這張《你是我所有的回憶》幾乎被公認為華語歌曲中最難尋找的唱片。是齊豫歌迷的，通常將這張《你是我所有的回憶》奉為無上經典。1993年出台的“台灣百大唱片”評選中，《你是我所有的回憶》位列第35位。而在“演唱實力”單元中竟高居榜首！《你是我所有的回憶》是李泰祥與齊豫的第三次合作。告別了《橄榄樹》的校園歌曲風味，踩著《祝福》闖出來的新古典風格現代歌曲的足跡，《你是我所有的回憶》像是修得了一身的圓滿，以一個統一的面貌、大氣而溫暖的曲風成就了這兩位藝術家。盡管日益密切的合作和無盡的探索，使得流行歌曲的曲式日漸艱澀，甚至難免有些曲高和寡，比如《一朵青蓮》和《彈琴的女孩》。但這張專輯裡傳遞的真摯情感卻是齊豫以後專輯中少見的了。有意思的是，和那首脍炙人口的《橄榄樹》一樣，《你是我所有的回憶》作為該張專輯的標題歌曲甚至經常可以在專業級的OK廳裡見到。而且音質還不是很差，令一些齊豫的歌迷似有大快朵頤之感。只不過，胡鄒一下當然是可以的，而要感受蘊涵在這首歌中的意境肯定是要聽齊豫的演唱了。2001年，同樣身為李泰祥弟子的許景淳大膽演唱《你是我所有的回憶》，結果遭致評論界和歌迷的大肆抨擊，形容她“過於想超越原唱，反倒使聲音走形，顧此失彼”雲雲。而另外一首經常被首推為齊豫“第一經典”的《菊歎》也曾經有人翻唱，也常常弄得自己非常尴尬。這首音域跨度極大，旋律異常優美的歌曲的確也只有齊豫的音色可以勝任。我想起來齊豫某次接受采訪時曾說“唱歌還是需要天賦的，不是什幺歌都適合自己。要想唱好歌一定得要認准什幺是適合自己的”。實際上，李泰祥作品的最佳诠釋人選當然應當是齊豫。另外一個故事也是有關《你是我所有的回憶》的。目前見到的版本無一例外的告訴我們，這首歌的歌詞同樣是李泰祥老師寫的。其實不然。真正的作者大家應該不陌生——他80年代初跑到大陸，他早期的一首《龍的傳人》到現在都是華語歌曲的永恆經典，在台灣被禁之後，他與大陸年輕的歌手陳琳合作出許多的重要的作品，並導致大陸流行歌曲快速進入到一個嶄新的創作領域，——他就是侯德建。後來金聲公司為免遭禁，而將詞作者署名為李泰祥。當初，聽到由齊豫證實的這條消息，很是感慨。早期的歌手和創作者其實很不易，無論生活還是創作環境。所幸，這首作品經由李泰祥的發揮，煥發出奪目的光彩。

2008 digitally remastered reissue of the British Post-Punk band's fourth album, their final studio release before splitting, originally released in 1983. Hard may seem ironically titled in retrospect, given its concessions to the softer Dance-Pop styles of the period, but there are some great songs amid the then-de rigueur soulful female backing vocals, clinical machine beats and slapback bass. Despite the production sheen, 'I Fled' moves with the urgency of old, 'A Man With A Good Car' is a squealing delight, while 'Silver Lining' thrills with its Dub spaces and Funk echoes. And if 'It Don't Matter' sounds like a period piece, it's worth remembering that GOF were the original socialist funksters, enabling the likes of Wham! and Heaven 17 to exist. EMI.

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

Limited Edition Japanese "Mini Vinyl" CD, faithfully reproduced using original LP artwork including the inner sleeve. Features most recently mastered audio including bonus tracks where applicable.

New Order are an English rock band formed in 1980 by vocalist and guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris. The band formed after the demise of Joy Division, following the suicide of lead singer Ian Curtis; they were joined by Gillian Gilbert on keyboards later that year.

Originally released in 1984 on Dead Good Dolly Platters label. Dolly Mixture was like a female version of the Undertones, creating catchy and concise punk-pop gems (emphasis on "pop") that made them a flavor of the week in England in the late '70s. They released only four commercial singles, but recorded a pile of demos that the band self-released as a double album in 1983 after mismanagement had halted their forward momentum. Demonstration Tapes is a 1995 CD reissue of that double album, packing 27 lost girl group classics onto one disc. So many of these songs are simply amazing that it's hard to pick favorites, but "Will He Kiss Me Tonight" has "hit" written all over it. The sound quality is a little muffled, but all the charm and pure-pop songcraft manages to shine through. Dolly Mixture could have been as big as the Go-Gos, and Demonstration Tapes is the proof.

这张专辑花了九个月才录制完成，《之乎者也》的成功带来了无数的争议和期许，使罗大佑在这段时间遭遇到了极大的压力。“这其实是最惨痛的一张唱片，碰到的挫折，失败的感觉是最多的。”《未来的主人翁》从头到尾弥散着一种抑郁苍凉的情绪，相信和作者当时内在面临的矛盾，以及外界充满无力感的时代气氛都有关系。 “一定是第二张唱片最难做。因为第一张你可以慢慢做，完全没有前面的负担，所有前面的年轻生命的积累都可以放在第一张。如果第一张不幸成功，人家会要求第二张也成功，而且要变...又要有成长，又要有磨练，又要有新的东西，新的看法，新的音乐方向，然后在音乐上必须诚实，因为新的方向必须是来自你自己人生观，音乐观的彻底改变。”罗大佑这番话对《未来的主人翁》里面的种种改变作了最好的注解。