2012 television film directed by Philip Kaufman

Valerie以言简意赅的文字和尖酸的直白色勒出了海明威最后的神秘岁月，也唤起了人们对他那段日子所产生的哀怜。在古巴Valerie过上了幽亲、恬静的生活，她日日夜夜赶着打出《生命之旅》的最后成稿，甚至当卡斯　特罗的革命枕戈待发时，她都没动摇过。当海明威开枪自杀后，Valerie和海明威和遗孀Mary回到了古巴，整理了数千页的手稿，还偷偷地把数件艺术珍品带出了古巴。当Valerie还是《新闻周刊》的调查员时，她遇到了海明威的儿子Gregory——那还是在海明威的葬礼上，可以说这一次的巧遇再次彻底地改变了她的人生轨迹。随着他丈夫无法摆脱自儿时起就一直折磨他的魔鬼，最终彻底放弃反抗，而她对此却毫无办法，他们长达二十年的婚姻最后还是结束了。从与奥臣·华尔斯进行的午餐，到午夜神秘的民谣歌手带来的小夜曲，再到与卡斯特罗的屋顶奇遇，以及在医院里不知疲倦的守夜，Valerie海明威在海明威家族的两代人生活里扮演着不可缺少的亲密角色，这本传记既引人入胜又有很强的启迪意义，极其精彩，它叙述了Valerie作为海明威家族成员的神奇生活中的喜怒悲哀。

在他所有作品中，令海明威最早成名并且经久不衰的，当属他开创一代文风的短篇小说。这些小说以陈述句为主，描写精准，对白简短，给读者以最直接生动的印象，影响了世界上许多现当代作家。本书收录了海明威的全部短篇小说。上册收录了1938年出版的作家的第一部完整的短篇小说集，即“首辑49篇”，包括《乞力马扎罗的雪》等传世名篇；另有6篇未收入“首辑49篇”，而显然属于同一时期的作品一并放在“附录”中

Begun in the autumn of 1957 and published posthumously in 1964, Ernest Hemingway's captures what it meant to be young and poor and writing in Paris during the 1920s. A correspondent for the Hemingway arrived in Paris in 1921, three years after the trauma of the Great War and at the beginning of the transformation of Europe's cultural landscape: Braque and Picasso were experimenting with cubist form; James Joyce, long living in self-imposed exile from his native Dublin, had just completed Gertrude Stein held court at 27 Rue de Fleurus, and deemed young Ernest a member of and T.S. Eliot was a bank clerk in London. It was during these years that the as-of-yet unpublished young writer gathered the material for his first novel and the subsequent masterpieces that followed.