幼少より箏曲生田流の手ほどきを受け、東京芸術大学邦楽科卒業。NHK邦楽技能者育成会45期卒業、2002年及び2003年宮城道雄記念コンクール入賞など、一般的に遅咲きの感のある純邦楽界において、未だ20才代にしてその天分を発揮。その音楽的興味は純邦楽にとどまらず、ロックやポップスなどにも及ぶ。箏の才能はもちろん、自然や色彩からインスピレーションを受けるという彼女のサウンドは、まさに若い女性ならではのセンス。伝統的な生田流箏曲と若い女性ならではのサウンド・センスが見事にミックスした、まさに琴の未来を予感させる音楽。『世界ウルルン滞在記』の音楽担当＝手使海ユトロのサウンドプロデュースによって、ヒーリングポップをベースにした独特の世界を展開する。 千世子从少年时代就开始学习生田派古筝，后来毕业于东京艺术大学国乐专业,2002年和2003年在纪念宫城道雄的音乐比赛中获奖。在被认为一般都是大器晚成的日本国乐界，像她这样刚刚二十几岁就大放异彩者是非常少见的。千世子的音乐并非完全局限于日本国乐，对于摇滚和pops也多有涉及。她不仅仅拥有古筝弹奏的卓越技艺，还有那据说是从自然和色彩中获得灵感的音乐也是只有少女才有的感觉。她被称为是用千年的筝音抚慰着日本人心灵的“女神”。这张《森罗万象》，是千世子唯一发行过的一张专辑。从曲目名看就可以看出她是一个极富个性色彩的艺人。

土岐麻子が約1年ぶりに放つアルバムは、誰もが知っている曲をカヴァーした作品です。週末のドライブに、土岐麻子のふんわりとした雰囲気が、週末のドライヴに、家での何気ない時間に、さらっと聴けるアルバムです。山下達郎からケツメイシの大ヒット曲そして宮沢りえ主演CMでお馴染みの MAROON 5 に大リーグの歌までと幅広いくセンスの良い選曲が光ります。

Friendly Fire is the second studio album by Sean Lennon, released on 3 October 2006 by Capitol Records in the US, and Parlophone in the UK. It reached #152 on the US Billboard 200 chart and #5 in the Top Heatseekers chart.

两年磨一剑，迈入出道第10年的宇多田光，在2008年的春天推出久违两年的全新专辑《HEART STATION》。 经历了离婚之后Utada暌违两年新作~ 喜欢的Utada终于回来了!!!以轻熟女的迷人韵味唱腔迷惑情爱中女人的心 继畅销作〈Flavor Of Life〉、〈Beautiful World/Kiss&Cry〉后，宇多田再度推出一首听了忍不住热泪盈眶的唯美旋律，一首听了就想谈恋爱的动人情歌〈HEART STATION/Stay Gold〉。献给天下有情有爱的深情之人。 〈Stay Gold〉由全智贤、后藤久美子主演最新系列花王洗发精『ASIENCE』广告曲。 〈HEART STATION〉日本唱片公司直营手机铃声网站最新广告曲。

