Set in 1926 when Japanese tradition was much stronger, this drama looks at the inner workings of a small family, especially the relationship between a sister and brother.

出演过「渴望」「劇場版零」等电影的模特森川葵与菅田将暉共演的青春电影。以大島真寿美的同名小説为原作、讲述孤独的少女与喜欢电影的青年，通过旅行获得重生的故事。是一部向著名导演费里尼的名作「道路」致敬的作品。

A monumental traffic jam serves as the backdrop for the lives of the inhabitants of a Swedish city.

Learning of his family's collapse, acolyte Goichi, sent to study silently at the Temple of the Golden Pavilion, must endure acute psychological distress.

The film represents life in a godforsaken Russian village. The only way to reach the mainland is to cross the lake by boat and a postman became the only connection with the outside world. A reserved community has been set up here. Despite the modern technologies and a spaceport nearby the people of the village live the way they would in the Neolithic Era. There is neither government nor social services or jobs. The postman's beloved woman escapes the village life and moves to the city. Postman's outboard engine gets stolen and he can no longer deliver mail. His normal pattern of life is disrupted. The postman makes a decision to leave for the city too but returns before long with no certain reason. The script is based on real characters' stories. People from the village play their own parts in the film. The search for the protagonist lasted for over a year.

An optician grapples with the Indonesian mass killings of 1965-1966, during which his older brother was exterminated.

马可（贝诺特·波尔沃尔德 Benoît Poelvoorde 饰）在一次出差时因为误了火车而邂逅了名为西尔维（夏洛特·甘斯布 Charlotte Gainsbourg 饰）的美丽女子，两人相见恨晚，在临别之际，他们约定日后在巴黎见面，可是两人既没有交换电话亦没有留下姓名，这段缘分在阴差阳错之下被尘封在了时间的记忆之中。 马可一直没有忘记西尔维，他旧地重游，希望能够得到西尔维的消息。之后，马可结识了古董商索菲（基娅拉·马斯特洛亚尼 Chiara Mastroianni 饰），后者的独立与知性深深的吸引着马可。随着时间的推移，他们走到了一起，并且决定携手步入婚礼的殿堂，然而，就在这个节骨眼上，马可震惊的发现，索菲竟然是西尔维的姐姐。

1951 film by Mikio Naruse

1973 American crime film directed by Terrence Malick

某天晚上，为了撮合治虫（圆谷健太 饰）和裕子（後藤ユウミ 饰），直树（上田祐挥 饰）、里美（国武绫 饰）、隆（泽村大辅 饰）、香织（柴田千紘 饰）、裕太（松泽匠 饰）等时尚男女在直树的哥哥浩二（新仓健太 饰）及其女友智子（若井尚子 饰）的家中举行了一个派对。四个小时后，派对在尴尬的气氛中结束，众人各回各家，但是复杂的情感漩涡却已将他们深深卷入其中。治虫将裕子带回家中，两人笨拙地走到了一起。浩二不满智子冷落了直树的女友里美，为此大发脾气。派对中直树专心玩游戏，倍感落寞的里美怀疑男友不再专情于自己。隆向香织表白，竟意外得到肯定答复。 欢声笑语，口是心非，男男女女万事皆备，除了真情……

1962 Japanese film by Yasujiri Ozu

2014 film directed by Lou Ye

film directed by Toshio Matsumoto

1979 film by Toshio Matsumoto

Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.

ĀTMAN is a visual tour-de-force based on the idea of the subject at the centre of the circle created by camera positions (480 such positions). Shooting frame-by-frame the filmmaker set up an increasingly rapid circular motion. ĀTMAN is an early Buddhist deity often connected with destruction; the Japanese aspect is stressed by the devil mask of Hangan, from the Noh, and by using both Noh music and the general principle of acceleration often associated with Noh drama.