In 1872 in the treaty port of Shanghai, British merchant Ernest Major founded one of the longest-lived and most successful of modern Chinese-language newspapers, the Shenbao. His publication quickly became a leading newspaper in China and won praise as a "department store of news," a "forum for intellectual discussion and moral challenge," and an "independent mouthpiece of the public voice." Located in the International Settlement of Shanghai, it was free of government regulation. Paradoxically, in a country where the government monopolized the public sphere, it became one of the world's most independent newspapers. As a private venture, the Shenbao was free of the ideologies that constrained missionary papers published in China during the nineteenth century. But it also lacked the subsidies that allowed these papers to survive without a large readership. As a purely commercial venture, the foreign-managed Shenbao depended on the acceptance of educated Chinese, who would write for it, read it, and buy it. This book sets out to analyze how the managers of the Shenbao made their alien product acceptable to Chinese readers and how foreign-style newspapers became alternative modes of communication acknowledged as a powerful part of the Chinese public sphere within a few years. In short, it describes how the foreign Shenbao became a "newspaper for China."

Mittler's groundbreaking study assesses Cultural Revolution arts--music, drama, opera, painting, comics, and literature--as more than propaganda, demonstrating that they were paradigm-shifting works that left indelible impacts on China's artistic culture...Magisterial in scope, this book proves that art of the Cultural Revolution period was not an aberration but rather the most complete expression of trends that had begun in the early 20th century, when yearnings for a great hero first entered popular discourse. As the apotheosis of mass culture, the Cultural Revolution produced truly popular art that spoke to uneducated farmers and urbane intellectuals alike and was experienced in multiple ways that belie claims of hegemony. Accompanied by a website that includes further text, images, music, and video clips, this will serve as the definitive study of its genre for years to come. (N. E. Barnes Choice 2013-07-01)