毕业于斯坦福大学电脑工程系的史逸欣[Vienna Teng]，02年夏天辞去了在硅谷大公司CISCO的工程师职位，成为一名职业原创歌手。六个月后，她出版了个人第一张专辑《清醒时分》[Waking Hour]。 04年2月，史逸欣出版了第二张个人专辑《亲陌爱人》[Warm Strangers]。 她五岁开始学习古典钢琴。“不像家里的其他孩子，我学钢琴是不用强迫的。一沾琴就来精神。”巴赫和萧邦的音乐对她早期产生过很大影响，使她对古典音乐迷恋至深。她甚至自作主张，将自己的名字改为维也纳[Vienna]。六岁时，她创作了自己的第一首曲子，到十六岁的时候，她自写自弹的乐曲已经足够可以录制一盘唱片了。 史逸欣的演唱风格纯朴，深情发自内心。她的音乐里交织着各种风格的音乐元素，民谣、蓝调爵士、New Age、经典摇滚等等，当然，她娴熟而优美的钢琴弹奏以及伴奏中的弦乐配器，又使其增添了古典音乐的色彩。 Vienna Teng - 史逸欣，一个来自美国旧金山的华裔女创作人，以她澄澈古典的美声与丰富温柔的钢琴创作，获得美国媒体乐评如AMG网站、娱乐周刊、华盛顿邮报等的大力赞赏。2002年个人首张专辑一推出，旋即获得美国各大媒体包括CBS、NPR、NBC、CNN等争相报导，受邀演出于美国艾美奖权威电视节目主持人David Letterman的节目"Late Night with David Letterman"，并曾与香岱儿、琼奥斯朋同台演出。一年365天，她有140天是在路上演出及打歌，甚至还为著名民谣歌手Shawn Colvin演唱会暖场4场。 极理性聪颖与感性温柔于一身的史逸欣，放弃美国西电脑软件工程师的高职，投身音乐创作与表演，希望能以歌声温暖每一个短暂相逢的陌路人。她澄澈古典的美声与丰富温柔的钢琴教美国乐评爱不释手。 史逸欣很早就展露她的音乐才华。五岁开始浸淫在巴哈与萧邦的古典钢琴世界里，六岁写下自己的第一首歌，十六岁高中时完成个人首张创作演奏专辑。大学时期的录音作品早在旧金山一带校园周边流传开来，口耳相传中她成为东岸地下音乐圈的学生才女。大学毕业前已完成个人首张专辑的录音制作。

Pink Martini--the genre-bending, best-selling, supremely talented, and raucously fun twelve-piece ensemble that the New Yorker calls simply "beautiful," sophisticated," and "breathtaking"--returns with Hey Eugene! a twelve-track sonic journey anchored by deft songwriting and a no-holds-barred dose of cabaret showmanship. "We're kind of like musical archaeologists, bringing melodies and rhythms from different parts of the world together to create something that is modern," explains bandleader, artistic director, and founder Thomas Lauderdale. Delivered with sultry grace by lead singer China Forbes, Hey Eugene! shines throughout--from the golden-era Hollywood melody of "Everywhere" to the French cabaret of "Ojala." Other collaborations anchor the set as well: the pan-world "Dosvedanya, Mio Bombino" with its Latin-meets-Russian beat and globetrotting subject matter, plus the Forbes-Lauderdale-penned sexy sway of "City of Night." Peruvian percussionist Martin Zarzar debuts the romantically complex "Mar Desconocido" and bassist Phil Baker adds the quiet beauty of "Cante e Dance." The group also mines the past for hidden gems, including the Japanese-language track "Taya Tan" and their first-ever recording in Arabic, "Bukra wba'do." Meanwhile, clever lyricism leads to an empowering dose of pop perfection on the title track by Forbes (about a boy she met at a party who asked for her number and never called). Finally, jazz legend Jimmy Scott makes a stunning vocal guest appearance in a duet with Forbes on the closing song "Tea for Two." With Hey Eugene! Pink Martini has returned with an exhilarating album full of uncompromising musicianship, hope, beauty, and joy!

Pink Martini’s fourth studio album — Splendor In The Grass — encapsulates the band’s history and spirit of global collaboration and inclusivity. Comprised of nine original songs and four covers (with songs in English, Neapolitan, Italian, French and Spanish), Splendor In The Grass was recorded in the band’s hometown of Portland, Oregon and produced by bandleader/pianist Thomas Lauderdale and longtime collaborator and muse Alex Marashian—a college cohort of Lauderdale and vocalist China Forbes. Pink Martini Personnel : China Forbes, vocals Gavin Bondy, trumpet Robert Taylor, trombone Nicholas Crosa, violin Pansy Chang, cello Dan Faehnle, guitar Phil Baker, upright bass Maureen Love, harp Timothy Nishimoto, vocals & percussion Brian Davis, congas & percussion Derek Rieth, congas & percussion Martin Zarzar, drums & percussion Thomas M. Lauderdale, piano Featuring the Harvey Rosencrantz Orchestra Produced by Thomas M. Lauderdale & Alex Marashian Recorded by Dave Friedlander at Kung Fu Bakery in Portland, Oregon, September 2008 �— July 2009. Mixed by Dave Friedlander with Guillaume Lejault (2nd engineer) at Studio de la Grande Armée in Paris, France, July 2009. Mastered by Bernie Grundman with Joe Bozzi (2nd engineer) at Bernie Grundman Mastering in Los Angeles, August 2009. Design & layout by Mike King at Crash Design in Portland, Oregon. Booklet cover photo by João Canziani. Photographs by Thomas M. Lauderdale & Peter Murray.

