Quote: By the time Michelangelo Antonioni released Michelangelo Eye to EyeBeyond the Clouds in 1995, his keen sense of patient, intimate observation had seemed to give way to a kind of leering, gratuitous voyeurism in the film's repeated, over-lingering shots of the female form. It is, however, precisely this painstaking attention to the voluptuousness of form and tactileness of surfaces that makes his subsequent short film, Michelangelo Eye to Eye particularly sensual and textural in its execution. Prefaced with a text description of the filmmaker's recent health problems (in particular, a debilitating stroke that left him partially paralyzed), the film opens with a shot of a frail Antonioni emerging from the shadows as he walks in slow, awkward gait into an unpopulated hall where Michelangelo Buonarotti's marble statue of Moses - a scaled down version of an ambitiously conceived wall tomb for Pope Julius II - is once again in display after a period of meticulous restoration. Composed of a series of detailed observations of the sculpture's composition from several camera angles and vantage points, Antonioni continually refocuses to the shot of Moses' opaque gaze - an image that is sublimely matched by the filmmaker's own occluded, returned gaze as he examines the object of his attention through limpid, watery eyes. In addition to creating a thorough, meticulous, and deliberative objective study of the Renaissance sculpture's robust physical form and timeless, universal beauty, Antonioni's juxtaposition of his own weakened, aging frame against the larger-than-life sculpture of Moses creates an indelible, thoughtful, and poignant image on human frailty, transience, creative compromise, and the enduring legacy of - and mortal transcendence through - enlightened art. filmref.com

Year three at Hogwarts means new fun and challenges as Harry learns the delicate art of approaching a Hippogriff, transforming shape-shifting Boggarts into hilarity and even turning back time. But the term also brings danger: soul-sucking Dementors hover over the school, an ally of the accursed He-Who-Cannot-Be-Named lurks within the castle walls, and fearsome wizard Sirius Black escapes Azkaban. And Harry will confront them all.

《攻壳机动队SAC 2nd GIG》是根据士郎正宗漫画原作改编的第二季日本动画影集。 2004年1月1日于日本SKY电视播映。每集制作费高达3000万日元。 共26话。 故事内容延续第一部TV版攻壳机动队STAND ALONE COMPLEX的剧情继续发展。但TV版的2部作品与剧场版无甚联系，可以看做是两个平行世界里发生的事情。 这次TV版第2季的制作班底与第一部相同，同时剧情表达上和第一季一样，每话由不同故事构成，各自独立成章，却贯穿着同一条主线。在剧情上同时电影版导演押井守也参与了协力，不过电影版中凄凉的气氛没有在TV版第二季中体现。

Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.

2004 film by Kim Ki-duk

A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.

露西生来就与常人有异，她头上长着两个犄角，生有四只隐形的手，体内蕴藏着巨大的力量，人们管她这样的孩子叫作异种人。从小就被人抛弃排挤的露西一直非常孤独，直到她遇到浩太才渡过了非常愉快的几天。然而随着体内载体的呼唤，她渐渐还是显露出杀人魔的本性，并被研究所拘捕监禁。八年后，露西从研究所里逃出来，却由于脑部重创失忆，成为“白痴少女”。此时的浩太也由于儿时的重大打击选择性失忆，两人再次相遇，浩太把露西当作陌生人收留下来。穿插着两人断断续续的回忆，故事渐渐走向了两个极端。

一万年前,52张卡封印著不死的生命体,直到20世纪,这些封印被破解,使这些不死生命再次苏醒.为了阻止它们在人类的世界进行杀戮,并把他们再次封印於卡内,被称之为BOARD人类基盘史研究所的鸟丸开发变身腰带.而橘朔也和剑崎真一被委托成为假面骑士Garren和假面骑士Blade而展开他们的英雄之战.故事中的初期橘虽然有协助对抗不死生命体,但他亦对剑等人采取对抗态度,但到了故事的中段便恢复正常．故事中还有第三位由相川始变身的假面骑士，命名为卡利斯,他的正体是Undead－Joker，这亦正亦邪的角色令故事更增添丰富，最後出现的假面骑士是由睦月变身的假面骑士Leangle，一开始被梅花Ａ控制，後得剑和橘等人的帮助，最後亦恢复意志，成为正义的战士

