★跨越德、美、英、意、法、荷、挪、俄、瑞典等世界各国，考察百余种经典儿童文学与教育手册，展现不同文化背景下对情感的认知与学习的异同。 ★焦虑、信任、虔诚、同情、同理、爱、羞耻、痛苦、恐惧、勇敢、思乡、无聊，十三位情感史研究专家，勾勒十二种情绪的百年发展史。 ★从《绿野仙 踪》到《霍比特人》，从《鲁滨逊漂流记》到《爱丽丝漫游奇境》……我们习以为常的情感并非天生，而是通过阅读形塑，并不断改变。 ★“光启·情感史”系列第一部，美国罗文大学历史系教授、北京大学长江讲座教授王晴佳策划作序，著名历史学者蒋竹山推荐 。填补儿童情绪史研究的空白，为儿童情感研究奠定框架。 本书研究百年来经典儿童文学如何引导孩童与青少年认识感觉、学习情绪，由德国马克斯·普朗克人类发展研究所情感研究中心主任、耶鲁大学德国史教授、柏林自由大学荣誉教授乌特·弗雷弗特主编，集合该中心的数位情感史研究专家共同撰写。 1870-1970年是儿童文学发展的黄金时期，也是对儿童情感的讨论最蓬勃发展的年代，儿童被视为需要教养的独立于成人的个体，无数童书与教育手册协助父母引导儿童学习情感、掌控情绪，并由此发展出“健全”的人格。本书即通过考察这一时期来自世界各国的百余种畅销儿童文学与教养手册，还原其阅读情境与读者反应，探索儿童和青少年如何通过阅读来学习感受、认识情感。在阅读儿童文学的过程中，儿童会与书中主人公一起体验成长，通过模仿与自我调整，学习各种情绪，并且将这些情绪转化成知识。作者们也将这些情感置于历史转折与社会变迁中讨论，勾勒出十二种情绪的百年发展史。 在探讨这些书籍传递出哪些情绪知识以成为儿童的情感养分时，本书分析了许多我们耳熟能详的经典作品，如儿童如何在《蝇王》中学到“羞耻”“痛苦”与“同理心”，通过《阿尔卑斯山的少女》懂得“分离焦虑”；而曾被鄙视的“胆怯”，在《绿野仙踪》里有了新的诠释，从托尔金的《魔戒》《霍比特人》到刘易斯的《纳尼亚传奇》，恐惧的概念又变得更加复杂……这些作品鼓励儿童拥抱恐惧、摆脱羞耻，接受思乡病为一种合情合理的感觉，并赋予儿童掌握自我情绪的权利，儿童有了不同的选择与空间，同时也开始需要为自己的情绪负责。

Bugs, of all kinds, were considered to be born of mud" and to be "beasts of the devil." Why would anyone, let alone a girl, want to study and observe them? One of the first naturalists to observe live insects directly, Maria Sibylla Merian was also one of the first to document the metamorphosis of the butterfly. In this visual nonfiction biography, richly illustrated throughout with full-color original paintings by Merian herself, the Newbery Honor-winning author Joyce Sidman paints her own picture of one of the first female entomologists and a woman who flouted convention in the pursuit of knowledge and her passion for insects. Booklist Editor's Choice Chicago Public Library Best of 2018 Kirkus Best book of 2018 2018 Bulletin Blue Ribbon Book Junior Library Guild Selection New York Public Library Top 10 Best Books of 2018

A milestone of child psychology, The Child's Conception of the World explores the ways in which the reasoning powers of young children differ from those of adults. What conceptions of the world does the child naturally form at the different stages of its development? To what extent does the child distinguish the external world from an internal or subjective world and what limits does he or she draw between the self and objective reality? These questions make up the first problem, the child's notion of reality. A second fundamental problem is the significance of explanations put forward by the child. What use does he or she make of the notions of cause and law? Is the form of explanation presented by the child a new type? These and like questions form the second problem, the child's notion of causality. Jacques Voneche, Director of the Piaget Archives in Geneva, Switzerland, provides a preface to this classic in which he reveals the provanance of The Child's Conception of the World within the context of Piaget's other work and the then-burgeoning field of developmental psychology.

