南非
Born a Crime Douban Goodreads
★ 9.4 (140 ratings) author: 特雷弗·诺亚 publishing house: Spiegel & Grau 2016 - 11
#1 NEW YORK TIMES BESTSELLER • The compelling, inspiring, and comically sublime story of one man’s coming-of-age, set during the twilight of apartheid and the tumultuous days of freedom that followed
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
Michiko Kakutani, New York Times • Newsday • Esquire • NPR • Booklist
Trevor Noah’s unlikely path from apartheid South Africa to the desk of The Daily Show began with a criminal act: his birth. Trevor was born to a white Swiss father and a black Xhosa mother at a time when such a union was punishable by five years in prison. Living proof of his parents’ indiscretion, Trevor was kept mostly indoors for the earliest years of his life, bound by the extreme and often absurd measures his mother took to hide him from a government that could, at any moment, steal him away. Finally liberated by the end of South Africa’s tyrannical white rule, Trevor and his mother set forth on a grand adventure, living openly and freely and embracing the opportunities won by a centuries-long struggle.
Born a Crime is the story of a mischievous young boy who grows into a restless young man as he struggles to find himself in a world where he was never supposed to exist. It is also the story of that young man’s relationship with his fearless, rebellious, and fervently religious mother—his teammate, a woman determined to save her son from the cycle of poverty, violence, and abuse that would ultimately threaten her own life.
The stories collected here are by turns hilarious, dramatic, and deeply affecting. Whether subsisting on caterpillars for dinner during hard times, being thrown from a moving car during an attempted kidnapping, or just trying to survive the life-and-death pitfalls of dating in high school, Trevor illuminates his curious world with an incisive wit and unflinching honesty. His stories weave together to form a moving and searingly funny portrait of a boy making his way through a damaged world in a dangerous time, armed only with a keen sense of humor and a mother’s unconventional, unconditional love.
Praise for Born a Crime
“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times
“[An] unforgettable memoir.”—Parade
“What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today
“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People
“[Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)
“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews
Review
“[A] compelling new memoir . . . By turns alarming, sad and funny, [Trevor Noah’s] book provides a harrowing look, through the prism of Mr. Noah’s family, at life in South Africa under apartheid. . . . In the end, Born a Crime is not just an unnerving account of growing up in South Africa under apartheid, but a love letter to the author’s remarkable mother.”—Michiko Kakutani, The New York Times
“[An] unforgettable memoir.”—Parade
