《Goat's Head Soup》是英国摇滚乐队The Rolling Stones的第十一张英国（第十三张美国）录音室专辑，发行时间：1973-08-31。

Betty married Miles Davis in the late 60s, influencing him with psychedelic rock, introducing the jazz great to Jimi Hendrix and inspiring classic work like "Bitches Brew." She herself had been strongly urged to record by Marc Bolan of T. Rex, and turned down both Eric Clapton and Motown to keep control over her own work and express it as nasty as she wanted to be. Rappers from Ice Cube to Talib Kweil to Ludacris have rhymed over her tracks. This amazingly progressive debut showcases her revolutionary talent and features such gems as "If I'm In Luck I Might Get Picked Up" and "Game Is My Middle Name." Originally released in 1973, "Betty Davis" was recorded with a who's who of San Francisco stars - from Sly & the Family Stone's rhythm section to backing vocals from Sylvester and the Pointer Sisters, while Sly Stone drummer Greg Errico produced the album. This deluxe reissue features gorgeous packaging, a treasure trove of previously unreleased bonus tracks, rare photos and archival material, and new notes from Oliver Wang (SoulSides).

Reissue of the third album by one of the world's most influ ential electronic acts of all-time. Originally released in 1973 on Warner Brothers. Standard jewel case.

Released: 23 March 1973 Recorded: January – February 1973 at Command Studios, Piccadilly, Westminster, London, England Producer: King Crimson Band Members: Robert Fripp – guitars, Mellotron, electric piano, devices John Wetton – bass, vocals, piano on "Exiles" Bill Bruford – drums, timbales, cowbell, wood block David Cross – violin, viola, Mellotron, electric piano, flute on "Exiles" Jamie Muir – percussion, drums, "allsorts" (assorted found items and sundry instruments) Additional personnel: Richard Palmer-James – lyrics Nick Ryan – engineering Tantra Designs – cover design

Limited 2008 UK 180gm vinyl pressing of this classic album, released to coincide with the 60th anniversary of the long-playing record. This is an exact replica of the original packaging and contains a voucher enabling the purchaser to download MP3 versions of the songs within. Happy Birthday, my dear vinyl LP! Universal.

The Velvet Underground — which at that time consisted of Doug Yule (vocals/guitar), Willie Alexander (keyboards/vocals), Walter Powers (bass guitar) and Maureen Tucker (drums) — had toured the United Kingdom and The Netherlands in October and November of 1971 to support its latest album, Loaded, which had seen a European release in March of that year. The plan was to record a second and final album for their record company, Atlantic Records, afterwards, [1] but Atlantic had lost faith and decided to issue an archive recording from 1970 featuring Lou Reed, Live at Max's Kansas City, instead. [2] After the tour, band manager Steve Sesnick managed to get a recording deal with Polydor UK to record a final Velvet Underground album. Alexander, Powers and Tucker were sent back to the United States by Sesnick, however, presumably to retain maximum control over the finished product. [3] Thus, Yule was the only Velvet to actually perform on the album. Although Squeeze was released nominally as a Velvet Underground album, it could justifiably be regarded as a Doug Yule solo album in all but name. The eleven songs that make up Squeeze were written by Yule and recorded with the help of Deep Purple drummer Ian Paice, with additional occasional saxophone and backing singer assistance. They range from Beatles-like whimsy ("Crash") via pop to typical 70s rock ("Mean Old Man"). Squeeze was recorded in the autumn of 1972 and released in the United Kingdom, France, Germany (all 1973) and Spain (1974)[4]. No singles were taken off it and the album did not chart. Yule assembled a backing band consisting of Rob Norris (guitar), George Kay (bass guitar) and Mark Nauseef (drums) to tour the United Kingdom in November and December 1972 to promote the upcoming album; a live recording from this tour is included on the 2001 live box set Final V.U. 1971-1973. After the tour, during which they were deserted by Sesnick, Yule also called it quits, bringing the Velvet Underground to an end[5]. Squeeze saw a number of re-issues in France during the 1970s and early 1980s. It has been out of print since, and has not been issued on compact disc. The status of Squeeze in the Velvet Underground's canon is generally regarded as dubious; the 1995 Velvets boxed set Peel Slowly and See includes the four studio albums from the Lou Reed era of the band, but excludes Squeeze. In the Peel Slowly and See liner notes, David Fricke dismisses Squeeze as "an embarrassment to the Velvets' discography." 这张地下丝绒的专辑其实已经不算是真正的VU专辑了，最多也就是挂着丝绒名的Doug Yule 的个人专辑,历来评价不高,不过VU的铁粉还是可以听听试试 下面提供试听地址(注:可能要注册帐户)

Krautrock經典2。

小詹姆士·喬瑟夫·布朗，非洲裔美國歌手，有「靈魂樂教父」之稱，被認為對20世紀的流行音樂有至深的影響。 詹姆士·布朗生涯為知名歌手、作曲家、樂團團長及音樂唱片製作人。布朗將福音音樂及節奏藍調帶入靈魂樂及放克，對許多其他類型的音樂也都有影響，如：搖滾樂、爵士樂、雷鬼、Disco、舞曲、電子樂、afrobeat及嘻哈。

作为英国最成功且最具长久生命力的前卫摇滚乐团和迷幻音乐的较早实践者，Pink Floyd 所呈现出的那种与60年代中期污浊的摇滚乐坛形成鲜明对照的未被污染的个性，均体现在这张具有外太空概念的概念专辑中，作为他们发布的第9部专辑，[The Dark Side of the Moon]由6首歌曲加4首音乐背景效果音乐，采用不停顿的方式连续演绎，给人一气呵成的感觉。 专辑中，[Breathe]表达了一种无助的心态，[Time]则表现的是对光明虚度的追悔和对故乡的眷恋，[Money]则鞭策了金钱至上的思想。[Us And Them]是全碟旋律最优美的一首歌，歌词虽简单但内涵却很深奥，其深刻地提出了反战宣言。[Brain Damage]中通过讲述了一个行为与众不同的人，借以讽刺那些所谓的“正常人”。这个实际清醒的人为世俗所不容，只能在"月影"才能看见他，这是整张唱片的精神所在。最后的结束曲[Eclipse]在罗列了一大堆普通人经历过的事情后在结尾说到“每件事情在太阳下谐和一致，但太阳却被月亮遮蔽了”，表达出一种苍凉的哀愁和无奈。