2012年TBS电视台冬季日九日剧，由本木雅弘主演，松隆子、真木阳子、大森南朋、长谷川博己、原田泰造、北大路欣也等豪华卡司共演，改编自山崎丰子的原作，作为TBS电视台的60周年台庆剧 直到被逮捕的这一刻，明星记者弓成亮太才发现自己将那份关键电文交出去，实在是大错特错！这份文件与纠葛多年的日美冲绳归还谈判有关，当弓成在外务省女事务官三木昭子固定拿来的资料中，看到仅限外务省高层传阅的「极机密」电文时，敏锐的新闻直觉立刻告诉他，其中一定有不为人知的大内幕！经他明查暗访之下，发现政府竟然与美国偷偷签订了密约，这种欺骗人民的行迳令他无比愤慨！ 但是为了避免消息来源曝光，弓成的报导始终不敢写得太露骨，眼看引起的舆论回响有限，他乾脆心一横，将文件影本交给了新进议员，怎料议员在质询时居然一字不漏地念出内容，还高举着那份写有弓成笔迹的机密资料，完全暴露了弓成和三木的身分！ 一时失算连累了消息来源，满腔热血却被当成政争工具，对一向自傲的弓成来说，这是他身为记者最大的失误！然而这时的他并不知道，未来他将失去的，除了珍视的家庭、名誉，还有他视为天职、无可取代的记者生命…… 人们往往透过媒体来看世界，然而身为记者，在维护大众知的权利与私我情感之际，宛如冒险行走于理想与现实的悬崖边缘。记者出身的山崎丰子在跨入文坛五十馀年后，终于以代表「第四权」的记者为题材，写出了背负一生的志业，更让我们看见面对扑天盖地袭来的巨浪，淼小的个人如何挺身而出，力搏命运！

根据2009年普利策奖获奖小说改编。 海岸，平静的克劳斯比小镇，脾气暴躁的奥丽芙·基特里奇有一个“好好先生”式的丈夫和一个与她日渐疏远的儿子，生活看上去水波不兴，却有股股暗流涌动。 在镇上，奥丽芙也有意无意地充当了其他人生命中的过客：一个想自杀的忧郁青年，一个患上厌食症 的年轻女孩， 一个数年如一日在酒吧弹琴的未嫁女子……这些怀着饥饿、揣着梦想的人们，在欲望与寂寥之间挣扎徘徊。她冷眼看待这个世界，也分外清醒地咀嚼着人生的孤独和难堪。

In Manhattan, a bike messenger picks up an envelope that attracts the interest of a dirty cop, who pursues the cyclist throughout the city.

2009 film by Takeshi Koike

Between reproaches over past problems that were never resolved and the uncertainty of a future that is relentlessly coming closer, a young couple takes a trip that will leave them at the beginning of a new life.

二战后，英国律师William Collyer（西蒙·拉塞尔·比尔 Simon Russell Beale 饰）的妻子Hester Collyer（蕾切尔·薇兹 Rachel Weisz 饰）邂逅了退役的飞行员Freddie Page（汤姆·希德勒斯顿 Tom Hiddleston 饰）。生活空虚寂寞的Hester和年轻英俊的Freddie陷入了一段不伦之恋。此事不久即被Hester的丈夫William发现。后来，Hester认为Freddie不再爱她了，于是尝试自杀。她没有成功，Freddie在读完她的遗书后勃然大怒。最后，Freddie终于决定离开她，去一个遥远的地方继续他的飞行员生涯。Hester只能望着Freddie离开的背影黯然神伤......

影片展现美国传奇诗人艾米莉·狄金森的一生。

A vibrantly kinetic portrait of New York's Times Square, shot through technicoloured filters, by Tomonari Nishikawa

山手線是日本最繁忙的鐵路路線之一，本片拍攝當時行經29個車站，在東京市中心環狀運行。片中以東京站為起點，惠比壽站為終點，順時針記錄沿途十個車站的月台風景。在攝影機內部操作的視覺效果，結合多層次音軌，既增強場域的實感，也突顯了記錄聲音和影像的工具本身。

2012 film by Raymond Depardon

During a harsh Montréal winter, an elementary-school class is left reeling after its teacher commits suicide. Bachir Lazhar, a charismatic Algerian immigrant, steps in as the substitute teacher for the classroom of traumatized children. All the while, he must keep his personal life tucked away: the fact that he is seeking political refuge in Québec – and that he, like the children, has suffered an appalling loss.

Season 2 will no doubt be a redemption story. While the team will face struggles, Ted’s illuminating, yet often frustrating kindness will encourage the team to move forward. As Ted believes, everything will work out the way it’s supposed to. Struggling to adjust to their lower league status, Ted focuses the team’s attention toward leaving behind their losing streak. Ted adjusts to his life without his now ex-wife Michelle and his young son, Henry, who have returned to the US. A psychologist named Sharon joins the team. The lovable Keeley Jones and newly retired Roy Kent continue dating. Roy is adjusting to his new life on the sidelines. As for Rebecca Welton starts dating again.

Slowly but surely, Ted makes England his new home. Throughout the season, the down-on-their-luck players cannot help but be charmed and inspired by Ted. Even team owner Rebecca Welton who initially hired Ted to tank the team’s chances and to annoy her cheating ex-husband, was moved by Ted’s boyish innocence, determination, and outrageous tea biscuits.

「身替座禅」 作：岡村柿紅 初演時、山蔭右京を演じた六世尾上菊五郎と、その妻玉の井を勤めた七世坂東三津五郎のコンビが大当りを取った演目を、それぞれの孫と曾孫にあたる、十八世勘三郎、十世三津五郎が同じ役を勤めます。また、夫婦に振り回される太郎冠者を十代目幸四郎が演じます。衾の下で怒りに震える玉の井と、ほろ酔い加減に舞う右京の浮かれぶりとの対比が面白い、ユーモア溢れる狂言舞踊です。

A European director is making a film with children from a social center in Tangiers. Because of his methods, his relationship with the children during shooting degenerates and transforms the evolution of the project.

A devoted wife and mother is forced to reassess her reverence for her husband after she finds another woman’s thong in his laundry.

A round chamber in a park, where five women perform a ritual they know well. The queen gives her nectar. Yet a new cycle is already under way.

"De Natura" is an improvised poem, a peaceful and cheerful walk taken by two little girls in the middle of the nature, away from the eyes of grown-ups. But the joy gradually starts disappearing and the reverie becomes nostalgia, while at the edge of the road, among the rotting summer fruit, faint faces appear. The cycle of life does not diminish the magic of the world, no matter whether it is lit by the moon or by the sun.

Working at the limits of what can easily be expressed, filmmaker Peter Mettler takes on the elusive subject of time, and once again turns his camera to filming the unfilmable. From the particle accelerator in Switzerland, where scientists seek to probe regions of time we cannot see, to lava flows in Hawaii which have overwhelmed all but one home on the south side of Big Island; from the disintegration of inner-city Detroit, to a Hindu funeral rite near the place of Buddha's enlightenment, Mettler explores our perception of time. He dares to dream the movie of the future while also immersing us in the wonder of the everyday. THE END OF TIME, at once personal, rigorous and visionary, Peter Mettler has crafted a film as compelling and magnificent as its subject.