Three years of candid camera on the road with Blur, from Reading 1991 through the dark ages of the EEC in 1992 and then on to Modern Life. This 63 minute tour film features live footage including scenes from Glastonbury 1992, the Heineken Music Festival 1994 in Nottingham, and festivals in Germany, Denmark and Sweden. Starshaped has been digitally remastered and now includes footage from two live shows - The Princess Charlotte pub in Leicester, just after they were signed; and a 1991 show at the Kilburn National in London starshaped music includes: intermission can't explain there's no other way luminous she is so high colin zeal pop scene when will we be married sunday sunday wassailing song coping day upon day for tomorrow chemical world advert commercial break live in kilburn pop scene fool high cool bad day oily water slow down there's no other way turn it up she is so high wear me down come together day upon day sing explain outro live at the princess charlotte (15 minute excerpt from videocam footage of an early gig) won't do it there's no other way high cool wear me down

This documentary examines the Seattle scene as it became the focus of a merging of punk rock, heavy metal, and innovation. Building from the grass roots, self-promoted and self-recorded until break-out success of bands like Nirvana brought the record industry to the Pacific Northwest, a phenomenon was born.

2018 film by Kang Hyeong-cheol

Episode 1: Love Me Do New series investigating the music revolution of the past 40 years, and its links to the British fascination with sex and gender. The first programme looks at the 1960s, when the popularity of groups like the Beatles and pop icons such as Cilla Black, Marianne Faithfull and Sandi Shaw went hand in hand with a new generation of assertive fans. The decade also saw the rise of camp in the form of Brian Jones and Mick Jagger. Episode 2: Oh You Pretty Things Exploring the glam rock sound of the 1970s, when pioneers Marc Bolan and David Bowie made make-up on men fashionable. Led Zeppelin's heavy rock with its macho image upset the burgeoning feminist movement, while punk and disco's origins also fell within the decade. With contributions by Siouxsie Sioux, Germaine Greer, Malcolm McLaren and Robin Gibb. Episode 3: Tainted Love The musical and sexual preferences of the flamboyant 1980s, when New Romantic bands, including the Human League, Spandau Ballet, Culture Club and Duran Duran, conquered the charts. Awareness of Aids began to grow, and by the end of the decade the nation's concept of masculinity had been eroded, with girls gaining the upper hand. Episode 4: Wannabe: The 90s The changing attitudes of the 1990s, when Manchester became the centre of the pop music universe and young people began shedding their inhibitions. With contributions by Norman Cook, Melanie Chisholm, Shirley Manson, Richard Fairbrass, Germaine Greer and Melanie Brown.

The Rough Trade story begins more than thirty years ago on 20th February 1976. Britain was in the grip of an IRA bombing campaign; a future prime minister was beginning to make her mark on middle England, where punk was yet to run amok; and a young Cambridge graduate called Geoff Travis opened a new shop at 202 Kensington Park Road, just off Ladbroke Grove in West London. The Rough Trade shop sold obscure and challenging records by bands like American art-rockers Pere Ubu, offering an alternative to the middle-of-the-road rock music that dominated the music business. In January 1977, when a record by Manchester punk band Buzzcocks appeared in the shop, Rough Trade found itself in the right place at the right time to make an impact far beyond that of a neighbourhood music store. When Spiral Scratch was released in 1977, the idea of putting out a single without the support of an established record company was incredible. But Rough Trade was to become the headquarters of a revolt against this corporate monopoly - it was stocking records by bands inspired by the idea that they could do it themselves. But selling a few independent records over the counter was not going to change the world. Early independent labels had to hand over their distribution to the likes of EMI or CBS. But one man at Rough Trade challenged that monopoly. Richard Scott joined Rough Trade in 1977 and became the architect of a grand scheme that was nothing short of revolutionary: independent nationwide distribution.

《摇滚天堂》收录了120 位叩响天堂之门或是踏上地狱之路的伟大偶像，为您呈现流行乐坛传奇人物的最后时光。他们是生而璀璨、转瞬陨落的摇滚传奇，他们是“不发光，毋宁死”的音乐诗人。 谁的尸体被遗弃在布鲁斯发源地比尔街的街角；乡村传奇Gram Parsons 的遗体为何被盗；Keith Moon 和Mama Cass Elliot 之间有怎样“恐怖的巧合”……除了对死亡故事的详细叙述，书中还有大量不可不知的趣闻秘辛。《摇滚天堂》将详尽叙述“摇滚天堂”居民们短暂职业生涯的辉煌瞬间，当然，不会缺少精彩的图片。 《摇滚天堂》里有着悲剧背后不为人知的内幕和你所想了解的一切。死亡之旅就此开启……

《视觉艺术-西方唱片封面设计与音乐》是中国第一套系统探讨封面设计与音乐内在联系的专题丛书，共四卷(1960-1979卷）、（1980-1989卷）、（1990-1999卷）、（2000-2005卷)。每卷（册）精挑选190多幅具有时代特征，影响深远的唱片封面， 点评封面设计的特点， 揭示唱片视觉与听觉的结合点。 通过这套丛书,我们可以了解各个时代音乐风格的发展过程，文化背景以及设计思想和风格的变迁，学习设计师们的思维方式，创意理念及表现方法。

音乐是充满想象力的艺术，是与人们的生活息息相关并对人类产生深远影响的文化。在美国，音乐是如何成为商品的？音乐的商业进化是怎样发生和发展的？音乐出版商是如何宣传音乐产品的？艺人在音乐的商业进化中扮演了什么角色？本书作者大卫•伊斯曼在 《贩卖音乐：美国音乐的商业进化》 一书 中，用通俗易懂的文字讲述了美国镀金时代与进步时代音乐产业的起源、发展和变革等历史。 本书荣获美国商业史哈格勒奖、美国镀金时代与进步时代社会史学会德桑蒂斯奖 、美国国际流行音乐研究协会伍迪•格思里奖等多项奖项，并被《华尔街日报》《华盛顿邮报》、福布斯网等多家媒体争相推荐。

滚石乐队吉他手、建队元老基思•理查兹自传 《纽约时报》畅销书榜No. 1；《星期日泰晤士报》畅销书榜No. 1 荣获诺曼梅勒奖“最佳传记” 仅凭10页书稿获730万美元预付版税 - - - - - - - - - - - - - - - - - - - - - 大伙儿说你为什么锲而不舍？我想他们没太明白。我这么做不仅是为了钱，或者为了你们。我这么做是为了我自己。 ——基思·理查兹 - - - - - - - - - - - - - - - - - - - - - 摇滚界大腕基思•理查兹的自传，毫无保留地讲述自己的童年、创作、恋情等，重现他由无名小卒到呼风唤雨的风云人生。 基思•理查兹自小受外祖父加斯耳濡目染爱上音乐；在母亲影响下听摇滚乐；在斯图牵头下创立滚石乐队；为做音乐、为生存而偷酒瓶；遇上心爱的女子；像偷窥狂那样为写歌找灵 感；一连九天不睡觉录歌；在美国巡演，和警察过招；逃离英国；成家；结识圈内各色人士；遭遇亲朋故去；遭到队友米克的背叛…… 正如他所言：这就是我的摇滚人生。信不信由你，我没有忘记这之中的一丝一毫。谢谢夸奖。