Chelsea Clinton introduces tiny feminists, mini activists and little kids who are ready to take on the world to thirteen inspirational women who never took no for an answer, and who always, inevitably and without fail, persisted. Throughout American history, there have always been women who have spoken out for what's right, even when they have to fight to be heard. In early 2017, Senator Elizabeth Warren's refusal to be silenced in the Senate inspired a spontaneous celebration of women who persevered in the face of adversity. In this book, Chelsea Clinton celebrates thirteen American women who helped shape our country through their tenacity, sometimes through speaking out, sometimes by staying seated, sometimes by captivating an audience. They all certainly persisted. She Persisted is for everyone who has ever wanted to speak up but has been told to quiet down, for everyone who has ever tried to reach for the stars but was told to sit down, and for everyone who has ever been made to feel unworthy or unimportant or small. With vivid, compelling art by Alexandra Boiger, this book shows readers that no matter what obstacles may be in their paths, they shouldn't give up on their dreams. Persistence is power. This book features: Harriet Tubman, Helen Keller, Clara Lemlich, Nellie Bly, Virginia Apgar, Maria Tallchief, Claudette Colvin, Ruby Bridges, Margaret Chase Smith, Sally Ride, Florence Griffith Joyner, Oprah Winfrey, Sonia Sotomayor—and one special cameo.

Review Praise for She Persisted Around the World: "Clinton again writes in a measured tone that is at once celebratory and defiant. Boiger's watercolor and ink artwork exudes warmth and subtle power." --Publishers Weekly Praise for She Persisted: * "[A] lovely, moving work of children's literature [and a] polished introduction to a diverse and accomplished group of women." --Publishers Weekly, starred review "Exemplary . . . This well-curated list will show children that women's voices have made themselves emphatically heard." --Booklist "[She Persisted] will remind little girls that they can achieve their goals if they don't let obstacles get in the way." --Family Circle "We can't wait to grab a copy for some of the awesome kids in our lives . . . and maybe some of the grown-ups, too." --Bustle "A message we all need to hear." --Scary Mommy "This will be a great read for kids (especially young girls)." --Romper "We cannot wait for the launch of Smart Girl Chelsea Clinton's new book to help remind kids everywhere that the fearlessness that characterizes the thirteen women in the book is what has emboldened us to constantly strive for progress and justice." --Amy Poehler's Smart Girls

