Alto Saxophone – Lee Konitz Arranged By – Gerry Mulligan (tracks: 2, 4, 7, 6, 9, 12, 17, 22), Gil Evans (tracks: 3, 8, 13, 20, 24), John Carisi (tracks: 10), John Lewis (2) (tracks: 1, 5, 11, 15, 16, 19, 21, 23, 25) Art Direction, Design [Redesign] – Patrick Roques Baritone Saxophone – Gerry Mulligan Bass – Al McKibbon (tracks: 3, 6, 9, 12 to 25), Joe Shulman (tracks: 1, 2, 5, 7), Nelson Boyd (tracks: 4, 8, 10, 11) Drums – Kenny Clarke (tracks: 4, 8, 10, 11), Max Roach (tracks: 1 to 3, 5 to 7, 9, 12 to 25) Edited By – Kurt Lundvall French Horn – Gunther Schuller (tracks: 3, 6, 9, 12), Junior Collins (tracks: 1, 2, 5, 7, 13 to 25), Sandy Siegelstein (tracks: 4, 8, 10, 11) Photography By – Francis Wolff Photography By [Original Cover] – Aram Avakian Piano – Al Haig (tracks: 1, 2, 5, 7), John Lewis (2) (tracks: 3, 4, 6, 8 to 25) Producer – Walter Rivers Producer [Original Studio Sessions] – Pete Rugolo Reissue Producer – Michael Cuscuna Reissue Producer, Mastered By [Live Set Remastered By], Other [Live Material Researched, Provided & Transferred By] – Phil Schaap Reissue Producer, Mastered By [Studio Sessions Remastered By] – Mark Levinson Trombone – J.J. Johnson (tracks: 3, 4, 6, 8 to 12), Kai Winding (tracks: 1, 2, 5, 7), Mike Zwerin (tracks: 13 to 25) Trumpet – Miles Davis Tuba – Bill Barber Vocals – Kenny Hagood (tracks: 12, 16, 22)

介质为1CD！内附中英文歌词！ 作一个上帝所喜悦的人，基本条件就是善良与诚实。在小野丽莎的歌曲音乐里，能够寻找到这种纯真的特质。 出生于巴西的小野丽莎，身受南美音乐文化的影响，对森巴与Bossa Nova的活力节拍特别有兴趣，十五岁就能自弹自唱，展露舞曲节奏的才华。记得去年预定小野丽莎2006音乐之旅时，就计划将演出行程延伸到台湾中南部，没想到这样让曾经在台南居住过一阵子的她欣喜不已，她笑着说：“太好了！真是乡间小路带我回家啦！”2006年夏天，日本发行了小野丽莎最新单曲唱片就是“乡间小路”、“带我回家” 。 日本发行的《美丽时光》新专辑，标题曲是汉克威廉斯50年代经典遗作，被小野丽莎唱出南美风味，轻快愉悦，令人耳目一新。此外，威利尼尔森作曲，传奇歌后佩西克莱恩唱红的“Crazy”及吉姆韦伯写给葛伦坎伯尔的“Gentle On My Mind”都是美国流行经典名曲中的首选之作，经过小野丽莎重新演绎，温馨又亲切，如同沐浴在夏日黄昏时刻，真是夕阳无限好，只是近黄昏，这或许是听完这张专辑最深刻的感受。 小野丽莎《美丽时光》2006台湾巡回演唱会，除了日本工作人员参与，还邀请了多位巴西乐手和美国乐手合作，在友情温暖的支持下，深信这次演出将如阳光一般温暖着你我的心！ 01 Jambalaya 什锦饭（感谢美食旅游作家韩良忆 中译歌词） 02 Take Me Home Country Roads 乡间小路、带我回家（感谢美食旅游作家韩良忆 中译歌词） 03 Stay All Night 留下来吧 04 Saliane 莎莉莲 05 I'm An Old Cowhand 我是个老牛仔 06 Gentle On My Mind 最温柔的你 07 Crazy 疯狂 08 I've Just Seen A Face 匆匆一瞥 09 Old Fashioned Love —You Are My Sunshine 永恒不变的爱—你是我的太阳 10 Little Cabin Home On The Hill 山上的小屋 11 She Wore A Yellow Ribbon 她带着一条黄丝带 12 Danny Boy 丹尼少年 13 My Boy 我的男孩

Chet Baker Sings is the debut vocal album by jazz musician Chet Baker Chet Baker - vocals, trumpet Russ Freeman - piano, celesta Carson Smith - double bass Joe Mondragon - double bass Bob Neel - drums Jimmy Bond - double bass Lawrence Marable - drums Peter Littman - drums Richard Bock – producer Gerald Heard – liner notes William Claxton – photography

2001 reissue of 1970 album, remastered from the original analogue tapes and packaged in a digipak. Currently out-of-print in the U.S.3 tracks. Approx. 45 minutes.

