People of the Jasak village, near mountain Fruška Gora (Yugoslavia/Serbia), show how they undertook operations against the Axis forces during WWII. They tell about the dramatic events, how they helped hide partizan troops and how younger villagers joined partizan troops in Bosnia.We listen to recolections of the Nazi imprisonments, persecutions and torture. In the last quarter of the movie people talk of the events from 1944. when the village was freed and the Russians went through their village. They remember the joy and great hope for the arrival of freedom and socialism.

Žilnik takes his camera to Šabac Fair, one of the largest flea markets and festivals in the Balkans, to meet with the people who run it. Cutting between tradespeople, performers, musicians, and fair employees, Žilnik highlights its chaotic and cooperative community.

Žilnik invites six homeless men to his flat for a few days (surprising his wife). He asks officials and people on the street if someone can help them, this being SFRJ, a state officially without those left on their own. At the end, the six men come to the conclusion that no one can help them.

SFRJ (Socialist Federative Republic of Yugoslavia) was officially a place where everyone has a job and a house. The story follows hard labored workers who can't find a job, who bathe in public bathrooms and sleep in homeless centers.

导演库斯图里卡自2005年开始，用两年的时间拍摄了这部关于球王马拉多纳的记录片。本片多次使用了导演昔日作品《你还记得多莉贝吗？》、《爸爸出差了》以及《黑猫白猫》中的电影片段。马拉多纳的“世纪进球”因背后巨大的意义而反复在电影中出现。 马拉多纳深受球迷爱戴，阿根廷有所谓的“马拉多纳教堂”用以表达球迷的信仰，意大利那不勒斯的人们无法忘记马拉多纳为他们带来的荣光。退役后的岁月里，马拉多纳与卡斯特罗结为好友，在查韦斯身边怒斥布什。那段吸毒引发生命垂危的经历，那些身边亲人朋友的支持，马拉多纳都在镜头前娓娓道来，库斯图里卡用他的电影，展示了这位传奇球王鲜明又特异的魅力。

After many adventures, a young female switchboard operator starts a love relationship with a serious young man. But while he's away on business, she gets lonely and succumbs to her colleague's passes.

本片是一部关于南斯拉夫乐队“无烟地带”的纪录片，由南斯拉夫著名导演埃米尔•库斯图里卡（Emir Kusturica）执导，他作为该乐队的贝斯手也出现在影片中。影片记录了“无烟地带”乐团2000年在欧洲巡演的经历，中间夹杂着乐手们关于成长历程的叙述，以及后台闲谈、排练的片段。影片结构也很有特色，乐队前台表演的画面使用彩色胶片拍摄，而表演后台的花絮以及乐队自述都采用粗糙的黑白影像来表现，形成强烈的对比。乐团一路欢唱，将巴尔干庞克的狂野与疯癫、欢乐与凄苦充分表现在他们的嬉笑欢腾与玩世不恭中。在巡演过程中，他们坚持追寻南斯拉夫的音乐根源，并希冀加入现代的摇滚元素重新构建自己的独特音乐风格。 本片获得2001年美国芝加哥国际影展最佳纪录片银盘奖。

1995 film directed by Emir Kusturica