又称《你好小朋友》第二部。摄影家秋山亮二在1981-1982年五次来中国各地拍摄孩子们，于1983年结集出版《你好小朋友》后，余下约8000张底片，距今38年从未公开面世。2019年，他与青艸堂在制作《你好小朋友》复刻版的过程中，重新整理底片，也萌生了要将余下照片出版为一部新摄影集的想法。这便是《光景宛如昨》的由来。 2019年6月1日由青艸堂出版的《你好小朋友》复刻版，时隔36年后在中国首发，发行首日即告售罄。在上海、杭州、成都等地举办的签售及展览活动，各有超过500位读者参加、请秋山亮二签名留念的队伍大排长龙。同期在网络进行的、由多家媒体携手的“寻找秋山亮二镜头下的小朋友”活动，至今找到10位已长大成人的“小朋友”。秋山亮二与他们再度相见的场景也引发了众多讨论，不仅仅是在中国媒体上，日本NHK也将相关内容制作成了纪录片并进行了播出。 《你好小朋友》复刻版是在完全尊重1983年版的基础上进行再版，原样呈现了当时的视角与思考。时隔多年，77岁的秋山亮二看着仿佛昨天还站在自己镜头前的中国孩子们的笑脸，忍不住发出了“Dear Old Days”的慨叹。他也以这样的心情投入到《光景宛如昨》的选片编辑工作。他认为《光景宛如昨》与《你好小朋友》是互为阴阳的关系，《光景宛如昨》有着他在《你好小朋友》中未曾言尽的内容。 以独特视角选取的、极具图形设计感的构图，可以感受到温暖的氛围，一如既往展示了秋山亮二独有的世界观。拍摄了中国经济进入高速发展之前的、中国孩子天真无邪之姿的这本摄影集，既让许多人产生了“追忆过往时光”的一面，另一面也可说因为秋山亮二对孩子的独特视角而诞生出了这些几乎可称之为治愈奇迹的瞬间，超越了时代而抓住了读者们的心。不仅仅是“怀念”，其作为摄影作品的卓越品质，比作品本身更能让人有所感触。 与此同时，本摄影集也将焦点放在了让人产生时代感的背景、物品、庇护孩子的大人们的姿态、学校生活之中，似乎也可以由此更为近身地去俯瞰当时孩子们心中丰富的精神世界。老式自行车、洋铁皮的热水瓶和铅笔盒、露天的租书摊、幼儿园的攀爬梯、中山装、竹编的购物篮、漆着绿墙的教室和理发店、格子路和水泥地。它们无一不唤起了让人怀旧的心情。以及，虽然有的照片中仅有一个孩子，但也是和祖父母、双亲、兄弟姐妹或朋友、邻居们在一起的。这也重新让人感觉到只有在人与人的关联之中才能养育出，一直被守护着的、一直相依相伴着的孩子的笑脸。 本摄影集发行的2020年6月，因为COVID-19，社会生活已发生了剧烈变化，现在正呼吁着社交隔离。而在此时能让许多人切身感受到，可以触碰到他人的温暖，对人类的生存生活来说有多么重要。我们期望，从秋山亮二照片中酝酿而出的体温般的温柔与安稳，能再度治愈大家的内心。

《国际大奖小说:傻狗温迪克(升级版)》是作者初试小说形态的成功之作，有如精工雕就。每个章节的起承转合就像短篇小说般具备独立的结构，但合成一个故事之后又积聚成更大的力量。甜美和酸楚交织的情节具有强烈的吸经力。故事真实而贴近生活，刻画细腻，情节动人，是一本值得重读许多遍的小说。这是一个发生在美国南方小镇的生活故事，女孩欧宝在新家附近的超级市场中认领了闯下大祸的傻狗温迪克。这只狗既不漂亮也不勇敢，灵性不高又害怕寂寞，但与众不同的是它会咧着嘴笑。欧宝正是因为有了这只会笑的狗，才逐渐克服了自己的心理障碍?开始试着去接触早已离家出走的妈妈，并开始在新的环境中结交朋友。

托德•帕尔用质朴的文字和简单的图画讲述着一个关于离别的故事，但这些质朴而简单的东西所描绘出的情感世界却能直抵读者心灵深处。 线条简单的画面，简洁的语言，精致而传神地描绘了与亲爱的人分别后的小鱼眼底里的悲伤与内心的渴望。这样的故事能够让孩子在共鸣中获得治愈，引导他们走出分离焦虑的困境。

“以前，我上的是托儿所。 但现在，我已经长大了， 我甚至有了一位老师， 她像公主一样有着长长的头发。 我上学啦。 我上的是幼——儿——园！” 看到小莱昂如此欢欣的宣言，是不是以为他走进幼儿园的那一天也快乐得手舞足蹈？ 其实不然，他和我们身边许多小朋友们一样，在开学的那天根本不愿意起床。因为前一天夜里，他起来了好几次，一会儿要喝杯水，一会儿要妈妈抱抱，一会儿要听磁带，一会儿要爸爸亲亲……而来到幼儿园之后，他的第一个想法居然是“难道他们要把我们卖掉？” 但是最后，他爱上了幼儿园，因为那里有琳娜老师，有好多的小伙伴，还有……