2004 film by Apichatpong Weerasethakul

高中女生奈绪（名冢佳织 配音）隶属摄影部，她喜欢捕捉云和风。一天，她在学校天台拍照时，看见一只飞天猫，随即天空居然下起了“猫雨”，震惊之余她不慎失足坠楼。出乎意料的是，从高空中摔下的她竟毫发无损。原来是拥有操纵风的能力的风使——大气老师救了她，而那只猫之所以会飞也是因为它懂得操纵风。得知大气老师回乡参加祭典后，奈绪和好朋友美纪（花村怜美 配音）以及同班男生阿润（入野自由 配音）一起来到风使之乡找他，向他学习风的知识，老师却一口回绝。目睹了震撼人心的风之祭典后，奈绪似乎更加了解风…… 本动画围绕着奈绪的日常展开，她的高中生活也许平平凡凡，然而故事里有风。

三位超能小女警拥有无与伦比的超级力量，她们在睡前打击犯罪，用自己的“女孩力量”守护家园和身边的小镇居民们。

橘发少年黑崎一护是个正义感爆棚的高中生，与父亲、两个妹妹共同生活，从小他就有能看见鬼魂的本事，但并不以为意。一天夜里一只叫“虚”的怪物攻击了一护和他的家人，尾随怪物而来的死神朽木露琪亚身负重伤，只得将灵力转给一护，由他代死神之职。岂料“代职”一发不可收拾，一段时间后，尸 魂界发现露琪亚的违规行为，来人将她抓走。为救出朋友，一护在浦原商店店主浦原喜助的帮助下，集结了井上织姬、石田雨龙、茶渡泰虎几位好友，一同前往尸魂界。与此同时，尸魂界瀞灵廷内一场惊天阴谋也在慢慢掀开…… 《死神》漫画于2001年开始在《少年JUMP周刊》连载，动画2004年开播。

2004 South Korean film directed by Kim Ki-duk

Musashino, Tokyo. An elementary schooler repeatedly attacks people in the streets. Known only to the public as "Lil Slugger", none of the victims can recall the young boy's face and only three distinct details are left in their memories: golden inline skates, a baseball cap, and the weapon: a bent golden baseball bat. Detectives Ikari and Maniwa set out to track down the perpetrator and put an end to his crimes.

When a seemingly straight-forward drug deal goes awry, XXXX has to break his die-hard rules and turn up the heat, not only to outwit the old regime and come out on top, but to save his own skin...

2004 film by Michael Radford

A biopic depicting the life of filmmaker and aviation pioneer Howard Hughes from 1927 to 1947, during which time he became a successful film producer and an aviation magnate, while simultaneously growing more unstable due to severe obsessive-compulsive disorder.

片仓结平（藤田大助 配音）是一个个性开朗的高中三年级生，帅气的外表和作风让他在女生间有着极高的人气。某日，接到姐姐片仓铃子（远藤久美子 配音）的急电，匆匆赶回家的结平面前，矗立着一位面容娇俏的可爱女孩。女孩名叫坂下柚夜（黑葛原未有 配音），是结平的远房表妹，母亲的突然失踪让抚养柚夜的重任担负到了片仓一家的头上。 面对着突如其来的变故，结平感到不知所措，自己本来就还是一个贪玩的孩子，居然要去照顾另一个更加调皮和古灵精怪的妹妹。然而，随着了解的加深，结平发现，柚夜其实是一个非常善良和细腻的女孩，自己也开始思考起作为抚养人的责任和义务。每个人，都在挫折和失败中渐渐变得成熟和坚强起来。

Abortionist Vera Drake finds her beliefs and practices clash with the mores of 1950s Britain – a conflict that leads to tragedy for her family.

2004 film by Dennis Gansel