The singer Natascha Osterkorn´s voice will take you into a seemingly lost and past world where she will charm you by her uniquely sensuous creed. 57 Minutes 01 aj, prisadumal 02 rodilas ja u kostra 03 schatriza 04 lubov - volschebnaja strana 05 dorogoi dlinnoju 06 ne ujesjai 07 jurawlik 08 ne wetschernjaja 09 loli pchabaj 10 szrdze na snegu 11 na ne zocha 12 dewes i rat 13 dni sa dnjam katjatsja 14 kaj one 15 mama Ladies and Gentlemen, dear friends of music, with this CD "Artist and Entertainment Berlin" would like to present you a great young artist: the singer Natascha Osterkorn´s voice will take you into a seemingly lost and past world where she will charm you by her uniquely sensuous creed. Please do follow this gifted singer wandering through time and tradition of Russian gipsies. Follow her on a journey through serene lightness, bottomless depth of soul and emotion, al longing for love and tenderness, the freedom of being boundless and eventually on through the experience of being treated unjustly. Natascha Osterkorn sings about the joys and sufferings, about comic and tragic elements of gipsy life. With this CD we want to demonstrate our commitment to the ethnic groups generally known as "gipsys" and to their musical traditions which we would like to keep alive. Having left their original area in India during the 10th and 11th century they went a long way via Asia Minor, Greece and Turkey to Europe where from several tribes got to made for Southern Russia, for the nothern regions of the tsar realm and even for Scandinavia. Apart from their renowned abilities in music, dance and artistry gipsy families mostly lived on crafts, such as the blacksmith´s or the tinmaker´s. Occasionally Romanies were even warmly welcomed as they brought along new techniques of iron and metal processing. In 1774 the Earl of Orlow-Tschesmenski founded a choir of gipsy serfs that became famous all over Russia. In the wide repertoire of such gipsy choirs there were also folk-songs and romances written by well-known Russian composers. Along with an increasing musical professionalism it was particularly these romances that strongly influenced the further development of gipsy music. In many parts fo Europe, however, the Romanies´ different way of life and high mobility conflicted with the values and virtues of the majority. Prosecution and the attempted genocide during the period of German Nazism were the worst threats to the manifold forms of Romany cultures and ways of life. Up to the present day there are some who maintain scepticism or even rejection due to the Romanies´ specific temperament, their difficult languages and their unwillingness to concede to normative pressure exerted on them by the majorities in most European countries. Nevertheless, their musical culture is a somehow global mission in the drabness of mixing styles in our so-called modern world. Enjoy the sensuousness of the moment and get pleasure and strength from what will happen inside you when listening to Natascha Osterkorn´s songs. voc. Natascha Osterkorn git. Sergej Denessjuk git. Nikolaj Jawir viol. Alexander Babenko perc. Alexander Drosdow

这套《The Best Of The Red Army Choir 苏俄红军合唱团最佳精选集》的曲目全部都在莫斯科录制，而且是完整的乐团规模，而且现在很少有剧场可以组织这样规模的乐团演出了，所以今天我们只能通过唱片聆听他们最佳时期的最佳曲目。 《The Best Of The Red Army Choir 苏俄红军合唱团最佳精选集》中收录的大多是苏联卫国战争歌曲，无论从历史的、文化的或是艺术的角度来看，都是音像制品中难能可贵的珍品。仔细欣赏这些精心编辑的优秀作品，不仅可以重温以及进一步了解苏联卫国战争中许多人们熟知和不鲜知的历史，作为音乐爱好者和一切正直的人们——不论是热爱苏联歌曲的中老年人，还是风华正茂的年轻一代，一定会得到不菲的收获并会受到心灵的震撼。 合唱音乐在音乐文化中占有一个非常重要的位置。合唱音乐在欧洲与俄罗斯有着不同的发展：在欧洲，教会音乐以乐队或管风琴伴奏，而在俄罗斯，教会音乐则以无伴奏形式演绎。1917年以后，苏俄建立后，国内宗教信仰受到压制，俄罗斯的合唱音乐经历了变化。工人、农民和士兵的歌曲与及革命和民歌等逐渐替代了教会和宗教仪式中的圣咏。合唱表演开始与军乐队的形式结合，一个新的音乐传统从而诞生。 这种类形的音乐主要于表白大会、革命庆典及军事检阅中演出。而红军合唱团就是此类音乐的最著名及最受欢迎的表演者。红军合唱团获政府的大力支持，同时又深受斯大林本人喜爱，所以合唱团能吸引到全国最出色的音乐演奏者参与。这新生的音乐模式后来还吸引了当时顶尖的作曲家与编曲家的注意。如著名的俄罗斯作曲家如达维安哥、克尼佩尔、拜尔列夫等皆加入创作此新音乐类型的行列