The hit book about a willful young frog with a serious identity crisis and his heard-it-all-before father! Perfect for fans of Mo Willems’s Don’t Let the Pigeon Drive the Bus! and Jon Klassen’s I Want My Hat Back!Frog wants to be anything but a slimy, wet frog. A cat, perhaps. Or a rabbit. An owl? But when a hungry wolf arrives—a wolf who HATES eating frogs—our hero decides that being himself isn’t so bad after all. In this very silly story with a sly message, told in hilarious dialogue between a feisty young frog and his heard-it-all-before father, young readers will identify with little Frog’s desire to be something different, while laughing along at his stubborn yet endearing schemes to prove himself right.And look for the hilarious sequels—I Don't Want to Be Big, There's Nothing to Do!, and I Don't Want to Go to Sleep.★ "First-time author Petty’s dialogue between a frog father and his son makes its point about accepting one’s nature with a big grin. . . . The story might create similar gratitude in the minds of readers—or it might just make them giggle."—Publishers Weekly, STARRED REVIEW"A lively look at self-acceptance."—Kirkus Reviews"This amusing story ends with a laugh and a much more content frog."—School Library Journal"Silliness and deadpan humor combine into a hopping good story of being happy with who you are."—Booklist"A paean to self-acceptance wrapped in snappy dialogue and illustrated with richly colored comic paintings."—Wall Street Journal"Petty and Boldt provide just enough predictability to hook youngest readers, then deliver a delightful twist or two to create surprise and satisfaction—for both the green hero and the many fans he'll make with this book."—Shelf Awareness"This lighthearted exploration of identity will delight as a readaloud."—The Bulletin of the Center for Children's Books

“We will stick together.” “Always?” “Always.” 《永远在一起》（中英双语）用细腻飘逸的水彩画讲述了一种特别的友谊。故事中，分隔两地的好朋友，找到了一种特别的“永远在一起”的方式。 山羊和小猪是好朋友，他们相互依偎，生活在果园里，日子闲散，光阴漫长。但在一个月圆之夜，山羊却想去高高的山上看看。小猪却只想待在舒服的果园里，两个好朋友分开了。 他们找到了适合自己的生活。山羊在高高的山脊上跳跃，日子新鲜而有趣；小猪在懒散的果园里打盹儿，日子闲适而自得。独自一个人的时候，小猪会学着山羊的样子寻找方向，讲山羊讲过的故事；山羊难以入眠的时候，也会哼小猪哼过的小曲儿，他们学着解决问题，就像好朋友还在身边一样。 即使分隔两地，小猪和山羊仍然能够感受到来自好朋友的支持和心灵上的依靠，他们会永远在一起。

Rosie may seem quiet during the day, but at night she's a brilliant inventor of gizmos and gadgets who dreams of becoming a great engineer. When her great-great-aunt Rose (Rosie the Riveter) comes for a visit and mentions her one unfinished goal--to fly--Rosie sets to work building a contraption to make her aunt's dream come true. But when her contraption doesn't fl y but rather hovers for a moment and then crashes, Rosie deems the invention a failure. On the contrary, Aunt Rose inisists that Rosie's contraption was a raging success. You can only truly fail, she explains, if you quit.

