In a nameless small Chinese city, a regular mother tries to find her missing daughter, in this gentle night.

2018 film directed by Yōji Yamada

Miyuki Asakawa tells her colleague Etsuko Yamagiwa that she has a ghost in her home. When Etsuko goes to Miyuki's home, there is only Miyuki's father there. Etsuko becomes worried about Miyuki's state of mind, and she takes Miyuki to the psychiatric hospital where her husband, Tatsuo, works. There, Miyuki receives a diagnosis that she lacks the concept of "family." Later, Etsuko tells Tatsuo that she is not comfortable with Dr. Jirō Makabe. Tatsuo introduced her to Dr. Makabe earlier at the hospital. Etsuko has a feeling of unease about her husband working with Dr. Makabe. One day, Etsuko hears Dr. Makabe state "I came to Earth to invade."

电气厂工头小郑和小袁租住于小学教员刘先生的旧洋房的二楼，焦大毛与养女燕姑住三楼，刘先生自住一楼。燕姑包办了小郑和小袁的饭，三人间产生了三角恋爱。因燕姑不肯与一富商往来，焦大毛毒打燕姑，小郑让燕姑躲进自己的房间。小袁听得小郑熟睡，便欲对燕姑非礼。小郑惊醒，与小袁争斗，刘先生、焦大毛相继惊动，小郑抢出燕姑远走他乡。小袁千方百计找到小郑，二人大打出手被捕入狱。抗战爆发，二人提前出狱参军，小袁不幸牺牲……

Areum sits in a small café, typing on her laptop. Around her, customers enact various dramas from their lives. Is she writing what she hears or is she hearing what's been written?

2017 film by Sean Baker

An aging movie actor who is preparing to shoot a death scene finds himself visited by the spirit of a dead, long-ago lover.

Fumi and Kazu have a lot to teach us about love. When they decide to stick their necks out and create the first LGBTQ+ law firm in Japan, they are drawn into the lives of people searching for protection and support. Despite their own relationship having no legal status, they work pro-bono for long hours, all the while foster-parenting a teenager. We meet with a colourful cast of misfits, dissidents and artists – from a delightful eccentric being prosecuted for her kitschy vagina sculptures, to a troubled outsider who, as the child of an ‘immoral woman’, has no legal identity. A saying is repeated throughout the film, that one must ‘read the air’ – conform to the tacit conservatism that forbids sexual diversity. With love, humour and serious legal chops, Fumi and Kazu do exactly the opposite.

高校女生情窦初开，班房遇上足球健将更衣诱惑，你以为纯爱故事即将发生？且慢，女主角虽像广濑铃般清纯可爱，但以为她只会卖萌卡哇伊就太天真，暗恋的他失踪，少女决意走到东京找真相，发现他与沉迷大众文化的另一少女打得火热，她只好浸在浴缸狂吃柠檬。别期待在世界中心呼唤爱，她只会在新宿街头与疯男狂呼爱情是谎话，在车站捉住情侣跳只萌过《逃耻》的恋舞。 鲜活技法创出另类少女浪漫，获日本PIA 电影节观众票选大奖。

film directed by Kazuhiro Soda

遇上一个人的概率是二十四万分之一，能成为密友大概更是天文数字。 Miruyi 经常被欺凌而患上选择性缄默症，她收养一条蚕虫作情感寄托。转校生Tsumugi 来到，成为Miruyi 的奇迹。谜样的Tsumugi 很难捉摸，更自带虫属性。廿五岁导演枝优花拍出暗黑寓言版的《花与爱丽丝》（2004），讲欺凌的电影很多，却说不出这种切肤之痛。撕开芳华的外衣，青春只是利用和背叛，成长教我们把脆弱的心围得密不透风。

A tale of twin girls, Dóra and Lili, who are born in 1880 Budapest at the same moment Thomas Edison presents his electric lightbulb to the world. The sisters are soon orphaned and separated in childhood, and follow different paths: one grows up to be a naïvely idealistic, bomb-toting anarchist, the other a pampered, hedonistic courtesan. Their paths cross once again on the Orient Express on New Year's Eve 1899...

某所高中，平凡女孩若草（二阶堂富美 饰）看不惯前男友观音崎（上杉柊平 饰）欺负同班同学山田（吉沢亮 饰）的行为，经常出手干预。山田感念若草的仗义，决定和她分享不为人知的宝藏——一具躺在河边芦苇从中腐烂到只剩骨殖的尸体。另一个知道这个秘密的是两人的学妹，年纪轻轻就步入模特圈的吉川（浅野堇 饰）。看似光鲜的吉川为了保持身材，常常暴饮暴食后催吐。观音崎脑中只有暴力和性欲，他和若草的好友小山（土居志央梨 饰）搞在一起，沉湎堕落。可爱女孩田岛（森川葵 饰）是山田的小迷妹，这个没有自我的女孩终于发现对方根本不在意她的存在…… 本片根据冈崎京子的同名漫画改编。

When his wife, the outspoken feminist Miyuki Takeda, announced that she was leaving him in order to find herself, Kazuo Hara began this raw, intensely personal documentary as a way to both maintain a connection to the woman he still cared for and to make sense of their complex relationship. Granted at times shockingly intimate access to Miyuki’s personal life, Hara follows her wayward journey toward liberation as she explores her sexuality with both men and women, becomes pregnant and raises a family as a single mother, and grows increasingly disenchanted with the constraints of traditional social structures.

Kenzo Okuzaki, a 62-year-old veteran of the New Guinea campaign in World War II, sets out to conduct interviews with survivors and relatives to find the truth behind atrocities committed while the Japanese garrison was surrounded, in particular the unexplained killing of two Japanese privates in his unit.

大坂府泉南地区，明治末年开始发展成石棉重镇，战后更是石棉工厂林立。2005 年「久保田震撼」令日本民众意识到石棉问题严峻，不只石棉工人罹患致命肺病比率超高，连员工家属及工厂周边居民亦深受其害。政府早知石棉危险，却以经济发展为先，对致病风险视若无睹。泉南受害民众决定控告政 府，原一男以三个半小时篇幅，把个桉数字还原为一个个有血有肉的人，都有喜怒哀乐，有人以抱病之躯坚持诉讼，有人等不到裁决已病逝。民众代表柚冈一祯没有《祭军魂》的奥崎谦三那麽激进，但同样是愤怒的行动派，上书首相府，誓要有关官员对石棉祸害承担责任。

【纪录片.NHK.失落的葛饰北斋.The.Lost.Hokusai.2017】 葛饰北斋（1760年-1849年），日本江户时代的浮世绘画家，代表作《富岳三十六景》，其中《赤富士》和《神奈川沖浪里》最为知名。近三米宽的《须佐之男命厄神退治之图》是北斋生前最后一副作品，1923年关东大地震时毁于火灾，只留下黑白照片，本片讲述日本匠人采用传统技法与最新科技复原画作。

A look at famous Japanese animator Hayao Miyazaki following his retirement in 2013.

Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.

There are two worlds in this house. One where a mother and daughter reside, and another where two women reside. The two worlds begin to cross, gradually disrupting the lives of those involved. What will happen when everything connects?