完美纪录,罪证齐全："All The Things She Said","Not Gonna Get Us","30 Minutes","All About Us","Friend Or Foe"全球冠军曲目 恶名昭彰,一次曝光：首度曝光单曲+欧洲歌唱大赛演唱曲+俄文原版+独家混音 “大家不是喜欢我们，就是讨厌我们，但是，没人能忽视我们的存在。”这是俄罗斯流行双人组合t.A.T.u.组团时的率性宣言。个性鲜明黑发美眉Julia与活泼好动红发美眉Lena，以百无禁忌的作风与超酷带劲的流行电子曲风在乐坛激起一连串惊叹号，带动新世代女子乐团革命。 2000年，暧昧单曲"Ya Soshia S'Uma"席卷俄罗斯；2001年"Nas Ne Dagoniat"称霸北俄各国；2002岁末，首张英文大碟‘200km/h In The Wrong Lane超速快感’问世，"All The Things She Said"狂飙全球12国排行冠军，接下来三年内，Lena与Julia魅力热翻天，从美国著名脱口秀,MTV电影奖到MTV欧洲音乐奖,MTV亚洲音乐大奖,世界音乐奖，再到FHM,Maxim杂志，处处可见她们亲昵的舞台动作与劲爆言行。 2006罪爱t.A.T.u.当然不能错过【THE BEST精选罪爱】，首首排行畅销曲完整纪录t.A.T.u.闯荡乐坛的惊世骇俗举动，其中包括引爆全球排行风暴的"All The Things She Said","Not Gonna Get Us"英文版与俄文版，"Like A Virgin"创作名家Billy Steinberg执笔劲歌"All About Us"，史汀跨刀弹贝斯的"Friend Or Foe"，献给日本乐迷的畅销曲"Gomenasai"，还有翻唱自英国经典摇滚队伍The Smiths的畅销曲"How Soon Is Now?"等，以及3首首度在国际市场曝光的作品。这张汇集t.A.T.u.不可思议流行乐坛大冒险的精选大碟，势将网罗全球乐迷的视线，因为罪爱与罪恶，由她们定义！

This is a different Caprice album - instead of the exquisite world of faerie, this time Anton Brejestovski's music speaks through Britain's best poets (Shelley, Byron, Wilde, Shakespeare, Wordsworth) about human passions - love and beauty, death and hatred. The concept of Simplicity is most breathtakingly revealed, and by so few instrumentalists, all of them Russia's top-notch musicians. And Inna Brejestovskaya's voice is more beautiful and passionate than ever. Band Members: Anton Brejestovski, Inna Brejestovskaya, Vladimir Bobovnikov, Blad Komissarchuk, Dmitry Gavrilin, Irina Stolyarova, Mariy a Voronina, Alexandra Korzina & Alexey Grigoriev Profile:Caprice is a neo-classical ensemble from Russia distinguished by Inna Brejestovskaya’s heavenly voice and acoustic sound (harp, flute, clarinet, violin, cello) with a touch of electronics. All music is composed by Anton Brejestovski. Probably the best known band’s project is the Elven trilogy – an attempt to show what the music of the parallel world of Faerie sounds like. The first two CDs are music illustrations to JRR Tolkien's novels, while the third part of the trilogy is sung in the unique language of Laoris. URL:

International pressing features one bonus track, 'Vsya Moya Lubov'. 13 tracks in all. Universal. 2005.