日本摄影师秋山亮二拍摄的《你好小朋友》近年来在网络风靡。1983年出版的这本摄影集已绝版。拍摄对象都是1980年代初期中国的孩子们。 这本摄影集为中日双语版。登载有“樱花牌胶卷”的广告。现在的柯尼卡美能达（KONICA MINOLTA）当时名为“小西六”。因为小西六想在中国销售自己生产的“樱花牌胶卷”（1987年更名为柯尼卡胶卷），以中国为题材制作年历。当时中国还没有生产彩色胶卷，也没有冲洗彩色照片的地方。之后这个计划慢慢扩大、转变成为制作摄影集。在中国摄影家协会的帮助下，1981～1982年小西六邀请秋山先生拍摄。他5次前往中国，每次两到三周的时间逗留，拍摄了近8000张彩色照片，筛选116张出版了《你好小朋友》摄影集。拍摄地点包含北京，成都，昆明，广州，海南岛，上海，苏州，桂林，哈尔滨，乌鲁木齐・吐鲁番，呼和浩特等12个城市。 翻开这本摄影集，孩子们天真纯洁朴实的面容接连不断地闯入我们的视野，裹挟着无法言喻的乡愁。那是中国改革开放初期，整个社会向着新希望前行的特殊氛围弥漫着整本摄影集。作品出版之后至今的36年，也是中国发生巨变的36年。建筑、衣服、使用的包或者餐具、街边的垃圾桶，特别对于经历了那个年代的70后80后看来，这些物品无疑让他们倍感怀念。然而，比起这些，更打动人心的是孩子们脸上那种无所忧虑的神情。 我们近年通过媒体看到过很多有着悲伤表情的孩子们。由于地震等灾害失去双亲的孩子、从叙利亚死里逃生难民的孩子、被空袭轰炸失去家园的孩子、受虐待而进福利院的孩子、被应试烦恼困扰而自杀的孩子。但原本孩子的存在就是，不用工作不必担心金钱问题，只需玩耍和学习并应被无条件保护，看着这本书中被拍摄的小朋友们，再次真切感受到的确应该如此。所以明明不是自己的小孩，却被一种想要拥抱画面中每一个孩子的情绪溢满心田。随后又想到这些拥有明眸的孩子们创想的未来即是当下，一边想象他们现在过着什么样的生活呢，一边不自觉的又一次次翻开新的一页。 秋山先生在自身的著作中这么写道：“随着岁月的流逝，内容的深度也随之加深，怎么也看不腻的大概就是好照片吧。即使只有一张，也希望自己的照片中能诞生出这样的影像作品。”《你好小朋友》正是这样的作品。 很多人希望《你好小朋友》能够复刻。直到2018年11月16日，创立于京都的出版社青艸堂与秋山亮二先生达成复刻意向。历时半年终于完成复刻版的制作，在其社交媒体（新浪微博、instagram、facebook）持续更新了详细的制作过程。复刻版于2019年6月1日正式发行。

Child abuse, incest, child molestation, Halloween sadism, child pornography: although clearly not new problems, they have attracted more attention than ever before. "Threatened Children "asks why. Joel Best analyzes the rhetorical tools used by child advocates when making claims aimed at raising public anxiety and examines the media's role in transmitting reformers' claims and the public's response to the frightening statistics, compelling examples, and expanding definitions it confronts. Drawing on a wide range of sources, from criminal justice records to news stories, from urban legends to public opinion surveys, Best reveals how the cultural construction of social problems evolves.

关于成长的故事。

小查理生长的一个小镇里有一个全世界最大的巧克力工厂，工厂由一个伟大的巧克力发明家、制造商威利・旺卡所拥有。工厂非常神秘，大门紧锁，全镇子的人从来没有看见有人从大门进去或出来过。有一天，威利・旺卡先生发出告示，将有五位幸运的孩子获得参观巧克力工厂的特权，同时还能得到足够吃一辈子的巧克力糖和其他糖果。全世界购买旺卡巧克力的孩子都有机会。前提是藏在包装纸里的五张金券，谁获得金券谁就是幸运儿。 偶然的机会，查理得到了一张金券。参观工厂的过程是一次奇特的经历。每个参观者都感到了无限着迷、狂喜、好奇、惊讶和迷惑不解。即使做最荒诞的梦也想象不出这样的事情。飞瀑而下的巧克力瀑布，流漫着棕色糖浆的河，大片大片的口香糖草地，还有牛奶糖堆成的山。工厂里的工人全是来自蛮荒丛林的酷爱巧克力的矮人国的小矮人。 巨大的诱惑使得其他四个孩子失去了自制，他们或掉进了巧克力河、或变成了糖果、或被送进了垃圾炉、或钻进了电视变成了信号微粒，这一切小查理均不为所动。最不可思议的意外留到了最后......