Gérard Darmon (born 29 February 1948) is a French-Moroccan actor and singer.

Ivo Livi, better known as Yves Montand, was an Italian-French actor and singer.

Soundtrack to the controversial film directed by Ang Lee following his Academy Award win for directing Brokeback Mountain. Lust, Caution is scored by renowned composer Alexandre Desplat, who was IFMCA's Film Composer of the Year in 2006 and a Golden Globe winner in 2007 for his work on The Painted Veil. Lust Caution is an espionage thriller set in WWII-era Shanghai. Asian cinema icon Tony Leung (Hero,In the Mood for Love) stars as Mr. Yee, a powerful political figure in 1940s Shanghai. Tang Wei, a rising star in chinese mainland, makes her feature film debut as Wang Jiazhi, a young woman who gets swept up in a dangerous game of emotional intrigue with Mr. Yee. Universal. 2007.

黑巧克力日记 作曲:黄湘怡 作词:黄湘怡 制作人:黄义达 这不是一个华丽的冒险 我没有威利旺卡金奖券 感受 黑巧克力般的苦甜 溶化在心田 黑色巧克力棒上的圈圈 溶着另一个梦想的起点 神秘烤箱散发出的香甜 倒数着时间 从掀开那刻充满着惊喜 一盒巧克力蛋糕的魔力 什么口味怎样的心情 唇边的日记 朋友的歌声围绕着蜡烛 吹一口气就把愿望抓住 在黑森林中弥漫的幸福 BIG DREAMS DO COME TRUE

《千年女优》是日本动画名家今敏的的第二部动画作品。此片在全世界影坛上获奖连连，并与动画大师宫崎骏的《神隐少女》同被日本文化厅多媒体艺术节选为当年年度最佳动画，今敏堪称当今日本最受瞩目的动画导演。《千年女优》不但在日本评价极高，海外更在加拿大与西班牙两地等的奇幻影展获颁最佳动画大奖、最佳突破导演奖及最佳亚洲电影奖。 负责本片音乐制作的平泽进，非常崇尚以自然阳光为制作音乐的基调，但同时也会加入极尽炫丽的现代科技手法。 2000年他初试啼声的作品即轰动日本，2002年则再以《千年女优》主题曲及电影音乐获奖。《千年女优》电影原声带随着影片上映，在日本同步发行，获得众多影迷与乐迷的盛大回响。原声带有12首曲子，包括一首电影主题曲和MTV。 风靡一生的女明星藤原千代子，三十年前当红之际，突然从银幕消声匿迹… 三十年后，千代子的影迷费尽千辛万苦，终于在人烟稀少的寂静山庄中，找到了隐居数十年的她，并献上了一把千代子当年不慎遗失的神秘钥匙。 神秘钥匙宛若开启了记忆之门，引领千代子划入回忆的大海，挖掘出一段她从不为人知的爱情故事。那故事像是从千代子辉煌年代的河流溢出，一路流向她无数的电影与映像汇集而成的海洋；也像从遥远的战国时代奔驰而来，再闯进无边无际的时空未来… 而倾听入神的影迷，则随著千代子在记忆的逆流波谷间摆荡，体验她那令人怜惜的悲欢爱情；更在波涛汹涌的时空浪潮中，猛然惊觉到那股横亘千年的浓绵相思….。到底被千代子封锁隐藏的记忆是什么？而神秘钥匙又会开启她什么重要秘密？那正是在无情的时间洪流里，当记忆与爱情最灿烂交会时，所浮现出最真实且永恒的一代巨星千代子…

