1990 film by Ching Siu-tung

2011 film directed by Tomas Alfredson

Higashigaito Yutaka is transferred to the Bangkok branch of Eastern Airlines. In three months, he will marry Michiko, a relative of the airline's founder, and though he doesn't love her, he knows he could be CEO one day if they wed. In Thailand, Yutaka meets Touko at a bar and is instantly drawn to her. His relationship with her only intensifies as the wedding date approaches. Eventually, he decides to break up with her and calls Michiko in front of her. Touko is disappointed, and the next day she leaves for New York. Yutaka and Michiko reunite in Thailand and proceed with their wedding. Twenty-five years later, Yutaka and Michiko are married with two sons. But Yutaka still harbors memories of Touko in his heart. Yutaka visits Bangkok on business and goes to the Oriental Hotel where he had stayed with Touko-and finds she is now in charge of VIP guests there. They realize their love for each other remains, but reality pulls them apart once again.

《朋友不老》（泰文名：เพื่อนไม่เก่า）这部戏的整个拍摄过程都非常低调。Pchy 和八月乐队成员都将以崭新的面容出现在这部公路影片（Road Movie）中。这是一部关于友情的电影。6个年轻人，骑着自行车从曼谷出发一路向北，目的地——南邦。6个人怀着不同的目的踏上这段旅途，一个人为了还愿，一个人为了冒险，一个人只是为了休息放松，一个人为了逃避一段困惑的感情，一个人冒险打赌，还有一个人为了寻找自己。

此部短片电影讲述二战时期、20世纪60年代以及现在，三个不同时期的年轻人不同的思想和行为以及与父辈之间的代沟、隔阂。这些年轻人的形象都汇聚在了主演Pchy Witwisit身上。 二战时期想读书，但父辈不给，以家族事业为重；20世纪60年代时有自己的想法，父辈依旧强势；而现在的年轻人则对现代教育十分不满，而父辈是希望他无论读什么专业，只要能得到一张文凭，却依然不能得到年轻人的同意。而前两个时期年轻男生的暗恋对象是昔日的女天后，如今却是年轻帅气的男生。各个时期都有不同的家居面貌，就是在这样的小房间中，父子对话流露出对社会现象的探讨。 电影分成泰国经典的“3段式电影”叙述。短片讲到生活之路以及父与子之间各自的相互表现，这是泰国社会的真实现状。

Best friends as children, Mew and Tong run into each other years later as young men and find they have unexpected feelings for each other.

2011 film by Jan Komasa

《故事》不同于其他流行的讲述银幕剧作手法的专著，它所论及的是形式而不是公式。麦基以一百多部影片作为示例，向读者传授了一种银幕剧作的原理，它超越僵死的教条，发掘出名品佳作中那些使其卓越超群却又常常被人忽略的组成部分。麦基从基本概念入手——何谓节拍？场景？场景序列？幕高潮？影片高潮？——不仅精辟地阐释了标准的三幕戏剧结构的奥妙，而且还揭开了非典型结构——如两幕、七幕、甚至八幕影片——的神秘面纱，指出了每一种类型的局限性，强调了主题、背景和气氛的重要性，以及人物和人物塑造作为一对相对概念的重要性。

比起他的梦，费里尼的现实人生甚至更见精彩。他将梦境寄托于电影胶片之上，为我们留下丰厚的遗产。 本书是作者夏洛特·钱德勒花了十四年的时间(1980年至1993年)，与费里尼对话的成果，分为三篇上篇记述费利尼年幼时受到马戏、电影及美国漫画的影响，年少时到罗马从事漫画及记者的工作，并进而接触电台、电影编剧的经过：中篇讲述他如成为导演，且逐渐闯出知名度：下篇则着重于费里尼成为大师以后，如何成为一则传奇。费利尼对作者说：“我把我仅有的一生都说给你听了。这些就是我的遗言，因为我已经没有什么可说了。” 本书细节丰富，叙述委婉亲切，对于读者理解费利尼其人其作当有助益。

A Taiwanese-American man is happily settled in New York with his American boyfriend. He plans a marriage of convenience to a Chinese woman in order to keep his parents off his back and to get the woman a green card. Chaos follows when his parents arrive in New York for the wedding.

A conflict of interest between two high-kicking assassin sisters is complicated as they're pursued by the criminals who hired them and an equally high-kicking female cop.

2001 film by Jean-Paul Salomé

2007 film by Natsuki Imai

film

2003 Chinese film

2004 film by Feng Xiaogang

空旷的候机大厅里，送妻子去加拿大留学的顾颜（葛优 饰），偶遇送丈夫出国的林周云（徐帆 饰）。林周云的丈夫不顾即将生产的妻子，头也不回地匆忙登机。临行前他把妻子托付给素不相识的顾颜，可林周云还是不幸流产了。一年后，两人不期而遇。形单影只的顾颜向林周云倾吐自己的思妻之苦，可林周云却因马上能奔赴国外与丈夫团聚而兴奋不已……又过了一年，林周云出国不成，依然留在国内苦苦等待。孤独寂寞的两人相约一起搭伴过年。五天的春节假期转瞬即逝，分手时，两人都感到了莫名的失落，一段被尘封许久的感情悄然滋生……

2001 film by Feng Xiaogang

1998 film by Feng Xiaogang

1997 film by Zhang Yimou