In the heart of a botanical garden in a medieval university town in Germany stands a majestic ginkgo tree. This silent witness has observed over a century the quiet rhythms of transformation across three human lives. At three distinct moments across the 20th and 21st centuries, these people — each carrying their own questions and inner struggles — inevitably find themselves drawn into the presence of this tree, full of mystery and meaning.

An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese "rental family" agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.

After losing their son Hamnet to plague, Agnes and William Shakespeare grapple with grief in 16th-century England. A healer, Agnes must find strength to care for her surviving children while processing her devastating loss.

故事设定在《废头》世界的1042年前，以机器人“罗宾”作为主角。罗宾原本作为护卫，随同调查队长特里斯前往地下世界调查异常情况。尽管肩负保护特里斯的使命，但调查队却遭到了人工生命体马里甘的邪教组织“吉拉教”的袭击。在压倒性的战力差距下，调查队陷入苦战。然而，在这场激烈的交锋中，他们发现了次元的扭曲，并逐步揭开地下世界隐藏的秘密与异变的真相。

イシグロが1982年に発表した「遠い山なみの光」は自身の出生地である長崎を舞台に、1950年代の同地と1980年代のイギリスを交錯して記憶の秘密が紐解かれるヒューマンミステリーだ。主人公は日本人の母とイギリス人の父を持ち、ロンドンで暮らすニキ。大学を中退し作家を目指す彼女はある日、母の悦子が1人で暮らす郊外の実家を訪れる。長崎で原子爆弾を経験し、戦後イギリスに渡っていた悦子は、最近よく見るという夢についてニキに語り始める。それはまだ悦子が長崎で暮らしていた頃に知り合った、ある女性とその幼い娘の夢だった。

本片改编自吉田为了采访3年，穿着歌舞伎的黑衣进入后台的经验而写出的长篇小说，出生于任侠一门、投身于歌舞伎世界、将青春献给演艺之路的喜久雄，赌上自己的生命去追求无尽的梦想的宏伟故事：舞台是从战后到高度经济成长期的日本。出生于任侠家族的喜久雄，遭遇了数奇的命运，被拽到歌舞伎演员的家中。不久后，在动荡的人生中，他作为歌舞伎演员的才能开花结果。

After failing to avenge her father's murder, Princess Scarlet, wakes up in the "Land of the Dead." In this world filled with madness, if she does not achieve her revenge against her nemesis and reach the "No End Place," she will become "Void" and cease to exist. Can Scarlet find a way to live at the end of her endless journey?

1988年，基隆港烟尘蔽日，林小丽（白小樱 饰）在迷惘中长大，渴望逃离黑暗。 直到遇见无惧眼光、自在生活的李莉莉（林品彤 饰），她才第一次看见世界的色彩。 然而，这份向往却触动了母亲（汤毓绮 饰）的过往创伤。 当年，她也曾憧憬未来，却被现实困住。 女孩与女人，在交错的命运中互相映照，像一面镜子照出彼此的伤却无能为力。

In 1987 Tokyo, a quirky and sensitive 11-year-old girl copes with a terminally ill father and stressed-out working mother while encountering various adults dealing with their own struggles.

Two dandelion balls are the only survivors of a series of nuclear explosions that are destroying the Earth. At the end of their odyssey, they will find a new soil for the survival of their species.

Originally formed amidst the chaos of the 1970 Kent State anti-Vietnam War protest killings, the not quite new wave band Devo scored a hit with "Whip It" and gained mainstream success with their message of societal "de-evolution."

Tennis player turned coach Tashi has taken her husband, Art, and transformed him into a world-famous grand slam champion. To jolt him out of his recent losing streak, she makes him play a “Challenger” event — close to the lowest level of pro tournament — where he finds himself standing across the net from his former best friend and Tashi’s former boyfriend.

2021 film

When a 13-year-old is accused of the murder of a classmate, his family, therapist and the detective in charge are all left asking: what really happened?

blur played two massive headline shows at Wembley Stadium in London last summer. These historic and emotional dates will be captured in a forthcoming concert film called Blur: Live At Wembley Stadium.

2024 American drama film

After his shot at a record deal falls through, Jun transfers to sleepy Nagoya and begins busking songs by his favourite 1970s glam rock band, Exne Kedy. The music catches the eye of fellow fan Ibuki and the pair soon fall in love over their shared musical taste. But as responsibilities mount, they drift apart… Until Exne Kedy announces a reunion tour. Part teenage romance, part fictitious vehicle for Ide Kensuke and producer Yo Ishihara’s latest project (of Boris and Ogre You Asshole fame), Daisuke Miyazaki’s Plastic is a colorful, rock-inflected coming-of-age tale.

Desert of Namibia follows a bipolar young woman who burns the candle at both ends. A portrait of an unidealized Tokyo gen-Z, that surprises with its incredible energy and irreverence.

Tú me abrasas is an adaptation of “Sea Foam”, a chapter from Cesare Pavese’s “Dialoghi con Leucò” published in 1947. The ancient Greek poet Sappho and the nymph Britomartis meet beside the sea and have a conversation about love and death. Sappho is said to have thrown herself into the ocean from lovesickness. Britomartis apparently tumbled off a cliff and into the water while fleeing from a man. Together, the two discuss the stories and images that have emerged around them to try and understand, at least for a moment, the bittersweet nature of desire. The film adapts not only the text but also footnotes and gaps in the story. For example, the fact that, in 1950, a desperate Pavese committed suicide in a hotel room with this book by his side. Or that Sappho’s poems have survived only in fragments. Or that sea foam is historically and scientifically associated with fertility and bacteria, that is, with life itself. “Everything dies in the sea and comes back to life,” says Britomartis. Tú me abrasas introduces new readings and translations that go beyond the myths by Pavese and Sappho.

It features the director’s voiceover as an introduction to the feature.