“You’d be hard-pressed to find a comic’s origin story better than the one Trevor Noah serves up in Born a Crime. . . . [He] developed his aptitude for witty truth telling [and]…every hardscrabble memory of helping his mother scrape together money for food, gas, school fees, and rent, or barely surviving the temper of his stepfather, Abel, reveals the anxious wellsprings of the comedian’s ambition and success. If there is harvest in spite of blight, the saying goes, one does not credit the blight-but Noah does manage to wring brilliant comedy from it.”—O: The Oprah Magazine
“What makes Born a Crime such a soul-nourishing pleasure, even with all its darker edges and perilous turns, is reading Noah recount in brisk, warmly conversational prose how he learned to negotiate his way through the bullying and ostracism. . . . What also helped was having a mother like Patricia Nombuyiselo Noah. . . . Consider Born a Crime another such gift to her—and an enormous gift to the rest of us.”—USA Today
“[Noah] thrives with the help of his astonishingly fearless mother. . . . Their fierce bond makes this story soar.”—People
“This isn't your average comic-writes-a-memoir: It’s a unique look at a man who is a product of his culture—and a nuanced look at a part of the world whose people have known dark times easily pushed aside.”—Refinery29
“Noah’s memoir is extraordinary . . . essential reading on every level. It’s hard to imagine anyone else doing a finer job of it.”—The Seattle Times
“Powerful prose . . . told through stories and vignettes that are sharply observed, deftly conveyed and consistently candid. Growing organically from them is an affecting investigation of identity, ethnicity, language, masculinity, nationality and, most of all, humanity—all issues that the election of Donald Trump in the United States shows are foremost in minds and hearts everywhere. . . . What the reader gleans are the insights that made Noah the thoughtful, observant, empathic man who wrote Born a Crime. . . . Here is a level-headed man, forged by remarkable and shocking life incidents, who is quietly determined and who knows where home and the heart lie. Would this unique story have been published had it been about someone not a celebrity of the planet? Possibly not, and to the detriment of potential readers, because this is a warm and very human story of the type that we will need to survive the Trump presidency’s imminent freezing of humane values.”—Mail & Guardian (South Africa)
“[Noah’s] story of surviving—and thriving—is mind-blowing.”—Cosmopolitan
“A gifted storyteller, able to deftly lace his poignant tales with amusing irony.”—Entertainment Weekly
“Noah has a real tale to tell, and he tells it well. . . . Among the many virtues of Born a Crime is a frank and telling portrait of life in South Africa during the 1980s and ’90s. . . . Born a Crime offers Americans a second introduction to Trevor Noah, and he makes a real impression.”—Newsday
“An affecting memoir, Born a Crime [is] a love letter to his mother.”—The Washington Post
“Witty and revealing . . . Noah’s story is the story of modern South Africa; though he enjoyed some privileges of the region’s slow Westernization, his formative years were shaped by poverty, injustice, and violence. Noah is quick with a disarming joke, and he skillfully integrates the parallel narratives via interstitial asides between chapters. . . . Perhaps the most harrowing tales are those of his abusive stepfather, which form the book’s final act (and which Noah cleverly foreshadows throughout earlier chapters), but equally prominent are the laugh-out-loud yarns about going to the prom, and the differences between ‘White Church’ and ‘Black Church.’”—Publishers Weekly (starred review)
