Beck David Hansen is an American musician, singer, songwriter, and record producer. He rose to fame in the early 1990s with his experimental and lo-fi style, and became known for creating musical collages of wide-ranging genres.

Sea Change is the fifth official studio album and eighth overall by American alternative rock artist Beck, released on September 24, 2002. Recorded over a two-month period at Ocean Way Studios in Los Angeles with producer Nigel Godrich, the collection includes themes of heartbreak and desolation, solitude and loneliness. "Lost Cause" and "Guess I'm Doing Fine" were released as singles.

在他三十八岁生日那天，他要发行自己的第八张专辑Modern Guilt 专辑中的Orphans和Walls这两首歌是feat到了Cat Power，并且由Danger Mouse制作 囍欢这张专辑中低沉的鼓声 这张专辑应该是值得反复听的那种

Freaks flap together, and making all the b-boys/lesbians scream Funk Soul Brother至愛！

Beck的新专辑《Guero》预定于3月21日正式发行，而最近他也频频接受媒体访问，畅谈有关新专辑的风格走向。 这张《Guero》是他自2002年的《Sea Change》之后的全新创作，内容一共收录了13首歌曲，而Guero是西班牙文，意思是指“白种男孩”之意。 这张专辑是由他与前任的老搭档The Dust Brothers共同制作而成，同时White Stripes的主唱Jack White也前来跨刀相助，在专辑中的一首Go It Alone中负责贝斯的弹奏部分。 对于Beck而言，这张新作《Guero》其乐风相当激进，“我为这张专辑工作了很长一段时间，不过我却是先完成《Sea Change》这张专辑，然后才完成这张作品，一直以来我都很想要做一张有著吵杂吉他弹奏的专辑！”在接受滚石杂志时说道。

此专辑获第四十二届格莱美最佳另类音乐奖 来自洛杉矶、被喻为「音乐拼贴美学大师」的Beck/贝克，总是创意十足的将hip-hop、rap、funk、scratch、民谣、灵魂、摇滚、蓝调、乡村、雷鬼、电子…等乐风，与扭曲的、讽刺的、奇想的、如诗一般的歌词天马行空结合。而在始终如高中生般年轻的外表下，Beck还拥有得天独厚、干净明亮又充满男性魅力的迷人高音音色。 94年以一曲风靡全美地下与另类摇滚电台、扬威英美排行榜的TOP10单曲“Loser”崭露头角，引发各大主流唱片公司签约争夺战。投效Geffen唱片后推出首张大碟「Mellow Gold」，获Spin10分满分评价，更入选滚石、Spin、Q等音乐杂志94年度最佳专辑之列。96年专辑「Odelay」展现强烈的颠覆性及自我风格，获滚石杂志与洛杉矶时报4颗星推介，抱回英国音乐奖「最佳国际艺人」、MTV音乐录像带奖「最佳男艺人」等大奖！ 98年再获滚石杂志4颗星的「Mutations」，给人耳目一新的Space Age Folk Rock感受！99年「Midnite Vultures」将最土最草根的音乐元素到最酷最新潮的新世代精神，作了最精彩的化学实验，滚石杂志继续送上4颗星！

Beck's debut, Mellow Gold, was a glorious sampler of different musical styles, careening from lo-fi hip-hop to folk, moving back through garage rock and arty noise. It was an impressive album, but the parts didn't necessarily stick together. The two albums that followed within months of Mellow Gold — Stereopathetic Soul Manure and One Foot in the Grave — were specialist releases that disproved the idea that Beck was simply a one-hit wonder. But Odelay, the much-delayed proper follow-up to Mellow Gold, proves the depth and scope of his talents. Odelay fuses the disparate strands of Beck's music — folk, country, hip-hop, rock & roll, blues, jazz, easy listening, rap, pop — into one dense sonic collage. Songs frequently morph from one genre to another, seemingly unrelated genre — bursts of noise give way to country songs with hip-hop beats, easy listening melodies transform into a weird fusion of pop, jazz, and cinematic strings; it's genre-defying music that refuses to see boundaries. All of the songs on Odelay are rooted in simple forms — whether it's blues ("Devil's Haircut"), country ("Lord Only Knows," "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle"), or rap ("High 5 (Rock the Catskills)," "Where It's At") — but they twist the conventions of the genre. "Where It's At" is peppered with soul, jazz, funk, and rap references, while "Novacane" slams from indie rock to funk and back to white noise. With the aid of the Dust Brothers, Beck has created a dense, endlessly intriguing album overflowing with ideas. Furthermore, it's an album that completely ignores the static, nihilistic trends of the American alternative/independent underground, creating a fluid, creative, and startlingly original work.

One Foot in the Grave is the third independent studio album and fourth overall by American alternative rock musician Beck, released in June 1994 on K Records, an independent label. Like Stereopathetic Soulmanure, the album never charted; however, One Foot in the Grave strengthened Beck's critical reputation, arguably allowing him to break into the mainstream with Odelay in 1996. One Foot in the Grave shows a strong folk influence that is more pronounced than on his more eclectic-style albums of the time, Mellow Gold and Odelay. One Foot in the Grave was recorded prior to the release of his third album Mellow Gold, but was not released until after that album met with critical and commercial success.

Slacker經典：I'm a loser baby, so why don't you kill me！