合弦衬托着温暖甜美的歌声，恰如其分不喧宾夺主的鼓与贝斯，陪衬上彷如远方传来的萨克司风及逐渐贴近的长笛或小提琴悠扬旋律，传递出彷佛在冷飕飕的秋天夜晚漫步走在瑞典已然结霜的路上。
It all started when Sophie, born in a suburb to Stockholm, was 14. Herstepfather taught her some chords and so she found out she could write songs. “I wrote a song and it felt amazing. I didn’t really think that much about what I was doing, really.” Says Sophie with typically modest.
She recorded a few songs at a local studio and decided to send the demos to three record companies, with no special expectations. Soon
Sony Sweden gave her a phone-call and offered her a record deal. By then she never had played in front of an audience. Sophie started to record
her debut album in 1995. The album is produced and arranged by Lars Halapi, who also plays the guitar on all of the songs. Sophie’s music has
been compared with such great artist as Neil Young, Van Morrison and Bob Dylan. The shimmering acoustic guitar in “Always You” bares the spirit of Neil Young and Van Morrison-like sax riffs underlines the song “A Thousand Times”. “I’ll See You (In Another World)” radiates the feeling of
Springsteen; the song is about her stated beliefs in destiny, wisdom of life, goodness, dreams, close relationships and love. Sophie’s music also
has a lot in common with singer/songwriters as Joni Mitchell and Jewel Kilcher.
It all adds up to something unique in the history of Swedish music and Sophie’s music is liked in many of the world’s different parts. Even many
Americans have taken hear music to their hearts,something that’s not so strange considering that the singer/songwriter tradition originated in the US. Swedish critics agree on that Sophie’s album is something special. She was awarded a Grammy at the Swedish Grammy awards as best newcomer in 1995, she was also nominated for Best female pop singer. Her album has sold gold both in Sweden and Japan where she is very popular.
After promoting her album in the US, she finally started to work on her new album in the autumn of 1997. The second album entitled “Precious Burden” came out in 1998 and showed a new side of Sophie Zelmani - her songs were still as simple and convincing but pain colored the music in deep black shades. Top photographer Anton Corbijn shot the cover photos of the album and his dramatic pictures capture the black beauty that had by then become something of a Sophie Zelmani trademark. Since the turbulence of the first album release Sophie Zelmani has started saying
no to interviews she doesn’t feel like giving and she’ll only go on tour for short periods of time. It just weren’t her thing. She wanted to stay home in Stockholm and she wanted to play music, not talk about her songs or spend her time on the road.
If the third album “Time To Kill” was the last, painful phase of a drawn-out farewell, “Sing And Dance” is perhaps the musical memory of a -
emotional or physical - wound. A wound about to heal, still a bit sore. The darkness and the pain are still present, but more often expressed in
the past tense than in the present. The lyrics for the deeply deranging “Gone With The Madness” - where the world, it seems, falls into pieces on
the tongue of Sophie Zelmani - talks about love that goes over the top. But the madness is - if not forgotten - well gone.
Sophie writes about serious matters and she always has. Her songs will remind you of trotting horses in an American Western movie as well as of
Swedish frost crunching under your soles during a long walk in the chilly autumn night. Zelmani music is country rock as simple as it can be -
voice and guitar, drums and bass, the sound of a saxophone at a distance, the sounds of a flute or violin coming in close!瀏览更多