Director Fred Cavayé about his work with Klaus Badelt: “It is a fantastic opportunity to be able to work with such a big name for the first time. Klaus is a man who has worked with Terrence Malick and Michael Mann, and this is the first time that he has composed music for a French film. He liked the screenplay as soon as he read it and he accepted task of composing the soundtrack. On a personal level, it is a joy to work with him. His music is part of the intensity and the emotion of the action and takes it to a higher level. His music embodies and conveys all the implicit details which were at the fringes of the action. Suddenly, it was as if the stage directions were recreated on screen. The fact that we had so little time made us look at the heart of the matter. Klaus is a person who works without involving his ego, he dedicates himself to the film and gives everything to benefit the story. We made the recording at Abbey Road with key musicians and I confess that I felt a shiver go down my spine when I found myself confronted by forty violins playing the theme tune, there, right in front of me.”

Featuring a colorful and inspiring score by Nicholas Hooper, the soundtrack to Harry Potter and the Order of the Phoenix takes the movie-goer to the next level of magical enchantment right along with Harry and his friends.

Harry Potter and the Goblet of Fire, the fourth film (and soundtrack album) in the massively successful Harry Potter franchise-nearly $1 billion in U.S. box office alone-features a score by Academy Award-nominated composer Patrick Doyle and three songs written by modern rocker Jarvis Cocker, and performed by Cocker, Jonny Greenwood, Phil Selway, Steve Claydon and Jason Buckle-with all these musicians also appearing in the movie.

CD enhanced with exclusive wallpaper and screensaver, flip book of stills from film, exclusive link to demo of new EA Harry Potter video game, Golden Ticket Contest: Winner receives trip to Hollywood to tour WB lot and museum, pull out poster. -------------------------------------------------------------------------------- Track Listing 1. Lumos! (Hedwig's Theme) (1:37) 2. Aunt Marge's Waltz (2:15) 3. The Knight Bus (2:52) 4. Apparition on the Train (2:15) 5. Double Trouble (1:37) 6. Buckbeak's Flight (2:08) 7. A Window to the Past (3:54) 8. The Whomping Willow and The Snowball Fight (2:22) 9. Secrets of the Castle (2:32) 10. The Portrait Gallery (2:05) 11. Hagrid the Professor (1:59) 12. Monster Books and Boggarts! (2:26) 13. Quidditch, Third Year (3:47) 14. Lupin's Transformation and Chasing Scabbers (3:01) 15. The Patronus Light (1:12) 16. The Werewolf Scene (4:25) 17. Saving Buckbeak (6:39) 18. Forward to Time Past (2:33) 19. The Dementors Converge (3:12) 20. Finale (3:24) 21. Mischief Managed! (12:15) Celeste: RANDY KERBER Early Music Instruments: THE DUFAY COLLECTIVE Chorus: LONDON VOICES Children's Choir: THE LONDON ORATORY SCHOOL "Double Trouble" includes performance by LONDON SINFONIETTA Music Recorded & Mixed at ABBEY ROAD STUDIOS, LONDON, March 2004 Total Playing Time: 68:38 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ John composed "Double Trouble" during the production of the film as we decided that a children's choir would be a warm welcome back to Hogwarts. The theme, a melodic mischievous close cousin of the "Hedwig's Theme" composed around text from Shakespeare's "Macbeth", became the foundation stone for the rest of the film score. Its medieval color became the musical identity of the wizarding world in this third installment of Harry Potter. John juggled these medieval motifs with a late 19th century rossini-esque narrative, a delirious big band Jazz number, and 20th century music (which we both share a love for). How he managed to create a unity out of it all, beats me! It was a great privilege to witness, as the scoring sessions unfolded, music breathing life into what has become a much better film. Gracias Maestro! Alfonso Cuaron, Director