“[A] substantial collection of staggering personal essays . . . Incisive, funny, and vivid, these true tales are anchored to his portrait of his courageous, rebellious, and religious mother who defied racially restrictive laws to secure an education and a career for herself—and to have a child with a white Swiss/German even though sex between whites and blacks was illegal. . . . [Trevor Noah’s] electrifying memoir sparkles with funny stories . . . and his candid and compassionate essays deepen our perception of the complexities of race, gender, and class.”—Booklist (starred review)
“A gritty memoir . . . studded with insight and provocative social criticism . . . with flashes of brilliant storytelling and acute observations.”—Kirkus Reviews
Jan. 26, 2021 read
真的超级推荐有声书!崔娃太不容易了…
自传 美国 南非
天生有罪 Douban Goodreads Douban
Born a Crime: Stories from a South African Childhood
★ 8.9 (164 ratings) author: [南非] 特雷弗·诺亚 translator: 董帅 publishing house: 未读·北京联合出版公司 2018 - 2 other title: 天生有罪(十周年纪念版)
火遍微博、微信的《小崔每日秀》主持人特雷弗·诺亚首部回忆录
比尔·盖茨2017年夏季书单推荐图书
美国《纽约时报》《新闻日报》《时尚先生》及“国家公共电台”年度好书
2017年瑟伯美国幽默文学奖得主
美国亚马逊周阅读榜连续在榜,评分高达4.8
编辑推荐:
★ 囧司徒接班人崔那娃爆笑回忆录 作为美国最具影响力的脱口秀节目之一,《囧司徒每日秀》曾在中国收获了一大批忠实粉丝,他宣布辞职后,钦点了南非脱口秀明星特雷弗·诺亚担任继任者。名不见经传的诺亚以自己独特的喜剧风格,在美国内外收获了大批粉丝,并被中国观众亲切称为“崔那娃”。在本书中,小崔将他的幽默天赋发挥到了极致,完美展示了为什么他会被选为《每日秀》的主持人。
★ “生而有罪”的崔那娃讲述贫民窟的成长经历 小崔出生在种族隔离制度下的南非,其父母属于跨种族结合,因此他生下来就犯了罪,再加上他从小生活在贫民窟,似乎注定要走上一条犯罪道路。然而,倔强的小崔与伟大的母亲凭借着幽默、乐观与智慧,最终摆脱了暴力与贫穷的怪圈,从南非的贫民窟走向了世界的舞台。
★ 多家媒体“年度好书”,普利策奖获得者、《纽约时报》毒舌书评家角谷美智子赞不绝口 南非不只有曼德拉和查理兹·塞隆,本书在讲述作者各种或爆笑、或痛苦、或感人的童年经历时,还将目光投降了南非这块神奇的土地以及反人类的种族隔离制度之恶,充满了浓烈的异域色彩与人文关怀。
美国当红脱口秀《小崔每日秀》主持人特雷弗·诺亚一出生就犯了罪:因为他的父亲是白人,母亲是黑人,而在当时种族隔离的南非,这样的结合属于犯罪,他父母会面临五年有期徒刑的惩罚,诺亚自己也会被送到孤儿院。
为了保护诺亚,他那位勇敢、反叛、幽默、坚强、虔诚信教的母亲,想出了各种极端甚至荒唐的办法,在歧视、贫困、暴力的怪圈中,竭力为他创造了一种正常的生活。而自幼便遗传了母亲性格的诺亚,除了像大多数青少年那样成长外,还需要学会如何 “尴尬”地在一个他本不该存在的世界上生活。
这本回忆录中收集的故事,时而幽默,时而惊险,时而感人,但无一例外都彰显了诺亚惊人的喜剧天赋,以及一位母亲无条件的、无止境的、无与伦比的爱。
Jan. 26, 2021 read
Trevor对种族问题的体验和细致观察,对阶级的体验,对贫穷的反思,对性别问题的认识都让这本书可以给本科生看当社会学入门阅读了。那段写如何通过放贷形成小型经济体的描述也非常有趣。
自传 南非 美国
夏日 Douban
Summertime
★ 7.3 (6 ratings) author: [南非] J.M.库切 translator: 文敏 publishing house: 浙江文艺出版社 2010 - 7
诺贝尔文学奖得主J.M.库切的又一部自传体小说,同《男孩》、《青春》一起构成了完整的自传三部曲。在《夏日》中,库切将那种虚实相间、微妙迷离的回忆录风格更推进一步:著名作家库切已死;一位年轻的英国作家为了给这位已故作家撰写传记,像个侦探一样寻找着库切幽灵般的中年。这是一部奇特的作品,一部从他人视角出发的“自传”。
耻 Google Books Douban Open Library Goodreads
★ 8.5 (24 ratings) author: J.M.库切 translator: 张冲 / 郭整风 publishing house: 译林出版社 2003 - 10 other title: 耻
在这部作品中,库切以几乎不加藻饰、令人心怵的笔调,讲述了开普技术大学文学与传播学教授,小说情节主要由四部分组成:第一部分以卢里的一桩丑闻(勾引了一位大学二年级女生并与之发生性关系)为主线。事发后,卢里拒绝了校方给他的公开悔过以保住教职的机会,来到边远的乡村,他在那里和几乎是独自谋生的女儿露茜的共同生活形成了情节的第二部分。此时他不仅要努力与多年不在一起生活的女儿沟通,还要和许多他以前根本就看不起的人共事,要做他从前想都不会去想,而且肯定会嗤之以鼻的事情,例如在护狗所里打杂。小说的第三部分是全书情节最直接给读者以震撼的部分:露茜遭受了农场附近三个黑人的抢劫和蹂躏,而其中一人居然还是个孩子;卢里也在这一事件中受伤。事件本身,事后父女两人和其他有关的人对事件的态度及处理方法,传达着作品的主要信息。而卢里创作歌剧《拜伦在意大利》的努力穿插在小说各处,与主情节若即若离,似乎总在向读者暗示着什么,这是第四部分。故事结尾时,抢劫强奸案不了了之,露茜怀孕,卢里要写的歌剧始终还在脑海里萦绕,同时,他还最终放弃了“拯救”一条终将一死的狗的生命的企图。
Jan. 31, 2018 read
好像没看懂。如果教授的生活和选择是一种对抗性的自我放逐式的放弃,那么女儿的生活和选择又是啥??
小说 南非