2017 film by Nora Twomey

“咔擦！”(Crunch)是一部科幻喜剧动画短片。故事从我们身材矮小的主角鲍勃的某天早上开始，鲍勃刚刚在航天局上班不久。这天他在观看火箭发射的时候被一道神秘闪电击中，之后他开始不断变大，他的命运发生了翻天覆地的变化，但这一切似乎无法停止...

Before he can get close to the real enemy, Manji faces challenges from two powerful opponents : Da Cang - a master of using body pulse, and Hai Wen Xiang - a sea witch who is extremely loyal to Kuiba. When Manji is unwillingly engaged in an intense battle with Hai Wen Xiang. Kuiba reveals its mysterious appearance.

Manji and Master Man board a warship bound headed to Maelstrom Island. Meanwhile, on Maelstrom Island, Kuiba's fiercest lieutenants are preparing for battle. Manji soon faces conflicts between his father, the gods, and Kuiba's lieutenants.

2011 animated film

There's a crisis in the Chinese Spirit World -- humans don't believe in gods anymore! A Door God, facing unemployment, ventures into the human world to prove his worth, leading to unexpected encounters and transformations for humans and spirits alike.

A master thief who uses her skills for good, Carmen Sandiego travels the world foiling V.I.L.E.'s evil plans -- with help from her savvy sidekicks.

China’s role in the history of world animation has been trivialized or largely forgotten. In Animated Encounters Daisy Yan Du addresses this omission in her study of Chinese animation and its engagement with international forces during its formative period, the 1940s–1970s. She introduces readers to transnational movements in early Chinese animation, tracing the involvement of Japanese, Soviet, American, Taiwanese, and China’s ethnic minorities, at socio-historical or representational levels, in animated filmmaking in China. Du argues that Chinese animation was international almost from its inception and that such border-crossing exchanges helped make it “Chinese” and subsequently transform the history of world animation. She highlights animated encounters and entanglements to provide an alternative to current studies of the subject characterized by a preoccupation with essentialist ideas of “Chineseness” and further questions the long-held belief that the forty-year-period in question was a time of cultural isolationism for China due to constant wars and revolutions. China’s socialist era, known for the pervasiveness of its political propaganda and suppression of the arts, unexpectedly witnessed a golden age of animation. Socialist collectivism, reinforced by totalitarian politics and centralized state control, allowed Chinese animation to prosper and flourish artistically. In addition, the double marginality of animation—a minor art form for children—coupled with its disarming qualities and intrinsic malleability and mobility, granted animators and producers the double power to play with politics and transgress ideological and geographical borders while surviving censorship, both at home and abroad. A captivating and enlightening history, Animated Encounters will attract scholars and students of world film and animation studies, children’s culture, and modern Chinese history.

2018 animated short film by Jon Frickey

The feature introduces a fictional golden-colored flower, which possesses the magical ability to debauch humans who get too close to it. As the flower only chooses kindhearted people as hosts, a group of martial artists who want to eradicate the plants face a dilemma: should one kill good people for rescuing men from sin?

When cat spirit Luo Xiaohei's home is deforested by humans, he must find a new one. He runs into a group of other spirit creatures who take him under their wing with dreams of reconquering the land they say is rightfully theirs. However, they run into a human known as Wuxian who separates Luo Xiaohei from the other spirits and the two go on a journey, with the cat spirit learning to control his abilities as well as forming his own thoughts on whether or not he should ally with the spirits or the humans.

A young boy who loves to draw and build ferris wheels encounters strange creatures that turn his life qiwan.cc upside down.

1973 animated film directed by René Laloux

一之濑海（齐藤壮马 配音）自幼就非常热爱钢琴这门乐器，是公认的天才钢琴少年。一次偶然中，海在森林里发现了一架废弃的钢琴，只有海能够通过这架钢琴演奏出美妙的音乐。这架特殊的钢琴锻炼了海的演奏技巧，让他获得了和常人比更多的经验。 阿字野壮介（诹访部顺一 配音）曾经也是一名天才钢琴师，然而，一场意外的车祸让他不得不告别了自己的职业生涯，对过去耿耿于怀的壮介成为了海的叔父，将自己未能完成的期望寄托在了他的身上。雨宫修平（花江夏树 配音）是海宿命般的对手，两人亦敌亦友，互相竞争，齐头并进。

2015 film by Don Hertzfeldt

When Jesper distinguishes himself as the Postal Academy's worst student, he is sent to Smeerensburg, a small village located on an icy island above the Arctic Circle, where grumpy inhabitants barely exchange words, let alone letters. Jesper is about to give up and abandon his duty as a postman when he meets local teacher Alva and Klaus, a mysterious carpenter who lives alone in a cabin full of handmade toys.

《鸟姐妹的反差生活》是一部喜剧动画剧集，讲述了两个 30 多岁的鸟姐妹之间的友情故事。她们住在同一间公寓中，图卡（蒂凡尼·哈迪斯配音）是一只骄傲自大、无忧无虑的犀鸟，而伯蒂（黄阿丽配音）是一只焦虑不安、整天做白日梦的夜莺。 这部剧集由丽莎·哈诺瓦尔特（《马男波杰克》）担任创剧人，第一季共 10 集。哈诺瓦尔特与拉斐尔·鲍勃-瓦克斯伯格（《马男波杰克》）、诺埃尔·布赖特（《马男波杰克》《老友记》）、史蒂文·A·科恩（《马男波杰克》《两兄弟》）、蒂凡尼·哈迪斯和黄阿丽共同担任监制。

An orphan boy named Tim is afraid of the dark. However, when the stars start going out in the sky, he finds himself exploring the world of the night, alongside his new friend, the Cat Shepherd.

众筹动画《CannonBusters》官方宣布将在Netflix上开播，全12话每话22分钟。该作品是LeSeanThomas担任原作的美国科幻冒险漫画改编。并且在今日Netflix举办的活动上还邀请到了原作以及サテライト的动画制作人金子文雄参与。[1] 《CannonBusters》故事追随着高阶机器人S.A.M的冒险与事迹，他出生贵族、性格友善，但在途中遇上了古怪的维修机器人、以及急性子的亡命之徒。为了协助寻找S.A.M的挚友，这一行3人在科幻而危险的世界展开了冒险。

中国古典神话传说中的“著名”精怪是如何在现代社会生存下去，他们成为了我们身边有着神仙特色的宅女、暖男、上班族、犬系男友，他们上演着生活中搞笑而怪诞的小故事，关乎快乐、关乎友情，在我们平凡、忙碌的日常构建了不可思议的二次元神仙幻境。