1962年發行的這張專輯收錄的曲目以Duke Ellington的經典為主，演奏雖以Coltrane的四除奏擔綱，但節奏部分則以Duke Ellington慣常合作的貝斯手Aaron Bell、鼓手Sam Woodyard擔任，聆聽者可由Coltrane的主奏風格中聽到Duke Ellington作品的另一優秀的詮釋，如"In A Sentimental Mood"的高潮迭起，或是"Take A Coltrane"、"Big Nick"與"My Little Brown Book"等讓人記憶深刻的演奏，都值得推薦聆賞。 　 鋼琴手Don Shirley說「雖然Duke Ellington不是上帝，但已不遠矣！」說明了Duke Ellington在爵士樂壇的重要地位，身兼作曲、編曲者及樂隊領班，以無限的才華寫下無數的經典，並創下樂隊50年的榮景。而Coltrane則是以優雅充滿靈性的薩克斯風聲響，不斷超越自我並以豐富的作品建構成音樂版圖的爵士樂巨人，一舉改變人們對爵士演奏的人認知。

路易斯·阿姆斯壮是爵士乐史上最初的天才音乐家，如何评价他在爵士音乐中的重要性都不为过，相当古典音乐的巴赫、摇滚音乐的普莱斯利，其中最经典曲目“What A Wonderful World（多美好的世界啊）”曾作为电影《早安，越南》的插曲。 路易斯·阿姆斯壮生于纽奥尔良，他有着令人眩目的小号演奏技巧和富创新精神的演唱方式， 20年代他的乐团所录的演奏音乐，真的可以说已成为今日一切爵士乐原型的决定性演奏。他不仅是一位伟大的小喇叭演奏者，同时也是爵士乐史上最初的天才音乐家，包括他的歌声对爵士乐的影响都无法估计。 Armstrong Louis是纯粹的美国音乐的源泉，他的歌曲具有完美的定调和旋律。他即兴的演奏和歌唱能像月光一样轻盈。就像其他爵士音乐的革新者一样，他的影响贯穿爵士音乐和美国音乐，他成为美国式情感的指引者。 此碟音场阔，人声与乐器定位稳如泰山，分寸不移，而音色更属爵士录音中的最高水平，Louis Armstrong小号声的厚度与豆沙喉的质感固然真的一样，连伴奏的色士风及低音提琴亦同样富立体感与弹力。

Bill Evans-piano Scott LaFaro-bass Paul Motian-drums

Anita Belle Colton, known professionally as Anita O'Day, was an American jazz singer and self proclaimed “song stylist” widely admired for her sense of rhythm and dynamics, and her early big band appearances that shattered the traditional image of the "girl singer".

Cannonball Adderley Quintet: Cannonball Adderley (alto saxophone), Nat Adderley (cornet), Joe Zawinul (piano), Victor Gaskin (bass), Roy McCurdy (drums).

Ascension is the single recording that placed John Coltrane firmly into the avant-garde. Whereas, prior to 1965, Coltrane could be heard playing in an avant vein with stretched out solos, atonality, and a seemingly free design to the beat, Ascension throws most rules right out the window with complete freedom from the groove and strikingly abrasive sheets of horn interplay. Recorded with three tenors (Trane, Pharoah Sanders, Archie Shepp), two altos (Marion Brown, John Tchicai), two trumpet players (Freddie Hubbard, Dewey Johnson), two bassists (Art Davis, Jimmy Garrison), the lone McCoy Tyneron piano, and Elvin Joneson the drums, this large group is both relentless and soulful simultaneously. While there are segments where the ensemble plays discordant and abrasive skronks, these are usually segues into intriguing blues-based solos from each member. The comparison that is immediately realized is Ornette Coleman's Free Jazzof five years previous. However, it should be known that Ascension certainly carries it own weight, and in a strange sense makes Coleman's foray a passive adventure -- mostly due to an updated sonic quality (à la Bob Thiele) and also Trane's greater sense of passionate spiritualism. Timed at around forty minutes, this can be a difficult listen at first, but with a patient ear and an appreciation for the finer things in life, the reward is a greater understanding of the personal path that the artist was on at that particular time in his development. Coltrane was always on an unceasing mission for personal expansion through the mouthpiece of his horn, but by the time of this recording he had begun to reach the level of "elder statesman" and began to find other voices (Shepp, Sanders, and Marion Brown) to propel and expand his sounds and emotions. Therefore, Ascension reflects more of an event rather than just a jazz record and should be sought out by either experienced jazz appreciators or other open minded listeners, but not by unsuspecting bystanders.

Kenny Burrell guitar John Coltrane tenor saxophone Tommy Flanagan piano Paul Chambers bass Jimmy Cobb drums

French reissue of the jazz giant's 1962 album in a digipak. Part of RCA's remastered gold series. 2000 release. 《The Bridge》是Sonny Rollins沉潜复出选择在老字号的爵士乐厂牌RCA／Bluebird录音的第一张专辑。此时的桑尼 罗林斯不但宝刀未老，而且更把乐风伸向自由爵士、放克与硬式咆勃乐风，技巧与内涵更臻至巔峰，乐评舆论界一致公认是他留名青史的里程碑，四十多年来声誉不坠。专辑内找来了Jim Hall、Bob Cranshaw等箇中好手的助阵，除了超级经典曲"The Bridge"、"Without a Song"、"God Bless the Child"、"You Do Something to Me"等。 Theodore Walter "Sonny" Rollins (born September 7 1930 in New York City) is an American jazz tenor saxophonist. Rollins' long, prolific career began at the age of 11, and he was playing with piano legend Thelonious Monk before reaching the age of 20. Rollins is still touring and recording today, having outlived most of his contemporaries such as John Coltrane, Miles Davis, Max Roach, and Art Blakey, all performers with whom he recorded.